Sleep In Heavenly Peace Rod
OFF TOPIC discussions
Nice tribute to Rod. I can't believe it's been a year.
Peace to one and all.
Nice tribute to Rod. I can't believe it's been a year.
Peace to one and all.
That is nice, Susie. Iwas on that audition list, too, but basically gave up ever hearing from Richard. As it turned out,I obtained one anyway, but was obliged to sell it to pay for another (much more expensive) dulcimer. My ad with video demonstration is still available in the For Sale Forum for anyone interested.
As Ken has pointed out, the shallow fretboard does not allow it tobe played noter/drone style. I also found the stringsa bit loose andwould suggest different gauge strings. But other than that, the instrument is very well made, has excellent intonation, and especially for its size, has a really nice tone, one that seems to get better as thesebrand new instruments mellow a bit.
Susie said:
Surprise, surprise......I got notified by Folkcraft and got the FolkRoots Travel dulcimer on Friday to try out for a few days. My sister also got one. I'll be giving them my feedback...mostly good, but a couple suggestions. Nice that Richard followed through with the auditions. Neat little dulcimer...nicely made. I'll be sending it back, though, because I have another dulcimer on order.
I stopped waiting. I just figure maybe someday I'll hear from Richard that they're ready. But until then, I'm not holding my breath. I also thought we were supposed to be the beta testers before they sold the model, but they're already selling the model! I don't really understand why they need testers anymore.
I have heard nothing recently, but I do know there were some delays as they changed the bracing on the instrument.
I think you got your wish, Flint. Here we are three years later.
Well, it's not a traditional ballad or anything, but David Schnaufer's version of the Hank Williams tune "I'm So Lonesome I Could Cryhas moved me ever since I discovered the dulcimer. Elvis called it the "saddest song I've ever heard in my life."
Did you ever see the Robin weep
When leaves begin to die
That means he's lost the will to live
I'm so lonesome I could cry
You football fans might like to hear Terry Bradshaw sing the song , too. Weren't the seventies great?
Flint Hill said:
I sure am enjoying this thread. Hope it has a long and productive life
This kind of inter-linguistic confusion can be offensive and comical, too. Years ago while i was living in France the family I was staying with welcomed another American for a dinner. She had just spent a few days in Paris on her first trip to France. They asked her how she liked Paris, and she responded that Paris was the city of joy--"Paris est la ville de joie"--and she wanted to say that she was ajoyous girlas well, so she said, "Et je suis une fille de joie." Horror fell on the faces of the French family. You see, "fille de joie" may literally mean girl of joy, but it the common name for, well, shall we say . . . una puta.
I don't know if this is the same collection, but here are 200 songs: http://singalongwith.us/ .
Hi Tony,
John P has this right. I believe the 6-1/2 or 6+ fret became common in the 70s and is almost standard now, to the point that a dulcimer that does not have that extra fret will usually be labeled explicitly asa "true diatonic."
The 1-1/2 or 1+ fret is the next most common "extra" fret. It is useful for blues, as John P states, because it gives you the lowered third, the most important of the so-called "blue" notes. But it has other uses as well, most notably the ability to play the 7th chord of the I and IV and also a wider variety of minor chords.
Two of Bing Futch's recent Dulcimerica videos examine the 1-1/2 fret in depth, so if you want to see what can be done with that extra fret, give those videos a look.
I've seen some folks who have added a 4-1/2 fret, and Ron Ewing convinced me to put not only a 1-1/2 but also a 1/2 (0+?)fret on my dulcimette, the logic being the greater number of chords that could be played. I'll be honest, though, although I use the 1-1/2 fret often, I have not yet begun to explore the .5 fret (or however you designate it).
Traditionalists will argue with some pursuasiveness that once you begin adding extra frets, the dulcimer ceases to be a dulcimer and becomes something closer to a guitar or mandolin.
There is a group here at FOTMD entitled "I have extra frets," which sounds like the opening line of a 12-step group: "Hello, my name is Dulci and I have extra frets. I knew I had a serious problem when after getting a 1-1/2 fret one day I was banging on my luthier's door at 4:00
AMbegging
for more."
