I don't know a good way to find out about this. I have a 1976 McSpadden kit dulcimer. The guy I got it from was happy because he knew I'd play it. I swear this dulcimer has been out on camping trips and to parties. Everytime I play it, it's like "Let's jam!!!"
my question is, do you notice this with old dulcimers? I'm thinking about the really old ones now. Do certain ones just feel like it should be party time?
Okay. I replaced the bridge and thanks for telling me where to find those. I've put new strings on it. I'll play it awhile and see if I like it. I'm going to try replacements on that Dulcimer Factory one that I started out with. The action is too high and it's worth a try. Thanks for all the help!
Just finished reading this, which is about the life of David Schnaufer but also about the dulcimer community. I found it interesting. Got a Kindle copy through Amazon.
I think I will try and put grooves on that bridge. I can look at my Ron Gibson and get an idea of what they should look like. Managed to snap the bass string but already have an order on the way for tomorrow. At least I reviewed how to string a scroll head and I know what I'm doing wrong. It needs a little tweaking.
I am thinking it might have been sold noter style just because of the accessories. My Dulcimer Shoppe dulcimer has a label that said it is a kit. Ithoughtthat might be a common thing. It's possible that I flipped the bridge as it is loose in the slot . But I'm pretty sure the squared off side should go in the slot. The nut slipped over when I was restringing it. I think I will put it all back together, tune it and see what the action is like. If it seems high, I'll probably try putting in grooves. I'll take it slow and try not to cause any damage. Thanks!
I don't see anything on the Folkcraft site that indicates that they made "noter style" instruments. Almost any Appalachian dulcimer can be played with either a noter or the fingers.
Since the builder of a kit can glue any label inside, there is no reason to expect to see "made from a kit" inside. A label is simply a label.
Did you, by any chance, flip the bridge over while changing strings?
I managed to delete the entire thread while trying to delete a draft. Will try again with pictures.
This is a 1987 Folkcraft dulcimer. It was made in Connecticut and might have been sold as a noter style dulcimer. It's not marked as a kit and everything seems to be well finished. One side of the bridgre is squared off and the other rounded. I didn't see any grooves on either side.
These are geared tuners, so I think I may just replace them. Will probably pick up a replacement bridge and nut too. It was well loved and modified. I figure it might be a good idea to replace those parts too. Thanks for your help!
I have a 1977 Dulcimer Shoppe kit dulcimer. When I got it, it wouldn't stay in tune because the tuners wouldn't hold when tightened. I found out how to tighten the screw on the tuner and that has helped. But it doesn't stay in tune like my dulcimers with newer tuners should zi just replace them? How hard is it and where would I go for replacements?
Haven't posted much since 2018 when I was first here. I did move, but to Kansas, not Tennessee. I haven't been playing at all but since I did finally retire, I decided it was time to try again. Glad to see this group is still active.
My husband sent me a link to the Facebook marketplace yesterday. There was a dulcimer for $40. I felt sort of sorry for it and checked to see if it was still available. All I had to go on was that there was a label with a date of 1976 and that it was from Arkansas. I picked it up today. The owner bought it in the 70s, played a bit then just kept moving it with him. He decided it was time to let it go.
It's from the Dulcimer Shoppe, March 1976 and the label says the builder was A. Morris. It's walnut plywood, with those metal pegs that are slipping right now. And it needs new strings. Can I call it a McSpadden?
I could open another can of worms by asking when you can consider yourself a musician :)
I find myself looking at a number of lessons on Dulcimer School for Intermediate and Advanced. They may be above my current skill level, but they give me an idea where the gaps are in my knowledge. Sometimes, it's something I've never even heard of. I know musicians use riffs to fill in a melody, but I'd never considered learning a few to add to what I play. I had no idea there was such a thing in the dulcimer world. That's the tough thing about being a beginner when you aren't taking lessons from someone in person. Sometimes it's something you can pick up from watching someone else play, even if it's just a video.
