Forum Activity for @nate

Was the bridge originally glued, or did it simply fall off when string tension was lowered? If it was already glued it could be possible to see on the fingerboard where it was previously, based on color difference/glue residue.

Irene makes a very important point though. Its also been my experience that placing the bridge improperly is somewhat common, so be very careful that you find the absolute best spot for it before gluing, or maybe just see how it sounds unglued. It might be good!

A fixed bridge can be very convenient though.In the dulcimer group I used to play in, pretty much every time I tuned up a dulcimer I'd check the octave and I'd say over 20 cents off was the standard. Their problem, though, was that they had floating bridges and werent being careful while restringing. A little bump here and there can destroy intonation pretty fast.

A fixed bridge can be nice if you know exactly where you want it to be, but be careful, or you could end up making another one of the dulcimers irene describe. Especially, be careful if you do end up using a book or rock or something makeshift to clamp it while the glue dries. The smallest little shift to the bridge caused by applying the pressure at an angle could move the bridge slightly and could make a big difference in the intonation, and you wont know til the glue dries!

Nate

Nate

A big factor when securing your frets, in my opinion, is what you expect from the instruments lifecycle. Super glue works well, but can be a serious pain if you are wanting to refret it later. It is common with guitars to use hide glue because if can be heated to soften it up if you later want to remove the fret. Also, what @dwain-wilder suggested is very clever.

That is all that really matters @shootrj2003! Luckily if you ever do want to know more (and believe me it took me a fair bit to grasp keys at all) there are some really well informed folks around here who like to help.

A quick follow up about this post, I was very new at the time and would often just pluck around the melody string until i heard what sounded like the first two notes, and then just figure the rest out through trial and error. This resulted in me sometimes starting my songs on the 3rd fret, and then figuring out the entire melody in the key of G. I had a vague understanding that the 6 or 6+ frets are just two different 'types' of the key of D or different modes.This made me very confused because technically the notes I was using were all in  'D mixolydian.' The big problem with this was that the drones didnt harmonize with the melody. A simple fix would have been to just move the whole melody down three frets, but I was really underinformed at the time, so instead i just added chords to the entire arrangement in what I now know was the key of G. Big pain in the butt, but Ive since fond that the key of G is common at jams so at least it wasn't for nothing.
Nate

Hey folks just wondering what reasons people might have for preferring a longer scale length. I started off building dulcimers around 28-30" VSL, having heard that longer dulcimers are louder. Over time I've gradually made them shorter to make long stretches more comfortable, the most recent one being 23.5"
To me the tone of a longer scale seems a little fuller, but maybe I'm just convincing myself of that one.
I also appreciate the ever so tiny bit of extra space that you get between the frets in the second octave. A big downside to long dulcimers that I've noticed is that the packs of strings designed for dulcimers will be at a much higher tension than typical when brought up to Dad tuning.
So anyway just wondering what some benefits are for long dulcimers compared to short ones. Whether it be in the sound characteristics, practical reasons, play-ability, just anything that you tend to prefer on longer dulcimers. More perspective would help me to figure out what VSL I want to build at going forward.
Thanks
Nate

really terrific @alegre1 . One of my absolute favorite things about the dulcimer, that a couple people brought up in this video, is the low barrier of entry. So many people who don't consider themselves to be musically inclined find joy in making music with a dulcimer. Many times folks have expressed to me that they don't consider themselves musical and as soon as they learn to put enough pressure on the fret to get a clean note, they're enjoying playing music. It's cool to have an ambassador such as yourself for our lovely instrument. 
-Nate

If you mean tabs for guitar chords, you can go to a website like ultimate-guitar.com then find a song you like. For example here is a link to 'Leaving on a Jet Plane by John Denver"
https://tabs.ultimate-guitar.com/tab/john-denver/leaving-on-a-jet-plane-chords-32979
at the bottom of the screen you will see a white box that reads
"FONT -1+1 CHORDS AUTOSCROLL TRANSPOSE -1 +1"
you can transpose the tabs to a key that is better suited to your dulcimer by clicking on the +1 to transpose it up a half step or the -1 to transpose it down a half step. For example if you found tabs in the key of E, but your dulcimer is tuned to D, you could click the '-1' button twice.
This chart might then help to translate the chords into dulcimer chords https://everythingdulcimer.com/tab/chord_chart_dad_major.pdf

