Forum Activity for @strumelia

One difference between the function of a 'normal' capo and a 'reverse' capo is- a normal capo merely presses the string down to the fret, so the notes are governed by where your frets are. A reverse capo actually becomes a sort of fret, independent of the real frets. It can be positioned for example in the location of a 1.5 fret and give you that note even if you do not have a 1.5 fret on your instrument. That is an interesting advantage. Another advantage to a reverse capo is that by its very nature it can be positioned under one, two, or all strings- thus being very versatile compared to a 'normal' capo that presses down onto the strings. This is made possible partly because the reverse capo is automatically anchored firmly by the strings that run over it, whereas a normal capo has to have some sort of anchoring clamp that can hold firmly- not easy on an instrument with no neck, as we all know!

Interestingly, even though they are full width staple frets, the dulcimer appears to be set up with the melody string set far from the two drones, as a noter player would like, and the two drones look to be too close together to do any practical fretting. Looks like the original bone bridge that was set up that way. Looks like it was set up for traditional playing and not for chord playing.

It's a beauty!

The tail piece, the scroll shape, the dark reddish wood finish, and the shape of the feet all remind me of c. 1900-1910 era aesthetic stylings.

Oh wow, so beautiful! Did you save any damsels in distress while you were there Ken?

David, you did GREAT. With all that pressure in front of judges, on a stage...I would have made mistakes for sure!

Not only did you not make any mistakes, but you smiled too!

I know what you are saying, Gayle. When i use a tab to learn a tune, it takes me a while to 'get' the tune, and I sometimes will refer back to the tab when i forget parts- Like you, I do sort of 'see' the tab numbers in my mind, but once i play the part many times then again it's the sound that helps me actually 'learn' the tune. Tabs can help me pick my way through a tune that's complex or unfamiliar to me. Learning tunes by ear is a skill that is improved the more you do it, even when you start with something as simple as Mary Had a Little Lamb. Now after many years I can pick up a tune through tab or by ear, but it's when you internalize a tune and play it your way from the heart (no matter how slowly or simply) that it becomes your own. I'm sure we all feel that way.

Mandy said:

Wowzers! You call knowing 75 tunes a smaller number. I would be thrilled to be able to really know that many songs.

I could memorize tab, but listening to tons of version of it being played helps me much more than any tab ever could.

I don't think of it as memorizing a tune. I think of it as knowing a tune. Once i listen to a tune many times, and then play it many times, either alone or with others...that's when I know the tune. I might still make an occasional mistake or lapse, but I'll know it's a wrong note immediately and I'll hear in my head what it was supposed to be.

I learn tunes through several methods- sometimes sheet music, sometimes TAB, sometimes a recording, sometimes from other people playing it live with me so I can learn it. But no matter what method i use to 'catch' the tune, once I know it well I won't need to look at paper anymore.

That said, if time passes I might need a memory jog as Robin said, but usually I can pick the tune back up pretty quickly at that point, because I once knew it under my fingers.

I'm all for really knowing a smaller number of tunes, rather than half-knowing a whole bunch. I usually work on a current repertoire of about 75 tunes, putting other stuff on the back burner for a while. I don't try to 'keep knowing' everything I've ever known how to play well, and when i go back to stuff i knew in the past I often need to refresh it for a while. I've read that the great fiddler Tommy Jarrell only had a repertoire of less than 50 fiddle tunes that he played wonderfully over the years.

More likely it is missing the 6 1/2 fret, which is a fret put in more frequently after the 1960's. It's an option, not a defect.

Your dulcimer is probably pure traditionally/diatonically fretted.

But to be sure, we'll need to see a picture first!

Skip don't feel bad...you are not alone in that aspect. Sometimes information runs out of my brain too, like a sieve!

Strumelia; You pretty much described what I've seen, been involved with. Since your blog is read and referenced by a lot of folks, maybe you would consider adding a section to your blog that ties tunings, not tab, to tunes. These could be lifted from FOTMD posts. Eg.,Good King Wenceslas - Ionian - DAA.

Skip, the problem with what you suggest is that one can use several tunings or methods to play any particular tune or song, depending on one's style of playing and approach, and depending on what version of the song you hear. There is often more than one way to skin a cat. There is seldom only one strict tuning for a particular song or tune.

I cannot take on such a huge project or responsibility as deciding myself what tunings are 'proper' for so many tunes and songs. No matter how carefully it was put together, such a list would be loaded with mistakes, personal preferences, and would be missing alternative tuning choices.