Thanks everyone for your warm welcome. I'll do my best to help maintain the friendliest place on the internet.
Are moderators necessarily moderate?
And if you practice moderation in all things, aren't you being excessive in your moderation? If you are excessive in your moderation, then you are not practicing moderation in all things, so you are not excessive in your moderation.
Oh, my head is spinning. Good thing my wife just popped the bottle of California bubbly that we never had a chance to share on Valentine's Day.
This is a good question. Don't be surprised if I try to answer it on more than one occasion.
I came to fiddle tunes as a guitar player before I ever knew what a dulcimer was. Part of the attraction is the same as for any folk music. It amazes me that music dating from the seventeenth century or earlier can still resonate today. And somehow I feel a connection with people from the past by understanding the music they played, even if I hear it through modern ears. But whereas some folk tunes require the lyrics to be interesting, fiddle tunes obviously don't, so those of us unhappy with our singing voices might be drawn to fiddle tunes specifically because they are instrumental.
When I first began studying fiddle tunes,I found, as did Strumelia, that they all sounded the same. The only ones I couldeasily recognizewere those that had become standard songs, such as "Arkansas Traveler" (which, like all kids, I learned as "I'm sweeping up a baby bumble bee"), "Eight of January," (the tune for which was used in the pop/rock song "Battle of New Orleans" in the late 1950s), or even "Sailer's Hornpipe," (which my animated buddy Popeye taught me).
But the more I listened and studied, the more I learned the nuances and beauty of each song. "St. Anne's Reel" is really pretty. "Whiskey Before Breakfast" really bounces. "Red-Haired Boy" and "Salt Creek" really surprise with that VII chord.
So for those of us without good singing voices but who want to play traditional folk music, fiddle tunes offer a large repository of material.
There is also a technical reason for playing fiddle tunes. As I learned when trying to be a bluegrass guitar player, you can't fake it with fiddle tunes. Your technique has to be up to par to play these songs at a"danceable" speed. Just practicing them, in other words, helps develop your technique. In fact, a guitarist friend of mine now living in Birmingham who was the reason I took up mandolin (he was just way better on the guitar than Iand also had a killerSanta Cruz dreadnought) has since abandoned bluegrass, but still warms up by playing a large repertoire of fiddle tunes. He claims he gets the same workout as playing scales but has a lot more fun.
One final reason to play fiddle tunes: lots of people know them. I got together with a neighbor recently and while our kids played in the yard she grabbed her banjo and I grabbed my guitar. We hadn't played together inmany a moon, but we still both knew "Old Joe Clark," "The Road to Lisdoonvarna," "Jerusalem Ridge," "Red-haired Boy," "Blackberry Blossom" and so forth. Fiddle tunes serve a social role, since they represent a common repertoire that you can learn on your own and then play with others. And they are far less repetitive than the 12-bar blues!
I've written this before, but my original introduction to the dulcimer came about 18 months ago when I was surfing YouTube for variations on fiddle tunes to improve my guitar playing and found Stephen Seifert playing "Whiskey Before Breakfast." My jaw dropped and I became obsessed with the dulcimer. That something so pretty and so danceable could be played in such an inventive way on such a simple instrument is still astounding to me. When I develop a version of that song on my own dulcimer, I will indeed have reached a milestone.
Robin, I'vesometimes regretted having dabbled with so many instruments as well. You know what they say: "Jack of all trades, master of none." But then I think about what a gift it is to be comfortable enough with music to trynew instruments . I "discovered" the dulcimer in my mid-40s but did not hesitate for a moment to buy one andlearn it on my own. That I felt comfortable doing so was a product of many years playing guitarand also "dabbling" with ukes andautoharps, mandolins and pennywhistles.
My daughter's piano teacher (whom we love and respectdearly)is a professional cellist.I consider her a "real" musician and myself but a folk enthusiast. I do indeed envy her mastery of her instrument. However, if you had to pick one of us to help you form a jug band, I would assert without modesty that I'd be the better choice. And if you were having a barbeque and wanted some musical entertainment, I dare say our jug band would fare quite well even if we lack the virtuosity of a professional string quartet.
