Robin;
I've been learning how bass players do their thing, so what you posted makes perfect sense to me. I'm assuming when you said 'the note that matches the key of the tune', you meant the root note of the key or indicated chord; D, G, or A in the key of D for example.
I should install a set of ddd and try that with some friends [if I can remember to do it]. Are there other tunings that may work with DAdd, other than DAA? My friends seem to enjoy the challenges and are willing to try new things even though they usually stick with a pretty standard set of tunes, with a some new tunes, every season.
I also need to figure out how to do harmonies. Any suggestions for someone not a 'good player', or to pass on to others?
Ken, did you finger pick in DAG?
Have you participated in a MD group that the players were using different, compatible tunings, for example DAdd, DAA, and ddd [everyone playing each tune, the different tunings being usedsimultaneously]? I was just curious since it happens all the time with groups using mixed instruments, guitars, dulcimers, fiddles, double bass, etc. If so, how do you think it worked out?
Thanks Ivan, I interepted that fom the Korg site. My bad.
I went to the Korg site and didn't see any other than the 120. I may have missed it or maybe it was an older model.
ff;
did the readout have the number before or after the note? If the number was before it is a dedicated tuner, like a guitar orukulele tuner. The number then represents a string.
Looks like folks could have a whale of a time with this and be doing it on porpoise, including bass and drum players.
I have a Peterson Flip[per], it's nice but pretty sensitive. Also, it's better for the shop because it'skind of big.
This it? Peterson makes one also.
http://www.amazon.com/Korg-OT-120-Octave-Chromatic-Orchestral/dp/B0...
Put the tune in TablEdit, then change from guitar to dulcimer as the instrument. The dulcimer part [module] would be missing notes because of being diatonic. I've done it, but I set up a custom chromatic dulcimer module in TablEdit. This allows me to get to a 3 string form which then can be modified to the various tunings.
My viewpoint, and I dabble a bit in each, not particularly good in any.
Visual; SMN for general or universal use, TAB for specific instrument, archives a specific variation of a tune/song.
Audio; storage devices [cd's, etc], individuals, archives a specific variation of a tune/song.
Both work, but not necessarily for everyone.
Each should be used as the situation indicates.
Stumalia hit the nail on the head in her blog.
What I called HD tab is really just the note names below the SMN just like MD tab. It makes it much easier for me. Tabledit has afeaturethat allows you to change between the tab numbers and the note name with just the press of a key [actually 2 keys, shift and 4, the $]. I also use the reverse tab function so any 'stacked' notes, like chords, read the same vertically as the SMN, bass notes at the bottom.
I used Musedit for a long time for MD tab. It's a good program and he did make it free but the programmer isn't working on it any more. I switched to Tabledit and found it good for the MD and it has a couple of features that lend itself to setting up MD tab for the HD if you don't read SMN very well. The programmer is very responsive to his customers also and he has a web page for customers to post comments etc. You may want to check them both out to see which youprefer. I feel they are both about the same as far as learning curve.