It is far easier to simply learn how to figure out what tuning is needed for a particular song or tune.

Traditional ballads were sung in any key comfortable for the singer. Whether that ballad was 'major' or 'minor' sounding would dictate that you'd need to use either a minor type mode dulcimer tuning (aeolian or dorian), or more of a major type sounding tuning (mixolyd or ionian)- again, the notes and intervals used in a song's mode would dictate which mode you'd need to tune to to play it on a dulcimer....not the key. You still need to tune your dulcimer to a mode so that you have the needed notes to play the song, since the dulcimer is fretted diatonically, with missing notes in the spaces.

In general, you can easily look up fiddle tunes on several handy existing internet sites and see their 'home key' - whether they are traditionally played in the key of A or D on the fiddle for instance. Do you need someone to point you to a couple of those sites?

Old ballads/songs were sung in any key comfortable. Sometimes musicians play mainly instrumental versions and then they might adjust to a key that suits their instruments a little better, and the singer adjusts. Most fiddlers will not like playing in the keys of Bflat or E, for example, and fiddlers don't use capos.

I want to emphasize again to others reading this, that keys and modes are not the same thing. And when we tune our dulcimers, we are actually choosing BOTH a key and a mode, even if we don't realize it. Simplistically put, if a dulcimer player has no 6.5 fret and they tune to DAd, then they will likely be playing in the key of D, in mixolydian mode. If they have a 6.5, they will still be playing in D, but they can play in either mixol. or ionian mode. If they use the 6.5 when they are playing a tune in DAd tuning, then they are playing in ionian mode ...still in the key of D. Skip I bet you know that already but am stating it for other readers' benefit.

Skip, to answer your questions one cannot really toss out the subject of modes, because it is very much tied in with your questions- the dulcimer is a DIATONIC instrument, fretted in modes, and that aspect cannot be separated out no matter how much one might wish it to be.

But all that aside- a lot depends on what music one is playing, and whether one is playing in modern chord style or in traditional noter style.

Traditional fiddle tunes, for example are not all in the key of D! -as you likely know.

Over the past several decades a new dulcimer popularity and a new dulcimer 'industry' has occurred, but many dulcimer players nowadays have very limited musical confidence. They want to avoid re-tuning, and they prefer to play in just ONE key and one tuning or maybe two. They use capos, but even that only rarely. They don't really understand about changing tunings or keys, much less anything about modes. They are comfy playing in groups with only other players like themselves, all on dulcimers, all in D. They go to large festivals and workshops that mostly teach more of this method, and give out more tab to play all in D, and again mostly in one tuning and in chord style. So there is a system in place right now that encourages everyone to remain in D and in DAd and DAA and no one need 'fear' having to learn any other tunings. A big part of the fear of other tunings is because if you play in chord style , changing your tuning means you will have to learn different fingerings for chords....something most folks want to avoid. So that's one reason why folks who play in traditional noter style don't have as much reason to avoid using different tunings. They have learned the simple concept of tuning (their melody string only, not too complicated!) to one of 4 modes. Since re-tuning the melody string like this to play tunes in the 4 common modes seems to be such a shrouded mystery to most DAd chord players, I suppose it may make it seem as though the noter players are 'very, very adept'...but in reality is a real simple skill and no new 'fingerings' are required, which makes it even simpler!

Once you know how to tune into a mode, tuning to different keys is merely a matter of knowing what your strings limits are- where they will become just too tight and break, or too loose to play.

It's a big subject, and one I talk about a lot in my traditional noter playing BLOG.

Hi Rich!

Yes, a longer vsl means the frets will be further apart. Going from a 22" to a 28" vsl will be a big change for you. If you plan to stick with a noter style of playing it might not be any problem for you at all. There is not much 'reaching' or stretching in noter style playing. If you want to play in chord style, however, the finger stretches will be quite longer on a 28" dulcimer than on your 22".

Rich- I moved this discussion to the correct forum.

It's really sooo easy to switch back and forth from DAd to DAC and back, and such a nice lonesome sound! I also like the 'open string' resonant sound much better this way rather than putting a CAPO on fret 1 and playing in E minor.

Congrats on trying DAC and having fun with it, Dennis!