I don't know of a way to directly convert the kind of tabs which show all 6 strings, other than to just convert those tabs into their notes, then convert those notes into dulcimer tabs. This can be quicker than you might think with a chart like this
As Lisa mentioned, your biggest obstacle at that point is the chromatic frets, which might not be a problem at all if your dulcimer has a lot of frets. Quite a lot of pop music is mostly diatonic so if you are willing to put in the time to translate the guitar tabs into their notes, then transpose those notes into a key you can play on your dulcimer, a lot of times its very rewarding, but sometimes it can be fruitless if you dont have the frets you need.
Hope this helps
-Nate

Hello Jim, I found this YouTube video showing one way to play it 

This is interesting. Tried looking into this more but don't know nearly enough about chemistry or physics to really grasp much. I might have to throw on the safety glasses and see what they sound before they break at what I assume will be a very low tension. I wish I had an ornamental instrument to put them on; they look much more like decor than like actual strings.

Hey folks, a few years ago I learned about an experimental dulcimer called an 'Aquavina' which uses a metal bowl filled partially with water as a resonator.

Without actually hearing any, I devised a dulcimer that I hoped would achieve a similar effect by using a bundt pan built into a wooden body dulcimer. Over time I've built 5 similar dulcimers. This video is a demonstration of how water changes the tone of three different dulcimers
The first is plywood with a moderately thin pan Tuned DAd with a 26.5" VSL
The second is particle board covered in acrylic paint with a thicker pan tuned EBe 23" VSL
The third is birch plywood with a very thin pan tuned Fcf 23.5" VSL

what an interesting idea. They were both still in their envelopes but the tub they were in has 75+ random strings of random compositions. I can spot red blue and yellow spots on these strings and as much as I want to try tuning them up, they are spiraled like a slinky when I hold them up and I think they would probably break.

 20230226_111603.jpg - 14KB

I've had these  silver plated classical guitar strings sitting in their paper envelopes in a bucket of spare strings for probably 3 years now. Finally decided to sort through it a bit and I found two separate strings which had each turned rainbow colored! The variety of colors is crazy and I was wondering if anyone knows more about this. Ive heard of strings getting a duller color over time, but these look like a full on art project. Thanks in advance,
Nate

 20230226_102928.jpg - 28KB

these are SUPER neat!

Hello, I have built dulcimers from 21" to 30" VSL and in my experience playing a shorter VSL dulcimer isnt much different at all than just playing further up the fretboard on a high VSL dulcimer. If you like chording there are definitely long stretches that can be made much easier on a shorter VSL dulcimer, but if youre anything like me, you may prefer a little extra space between the frets in the second octave. The difference of an extra 1/8th of an inch can make a really big difference for my fat fingers lol.

Having several dulcimers of the same VSL is definitely a bit more convenient than having them of different VSLs, but I think it's worth it to get your hands well experienced with adapting to different dulcimers.

One more added advantage to choosing a specific VSL and sticking with it is that you'll be able to use the same string packs for all of them, rather than needing different gauges or tunings for each one.
-Nate

That a really neat piece of culture I wasn't aware of thanks for filling me in

Just wondering if anyone knows. It is a pretty weird name. 

Also, is a false bottom considered a possum board, or does the term only apply to the accessory which is not attached to the dulcimer?

Certainly whoever was the builder whether amateur or professional, they knew what they were doing. There are aspects of this dulcimer such as the bridge that connects to the soundboard instead of the fingerboard, and the bizarre hole in the strum hollow that are very neat to me. Thanks for sharing.
-Nate

By the way its worth noting that the vast majority of string instruments have intonation issues way up the neck. I'm not sure if this is because of how much a small imprecision can affect the tonality, or if it is simply the nature of string instruments that ideal intonation at the top of the fretboard is not the same as at the bottom.

All I know is that most of the guitars, dulcimers, mandolins, and every other string instrument I've ever looked at close with a tuner tends to be less well intonated further up the fretboard.

Hello John, it is more common to see doubled bass strings, but having a thin string there is perfectly fine. It is most likely intended to be tuned an octave up from the bass note, which is the same as the melody note in a 1-5-8 tuning(if you were tuning D a dd, this would be Dd a dd), but if you are playing in a 1-5-5 tuning then perhaps this is different and someone else might know if that is still correct.