There was a discussion earlier about people continuing to refer to themselves as beginners, even though they were no longer beginners skillwise. I'm curious as to how someone would determine that they have in fact progressed beyond the beginner stage. What skills are necessary before you can call yourself an intermediate? Is it simply attitude? Confidence?
I did not know about the Stephen Seifert workshop! I signed up for it. It's going to be tricky. We are trying to get our house on the market and really wanted to get moved out of the area. I'm gambling that I will be here for the workshop.
I'm really infatuated with Southwind right now. Still working on playing it.
I don't normally name things like this (and I don't really name my treadle sewing machines either, except that I have too many Singers to just call them Singer.) When I got this dulcimer, I decided to call it Alta Bell. That was my maternal grandmother's name. She wasn't particularly musical but it seemed like a good name for an instrument.
I still want to listen to the Podcast. BUT...I attended a one hour workshop by the Hearts of the Dulcimer folks last night. I haven't had a chance to play with anyone else so this was great. My husband was impressed by how all the dulcimers sounded. Thank you again for doing that workshop!
I did feel badly for the lady next to me. She'd spent $200 on a dulcimer shaped instrument, with an action so high that it was difficult to play. I just hope people will do a little research before they get that first instrument.
I picked up three Herdim picks, which are nice. I also got three Clayton cork grip picks. I do like these. The cork side goes next to your thumb and the point is bent inward a tiny bit. It is a bit thinner than I've used lately but works nicely with the new dulcimer.
I managed to get to a local music shop. I picked up 17 different picks. None of them are fancy ones, but I got a variety of weights. I do seem to like the heavier picks a lot better. I'll probably keep adding to the collection and figure out which ones are my favorites.
I planned to try the picks with the cork circle.I really haven't had much of a problem with a pick flying off. This is just setting the pick down on my desk or table. It blends right in! The first picks I got were camo colored and I can find those anywhere. I can be looking right at the clear acrylic one and not see it. Never considered that particular problem but I think I may have to stick with picks that have a little color to them.
There is one problem with the V-Pick that I didn't think about. it is a bad idea to have a clear pick! I lose it all the time, in fact, I can't find it right now. It just blends right in with whatever it's on. I am going to be picking up more picks soon.
Do you think the shape has a big impact on the sound? My first dulcimer was a teardrop style (kit). The current dulcimer is an hourglass. From what I've listened to on You Tube, the teardrops tend to have more volume. But it could be that I am hearing more amplified teardrops than hourglasses. I do find the hourglass easier to carry.
I did get a V-Pick Bing ultra lite today. it's stiffer and I like it so far. I'm not convinced it's THE pick just yet, so will try a few more styles. I don't think I'd like a pick stiffer than this one.
https://dulcimer-noter-drone.blogspot.com/2009/03/take-your-pick.html
Thought I should like this nice article from Strumelia's blog, for reference.
I did try a credit card pick, which seems to work better than the light ones I have. The trip to the music store will have to wait until the broke down pickup runs again :( Our mechanic's wife had surgery yesterday and it doesn't look like he will make it out today.
Thanks for the response! Every little bit of information helps.
I've seen a few discussions about picks, but they seem scattered about on the forum. I thought it might be useful to have a discussion just about picks (or even why you don't use one.)
Regular picks versus finger picks?
Heavy picks versus light?
Any brands that you especially like?
Any non-commercial picks that you prefer?
What's your suggestions for choosing the right pick?
I grabbed a pack of Ernie Ball thin picks to start out with, but I am finding them much too light. I've got another brand ordered but will probably get a few more kinds to try.
I sometimes go to Scrap in Portland. They have all sorts of donated art supplies. Last time I visited, they have a lot of piano parts. There were keys and some metal parts. The keys were not exotic woods, so we didn't buy any of it. We have an old portable pump organ in storage at our other place. I'd never thought about salvaging wood for a dulcimer, so I should take a second look at it.