Paul's point is dead-on. Playing music can be a vocation even if it is not an occupation. "Dabbling" for personal enjoyment and growth is indeed avaluable venture. It saddens me that our society only values those activities that make money. Practicing an instrument is considered worthwhile if it leads to a paycheck but a waste of time if done purely for leisure. A story should be something we tell, not just something we read. Drama or comedy should be something we perform, not just something we watch on television. And music should be something we do, not something we purchase.
So dabble away, friend, and I'll be a-dabbling right next to you.
Robin Thompson said:
I wish people would stop tempting me with getting new instruments!!!
I'm sick and tired of being a mediocre player because I dabble too much.
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Making music at home is waaaay too much fun! Ought to be illegal!
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The mountain dulcimer is a late comer to my musical arsenal. I currently have two dulcimers: a four-string made by Johnie of Unicorn Woodworks out of mahogany and spruce, and a 6-string baritone dulcimette made by Ron Ewing out of walnut and western red cedar. I've also ordered an octave dulcimer from David Beede, ostensibly for my daughter to play.
I've played guitar for decades and currently have a Guild 6-string and a Seagull 12-string. I also have a mandolin, aviolin (which I don't play), several ukuleles (including two banjo-ukes), and two autoharps (a chromatic Oscar Schmidt and a diatonic Pawprint made by my uncle). There is a wide a variety of pennywhistles, recorders, and harmonicas lying around the house. I also have a limberjack and hope to get or make several more.
Hanging on our living roomwall is a rababa which I do not play but which was given to me by my daughter's pre-school teacher in appreciation for my many visits to the school with many of the instruments listed above. On the other side of the chimney hangs a dulci-gurdy, a hybrid dulcimer and hurdy-gurdy made by some luthier in Austin and given to me recently by an uncle. The dulci-gurdy is not really in playing condition, but maybe if I get some free time . . .
Finally, over the holidays I purchased an electric pianoso that my daughter can take piano lessons.
"That's enough!" my wife says. I smile andignore her.
Oh, and sometimes I sing, which causes the dogs in the neighborhood to howl in pain and my wife to scratch the blackboard to drown out my voice, which sounds like a combination of Bob Dylan and Mr. Magoo.
Welcome home, John. I don't mean to your house, I mean to FOTMD!
Thanks, Rod and Strumelia, for informing us of John Henry's situation. We are all wishing him a speedy recovery, I am sure. Please keep us updated if you receive any news.
A copy of this post is also found on Everything Dulcimer. Please excuse the repetition.
On the eve of Thanksgiving and the coldest day of the year so far in Northern California, while chopping vegetables in preparation for tomorrow's feast, I watched my daughter sitting on our couch in between my parents as the three of them wrote the fifth or sixth chapter of what has become an on-going story about two families of grasshoppers who learned to put aside their differences and get along together. The joy they all obviously felt in their collaboration, though, pales in comparison with the joy I felt observing it. Indeed, my family is healthy and we have many relatives and friends to be thankful for.
But I am also thankful for all of you.
With the exception of one day in July 2009 when I attended the Redwood Dulcimer Day, my entire dulcimer experience has been digital. I first discovered the instrument in a YouTube video by Stephen Seifert, I located a luthier online and contacted him via email, and I learned my first half-dozen songs by copying YouTube videos. Other than that one day in Santa Cruz, the only dulcimer I've ever heard live has been my own, and I know no one in my "real" life who plays.
But here I am, over 18 months after obtaining my first dulcimer. I still play as often as work and family allow, and I am still enthusiastic about the instrument.
The fact that I am still so excited about playing this instrument is certainly due in large part to the support and camaraderie I've discovered at ED and FOTMD. These two websites have remained an important part of my dulcimer life for the last year and without all of your friendly and supportive enthusiasm, I don't know whether I would still be playing the dulcimer. I would like to think my love for the instrument is genuine and would have lasted anyway, but I don't know whether I would have continued to study the instrument if I had no one to share that interest with.
So I say to you all, thank you. You have helped sustain a joy in my life that I hold precious.
I do indeed hope one day to meet many of you in person, but even if that day never happens, I will always be thankful for the interactions we've had online.