I can't recommend any sites specifically for noter playing, however I have found many tabs on dulcimertab.com and everythingdulcimer.com which are suitable for noter style. Really most of the tabs I see for 1-5-5 tunings such as DAA are well suited to noter drone.

Also, if you can read sheet music or are willing to learn, I have noticed that the majority of popular vocal melodies of the last hundred years are diatonic and can be transcribed to dulcimer and are readily available online. This is a fun way to bring contemporary songs into your noter drone playing.

-Nate

Glad to hear its going well! Clearly you are aware of the nickel and dime technique for setting action, and as others have said having the action a bit high is perfectly fine but may be less comfortable, and too low of action can produce buzzing. Typically  setting the action with a nickel will not be low enough to produce buzzing unless either the fingerboard is uneven or some frets are raised. If you have a straight edge which you can use to verify that the fretboard is perfectly consistent, as it should be, then you should feel safe reducing the bridge enough that the string just barely touches the top of a nickel sitting on top of the 7th fret. If it is comfortable to play and well intonated then this is not really necessary, although I will say that I personally really like the action as low as I can get it.
-Nate

If it sounds good with the VSL starting at the 0 fret, hypothetically the instrument should work fine with just the nails and no 'nut' as a spacer. If you would like the wood nut to be there for aesthetic reasons, you could reduce it's height and make nice deep grooves in the top where each of the strings sit and use it as a spacer. The grooves would serve to hold the melody and bass string in place and keep them from pulling toward the middle of the fretboard due to tension, since the tuning pegs are near to the middle of the headstock, and the strings will want to move in a straight line from the bridge toward their tuning pegs unless something holds them at the edges of the fretboard, the way the nails do, past the zero fret. Alternatively if the nails serve the purpose of spacing the strings well enough, you could even sand the nut so low that it doesnt touch the strings and is simply there for aesthetics if you wanted to.

Well you could potentially put a sliver of wood, folded paper, or something else directly on top of the zero fret to raise it 1/16 of an inch or so but this would only be a temporary fix to the issue of the fret being too low and would lose some sound quality and volume, and would also most likely result in slightly too high of action on the first couple of frets.

With that being said I'm still not sure what to make about the interesting set up with the strings resting on the nut or 'spacer.' I call it a spacer because typically the zero fret would function as the 'nut' or the end of the scale length of the vibrating strings; the small piece of wood between the zero fret and the headstock just serves to hold the strings the correct distance apart. Since this dulcimer also has nails for this purpose and the strings were resting on the nut rather than the zero fret, this instrument is intriguing to me.

I'm really not sure why the spacer was so high or why it was backwards. Were you able to get the strings in solid contact with the zero fret or hesitant to sand that much off? 

Also have you checked whether the intonation is correct at the nut or at the zero fret, as skip suggested?

Can't wait to learn more!
-Nate

Wow this dulcimer leaves me curious about many things. The combination of a zero fret, nut, and nails to space the strings is very bizarre to me since the strings did not touch the zero fret and the nut was not spacing them. It seems like all the nut is really doing is preventing the strings from touching the zero fret. I would think having that big of an inaccuracy at the very beginning of the fretboard would change the vsl and ruin the intonation. Obviously this can be easily fixed by reducing the height of the nut with sanding, but it does make me wonder, did the builder just shim something over the 0 fret like you did the entire time they owned it, or has this instrument been out of tune its whole life?

By the way on the topic of the direction of the nut, I have found that how rounded off the side of the nut facing the headstock is can affect the pressure it puts on the string at its breakpoint. The more rounded it is, the better the pressure of the string is dispersed across it, however when you put the nut in backwards, this can put a lot of pressure on one single point where the string breaks away from the nut toward the headstock, which can affect tuning stability and cause more string breaks at this point.
I don't think it's the biggest deal ever, but when I tested this by putting new strings on a dulcimer and seeing how high I could tune it before the strings broke with different nut shapes, I found that a nut with a squared off side facing the headstock broke at that point at a much lower tension than a rounded off one.