I had a middle string on one of my banjos that has had an annoying 'wolf tone' lately. i tried a few tricks like paper in the bridge slot, and a pad under the tailpiece, but those didn't do a thing. Though the strings aren't that old (6 months?) I changed that one string today and the annoying tone was gone .

mAYBE IF THE SWEAT PANTS ARE ROOMY ENOUGH you can stash a dulcimer in each leg while you're wearing them....just don't sit down! lol

I once saw a cool cloth 'gigbag' that someone made for their dulcimer out of an old blue jeans leg. They lined it with flannel and made a drawstring top. Awesome!

Mandy you sound like a total natural on that mando. Very impressive!

...are you going to change your name to Mandy Lynn now?

Robin T , that's a great tune to add to the dulcimer fiddler repertoire- nicely played!

I find it interesting to note that there is only one note that dips below the tonic in the Lester clip- and that note is really just a rhythm ornament that the banjo player put in, it's not actually part of the tune melody. This tells me that this tune really is in mixolydian mode (it actually doesn't seem to work in other modes), and could be played from the open string tonic position too, if one chose not to use the one banjo ornament note. That one note does add some interesting difference to the tune, though. Just mental meanderings on tunings, versions, and such!

Don't you just LOVE Lester's raw tone on that fiddle? Talk about yummy !

Does sound like a 'Reuben's Train family' tune.

She probably already saw the skinny dipping picture, so John Henry's tuxedo shouldn't be too much of a shock.

Welcome Gayle!

Hi Katie,

Lots of dulcimer players change tunings back and forth to play in different keys, or in different modes, etc.

Some change tunings often, some not so often, and some folks don't like to ever change tunings! There are many people who always stay in DAd, and many who always stay in DAA, for example. Some of the folks who dislike re-tuning do have more than one dulcimer, kept in a different tuning. This doesn't necessarily made them a 'pro' however! ;)

Re-tuning often can shorten the life of a string to one degree or another, but then strings are cheap and easily changed, and no string lasts forever anyway. Guitar players and banjo players break strings regularly, it doesn't faze them too much. Trying to tune up to a note in the wrong octave though will break a string for sure!

Clubs and workshops often have everyone stay in one tuning for convenience sake, by the way.

I suggest you at least try out both DAd and DAA at least. ...and who can resist playing Shady Grove in the haunting aeolian DAC tuning....?

I'd love to hear some sound clips of you guys playing your whistles, if you ever care to post them here...

Thought I'd highlight this old thread from 2 1/2 yrs ago when we hit 500 members.... good times...

http://mountaindulcimer.ning.com/forum/topics/wow20-members-to-go-and-its

Happy 3rd birthday FOTMD!

Shucks you guys! ....

Folks, please no copying sections of Netflix or movie dvds and posting them here... copyright violations galore for FOTMD. Please think about copyright issues before posting any copyrighted or performance material on a public site.

Thanks!

Dana R. McCall said:

Judith if you can wait till Weds I found it on Netflix but they have to send me the disc. I'll post a clip of the song on here then.

How can you be so sure? lol!

Man the harpoons! lol

I've been, about 12 yrs ago. I love Augusta, and old-time week is particularly nice. No lack of fascinating classes to take, and lots of mixed jamming everywhere. Lots of variety and something for everyone.

One member to go before we reach 3000 members ....!

Here's a tip o' his favorite, Mountain Dew...a toast to ' Depity Mo ' who I'm sure is smiling down from someplace as we reach 3000....

25 miles- that's wonderful Bill !!! I plan to do an easy 6 miles on my bike tomorrow morning, and a 2 mile walk.

That guy in front of the computer is actually a stranger- i just picked it up on the 'world wide web' after searching for 'geek'....lol!! I like to imagine he was part of the Design and Development Team for FOTMD's formation three years ago. Gotta love his tech setup...and got his ash tray, cigs, and mug of Cream of Mushroom soup all lined up on top there....

Yes i guess I'll go look for that jar of pickled dulcimers, gonna wait til mid next week though. Last two times the contest took way too long and the suspense was killing us all!

Seems like only yesterday it was 290 members.

Can you imagine if someone told you you could choose and keep ONE of these instruments hanging on the wall there.... how on earth could one possibly choose? Just as well i suppose that we'll never be presented with such a 'terrible' dilemma. lol...

They are all so gorgeous!

Randy, thanks so much for sharing all this with us so we can enjoy the thrill along with you. Sounds wonderful!

Wow, the time has flown- seems like just last month you were thinking of starting up a jam, Mandy!

Great that it's turning out to be such fun for you guys.