And no, I'm not crying; I've just been chopping onions.
I will be traveling this week and want to take a dulcimer with me. The problem? I don't want to risk any of my dulcimers by checking them as baggage, so I have to take something small enough to bring on the plane. No problem, right? I have a baritone dulcimette made by Ron Ewing, perfect! Well, no, for I only have a padded case for it and even if I place it in the overhead bin I would be worried sick.
Solution? It took about 5 minutes of modification (butchering) to get this viola case to fit nice and snug. I am so excited to finally have a hardshell case for my little baby.
What a cutie! It looks like your right hand is already getting ready for that frailing banjo! Strumelia said:
John Henry said:
Strumelia, that is not really you is it? Tho' I suppose the hunk of pie might just be a link!! And party time is nearly with us......
Strumelia said: No, that's not me, it looks to be from around 1920's to me. That would make me pretty long in the tooth! But it does represent how I feel.![]()
Seems like every other week is a party around here. I can't get any work done! lol
This is me:
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Hi Dusty, a nice thought, but a better statement might be "many British pubs.............." I live in a fairly big city, and would be hard pressed to find a folk based music session every night, and even when one does, they are not always welcoming. Ever tried joining a hard core Irish session? You need to know every note and play em in exactly the right way to suit that group. So most of us know that special pub where the session accepts just about anyone ( in my case, a hammered dulcimer) Having said all that, some of the happiest most memorable times of by later life were sitting in with others and playing whatever as it arrives!
my regards,
JohnH
Dusty Turtle said:OK, I have to confess that I have a large, flat-screen TV in my house and indeed watch sports and grill food, sometimes at the same time. But chez moi you can also find several guitars, a mandolin, a fiddle, two ukuleles, two banjo ukes, a dulcimer, two autoharps, numerous pennywhistles, a limberjack . . . and no amplifiers!
A sports bar is obviously not the best place to gather for an acoustic jam. But any British pub is (unless a World Cup match is in session)! In general, the more Bud Light served the less likely acoustic folk music will be welcome, but the more Guiness or IPA around, the more the patrons might enjoy Billy in the Lowground or Blackberry Blossom or Flowers of Edinburgh or . . .
DT - My "faux Haggis" is pretty darn tasty. Haggis is basically a sausage or stuffing made from minced organ meats, oatmeal and onion that are cooked in a sheep's stomach. It's more or less illegal to buy/sell sheep stomach in American where the FDA rules.
The faux version I make is basically a poached meatloaf. I combine say 2 lbs of ground lamb, or mix of lamb/veal with a large diced onion, and a cup of uncooked steel cut oatmeal. Season with white pepper and a pinch of nutmeg, and add an egg for binding. I form that into a log about 3-4" in diameter and 8 or 9" long, and roll it up in a piece of cheesecloth like a giant sausage. Put the log in a metal bread loaf pan on your stove top, and add a cup or more of chicken broth to come half way up the side. Bring to a boil and simmer about an hour until you get an internal temp of 150F. Turn off the heat and let it least at least 10 minutes before unwrapping and slicing.
DT, Does your mother-in-law ever make Tamales Dulce (Sweet Tamales) . I had a co-worker whose mom made the most mouth watering dessert type of Tamales at Christmas time. TO DIE FOR
Yeah Mennonite tamales would be like the rest of their food - filling but bland! Actually in Alabama/Mississippi, the tamale was introduced over 70 years ago by migrant works and adopted into the local comfort food canon. Not quite Mexican, but very good.
DT - you've never had Santa Ynez Gopher & Goat Haggis???
There are some Menonite? women here who have a stand out most Saturdays selling home-made baked goods and delicious home-made Tamales. My Mom goes by almost every week for her lunch.
Travis Rodgers said:Man it's hard to believe how this group has grown. I remember when Strumelia announced that she was starting it. It seems like just a couple months ago.
In fact, FOTMD's first year anniversary is coming up soon....on July 29th!! That's the day it was launched and the day it got its very first member...Pristine2/Richard. The following day it got 7 more members, the day after that 8 more..... It does seem like just yesterday though!![]()