On the topic of defining a trad dulcimer vs a contemporary one, my early experiences with dulcimers long before I started playing or building were those that old timers out in the Ozarks played. These were very folksy instruments made out of all kinds of creative materials. I was led to believe that this followed a tradition of makeshift instruments built by their ancestors out of a necessity for music. All instruments from fiddles to banjos to basses to guitars were built this way. Fence staples or fishing line, broom wire/tie wire, old posts/stakes and recycled boxes or random pots, pans, and cans.

I have definitely noticed that those who follow all sorts of different traditional designs tend to prefer alternate terms to 'dulcimer' which seem to imply that the instrument will have a style that is in some way or another not like a contemporary dulcimer. The oldest dulcimers I have personally seen in the Ozarks are very improvised, which I assumed to be characteristic of early dulcimers.
For what its worth, call it a fretted plucked box zither or a hog fiddle, but Ive always enjoyed the Jerry Rockwell coining of a 'musical possibility box.' Still I'd wonder if the dulcimers I make, which are in the style of my somewhat trashy ancestors who loved up-cycling, would be considered traditional by others. It does follow a very old musical tradition, but perhaps not the one most closely related with dulcimer specifically.

I guess the practicalities do get in the way a bit!
This makes me think of all the articles shared on here about dulcimer building workshops in schools. I have spent a lot of time working on ways to make dulcimers as inexpensively as possible. I have helped a couple of hitchhikers to build cardboard dulcimers which, other than having to buy a can of polyurethane that lasts for several, cost ~7$ to make(3 loose strings 1$ each, three eyehole screws as tuners, 1.50$, 2 foot piece of red oak 2.50$) Id love to get to a point with editing where I can make videos on producing good sounding dulcimers for under 30$. We really are blessed to play an instrument that doesn't necessarily  require anything fancy to produce.

I just got back from a camping trip where I brought a dulcimer. Plucked by the lake and the campfire and it was a great time. While out there, a friend remarked that it sounds nice and told me what so many people have told me during conversations about music. "I've never been any good." 

Every time I hear this it's like a dopamine rush because I know certainly that if I put a dulcimer in their hands, explain to them the Do-Re-Mi scale as I move up the melody string frets, and then show them that every chord they can play will always be harmonious, they will be enthralled and within 30 seconds their musical confidence will have skyrocketed. Sure enough he was having fun with different rhythms, playing bizarre chords as far as his hands could stretch just to see what they sound like, and once he realized he could barre chords using a lighter as a slide, he was in bliss.

It's an experience I've had many times. I often sling my primitive dulcimers on my back and walk to the river, and along the way people often inquire about it. I really do relish in persuading people who think they lack musical ability to go ahead and try playing. Without fail people who have had really bad experiences with hard to learn instruments get so invested in playing my dulcimer its hard to get it back, and in fact a couple times, they purchased it from me on the spot because the music they made with it spoke to them.

I get a ton of joy from introducing american history enthusiasts, art appreciators, and those who need a boost of musical confidence to my dulcimers. It is so accessible to beginners and is simply gorgeous in the hands of a master. 

In my opinion the dulcimer should replace the recorder as the 'student instrument' given that it's so much more likely to spark a love for music. I think if everyone had access to a dulcimer, almost everyone would be a musician :)

Thank you all very much for your advice. First of all let me just say that my sister has TONS of pets and so she keeps her windows open all day every day and lives only about 2 miles from the pacific ocean, so the salty air is ever present there, whereas I am currently inland in southern oregon where the weather is similar, but FAR less humid. It sounds to me like I am overthinking it. With that in mind I'd like your perspectives on a few ideas i think might help.
-silica packs in the dulcimer: I'll be the first to tell you my understanding of the proper application of silica packs is limited to the shoes and jerky I've bought, but I believe it may help to keep the dulcimer intact during travel. If thats the case id like to place the soundhole in such a way that she can retrieve and packs out of it
-coating the inside of the dulcimer in something water protectant: an idea I had earlier that seemed to not be useful in general, but maybe in this context would help it hold up.
-gluing in frets with a strong glue: in general I know that stronger glues tend to make maintenance and repair much more difficult, but if I want to build it to last, maybe I should glue them in with something heavy duty to reduce the chances of them shifting?