I'll add a bit to Dusty's good advice- I usually just say that 'we all seem to be out of tune with each other', and I suggest we all tune to the same tuner to get us all 'in synch together'. That way nobody gets offended at all. Oy! the things we do! lol

Can someone tell me how regular old-time (not necessarily just dulcimer groups) jams are done? It's my understanding that an old-time jam would basically be everyone playing the notes together with no breaks or leads. Is this correct? The ones I've been to (only a handful) weren't really OT per se, more bluegrass I guess. Everyone would play together to begin with and then each person would take a lead or break until it went around the room.

Mandy, I've played almost exclusively in old-time sessions for over 14 years, my husband is a wonderful old-time fiddler. But I've also dabbled in bluegrass, folk, and Irish sessions now and then (not that I'm good at playing in those styles though, I'm not...lol). There are many kinds of jam sessions: general folk music, bluegrass, old-time, Irish trad, Cajun, etc etc. I'd have to label most dulcimer groups as 'folk genre' since they play such a wide variety of both trad and modern material.

Many musicians who just play for fun (and particularly those who would most likely be interested in open jams) play tunes and songs that overlap more than one of these genres. For instance, bluegrass players play a lot of old-time songs but they play them in modern bluegrass styles...and many folk singer types will sing bluegrass songs, or vice versa. What I'm trying to say is that maybe you are limiting the response you get if you label your jam specifically as an 'old-time' session. An old-time session would not normally be playing modern folk songs or playing/singing songs in bluegrass style.

In a typical old-time session , it's most often the fiddler who leads and decides the tunes based on their repertoire, and the other instruments find and fill in their complimentary roles around that...not necessarily all playing melody. The fiddler usually leads the tunes. Nobody takes breaks or solos, and it's considered impolite to drown out the fiddler. Sometimes people sing out verses to familiar tunes, but it does tend to be mostly instrumental and fiddle-tune based. Sometimes there is singing of old-time songs, as in Carter family repertoire, but not done in bluegrass style.

In a folk 'song circle' , people take turns playing/singing their own song of choice and they can either welcome others to play along as a jam, or in some instances it's a true 'song circle' in that the person does their song alone while others listen, and then it's the next person's turn. In a regular folk 'jam' you can go around with folks picking their own songs and starting them but everyone customarily playing along. Singer-songwriters who play guitar tend to gravitate towards folk jams, since 'folk music' includes both traditional and modern material of all kinds.

In a bluegrass jam , there is a huge repertoire of bluegrass (post 1935) material along with its customary etiquette such as breaks and leads. Some bluegrass songs are relatively modern (just be aware that those songs are likely copyrighted). There is a lot of singing, and not so many all-instrumental tunes like one sees in old-time sessions. Other bluegrass songs have been adapted from old-time repertoire, tunes and ballads, but are played in bluegrass style. But bluegrass and old-time are most definitely not the same even though they share many of the same tunes and ballads...they don't play or sound the same, and it's considered clueless or even inconsiderate to play in bluegrass style when joining in on an old-time session. The rhythm, timing, harmonies, chords, even sometimes the keys are distinct between the two.

All this is not to say you can't have a super fun jam by mixing up folk, bluegrass, old-time, gospel, blues, whatever- all together! You certainly can!- throw it all in a pot and see what cooks up. But my point is that calling it 'an old-time jam' or a 'bluegrass jam' or a 'folk jam' implies a certain and well defined genre and repertoire, and that will definitely limit the people who respond to your ads. My suggestion, if you don't want to focus that specifically on one music genre at first, is to simply call it an acoustic music jam. That will bring all kinds of players and you'll get a varied pool of people and styles. You can always draw people from that pool into a more focused session later on. Hope this helps!

I have a bit of advice if you want it- start just by having a weekly or monthly jam. Get to know the people who come and see what they do. I'm imagining you'd be welcoming most folks with acoustic instruments, right? Well, unless you are actually wanting to form a band that contains everyone who comes to the jam (and maybe you DO want that), I suggest you hold off talking about forming a band to the general jam group... You may find that you don't blend well musically (or personally) with everyone who comes to the jam, and it's far easier, with less bruised egos, to invite a few people later on privately in terms of forming a band rather than to tell the whole jam group from the start that you are wanting to form a band. I guess a lot also depends on how big or small you want your band to be.

Good luck and have fun!

Bill, here's a picture from Steven Smith's site showing the notes on a typical dulcimer fretboard when tuned to DAd:

The top string would apply to any string tuned to D, the middle string shown would apply to any string tuned to A.

Not all dulcimers have a "6+" fret.

Are you not getting these same notes on the various frets on your dulcimer?