It is worth noting that I have traveled down there with dulcimers I have built and always had to pummel some raised frets every time I got there, so this is a primary concern for me

I'd love more input! Stay well y'all
-Nate

Hello all. My sister loves string instruments but has never been able to learn any and when I let her play my dulcimer she had a ton of fun, even pulling it out several times to show friends the couple of beginner songs I showed her. I'd really like to build her one, however she lives in northern California right next to the ocean, so I am very worried about two things:
1 Sending it to her and frets raising making it unplayable when it gets to her
2 It degrading and warping extra fast due to the salty ocean air where she lives.
I would love any and all advice that might help with either or both of these issues.
Thanks y'all for all the help over time
-Nate

I definitely do a very poor job at this when asked.  A big factor in explaining it is the level of knowledge the person you are talking to has about musical instruments. I've found that double melody strings are especially hard for non musical people to grasp even when you show them visually how the strings play the same note and are fretted together. I think at the end of the day if people are really interested and you don't have one to show them you should encourage them to look into it, because every time I've ever shown one to someone they are always very surprised when they hear it. The disarmingly simple design of so few strings and so few frets leaves people blown away by the ease at which you can produce beautiful melodies. It really defies most people's expectations and talking about it really doesn't do it justice.

By the way, if you were not aware, the word dulcimer is a portmanteau of the latin word 'dulce' for sweet and the greek word 'melos' for song

Super cool how many of y'all have other instruments aside from dulcimers!

While 95% of what I play is a dulcimer I also pick up my other instruments on occasion:

-a few acoustic guitars
-2 electric guitars
-a mandolin
-an ukulele
-a dozen or so harmonicas
-a D tin whistle
-a 10 string lyre harp
-an ocarina
-an electric keyboard
-a few cigar box guitars
and some folksey stuff like a jaw harp, washboard, washtub bass, tambourine shoe, kazoos and a couple more I'm sure I'm forgetting

Hello all. I go through a lot of dulcimer strings, and because my apartment is very prone to package theives I cannot order them online, so I am limited to what is locally available.

For a while, I would always just buy packs of Mandolin strings, since they only cost a couple dollars more than a pack of dulcimer strings, and come with spares since there are two of each. They come with two 11s, 15s, and 26s. The only issue is due to the construction of some on my newer dulcimers they are not long enough.

Packs of dulcimer strings are very frustrating, and always seem to be insanely light gauge. A pack of martin dulcimer strings marketed for Dadd provide a 12 for the A string! Even if i tune the whole thing up to Ebee, the B string is still insanely wimpy, and tuned to Cgcc it's basically inaudible. My dulcimers are 26"-26.5" VSL, which i believe is fairly standard. I have looked at string calculators which suggest 12-20 pounds on each string of tension but this seems insanely low to me. THis is far lower than extra light guitar strings for example.

At this point, what I have been doing is buying guitar strings, and using only the D,B, and E strings, which leaves me with extra strings every time, but gives me far better tone than any dulcimer strings Ive found. Do others have this same issue and what do y'all do about it?

Quick side question, my dulcimers have floating bridges so its not a big deal to move them, is this necessary or valuable to adjust them for different string gauges?

Depending on how taken apart or incomplete of a dulcimer i can count, I have between 3 and 10. Five of them are playable

A cardboard dulcimer
A rectangular dulcimer made from an old crate
A Baritone dulcimer
A bundt pan "resonator" dulcimer and
A dulcimer with a frying pan for a bridge

Hello all I have been wanting to try putting nylon strings on my dulcimer just to see how it sounds. What I am wondering is whether nylon strings need different intonation and bridge placement than steel strings. Can I simply leave the bridge in the same place, or will I need to adjust it? Will I need a different action height? Are there other complications that I should be wary of? Thanks for any input :)

-Nate

sgarrity, i think a lot of the desire to encourage new players is due to how easy it is to teach someone the absolute basics. As a beginner mandolin player, my fingertips are always in pain and i struggle with anything past the most basic chord shapes. Practice is brutal and I've often been told it's considered to be a relatively difficult instrument, I'm only learning due to a strong desire to eventually have it in my repertoire.

It is a great feeling to speak to someone who is sure they just don't have the skill or talent to make music and just by sliding one finger around get them having fun making beautiful music on the dulcimer. So many times I've shown it to a friend or family member, got them messing around with it, and next thing I know every time I see them they are wanting to mess with it, until I eventually just give them one.