Forum Activity for @strumelia

Oh that is such awful news. What a loss of so many wonderful instruments.
It must be surreal and heartbreaking for him.

I've grown bored with a few of my old houseplants. For some reason i had come to think i should be the caretaker forever of some of my older cactuses. But they were no longer 'sparking joy' as Marie Kondo says.
Just when I was feeling burdened by them, my local library sent me a newsletter last week that their Plant Swap was starting today. Great timing!  I packed up four old plants that i've had for years and dropped them off at the library, where they were excitedly welcomed.
I ordered some new begonias that I've been lusting after all winter... but had been waiting for no more frosty nights, and the warm weather finally arrived. I'm really thrilled with the two very sweet "Tiger kitten" begonias that arrived this afternoon. I put them into nice terra cotta pots already.  I had one of this type five years ago from the same seller, and i just loved it:

I have four more indoor begonias coming in a couple of weeks.  I'm excited to have some fresh new plants to enjoy, and my old plants will find happy new owners, too.

Thanks for all the added info, Wally!  

Alex, you might like my discussion about the langspil in the "Dulcimer Ancestors" Group .

And here is the discussion in that group:
https://fotmd.com/strumelia/group_discuss/2169/icelandic-langspil
I have a beautiful custom langspil.

--> Note that you have to 'join' a Group in order to see all the replies to a discussion within the group. (joining and un-joining a group is easily done with a click)

Point well taken!  On the other hand, an oldtimer might easily have also said "Why would i buy or order fancy 'fret wire' when i can just use these perfectly fine and useful fence staples I've already got right here?" 
My husband is very practical and handy, and i can envision him saying something just like that.  
More rambles- oldtime builders probably didn't think they were doing anything 'out of necessity', they were just clever in using (or making) what worked well and produced the desired result... something people did plenty of in daily life without thinking about it much.
These days, we are drowning in specialized tools and gizmos for doing literally everything... frothing milk for our coffee, car seats that warm our butts, weird red light masks to improve our complexion, and yeah clipping on electronic tuners instead of simply going "bim bim BOM".    I like to think about these funny things.

Good cartoon, John.  lolol
I certainly don't know your situation or how you get these dulcimers that you are trying to then sell in your 'booth', but in general-  I've always been of the opinion that if you prefer a dulcimer with machine pegs for some reason (in this case easier to resell?), then it's easier and cheaper to just get a machine pegged one to begin rather than to convert an older dulcimer with wooden pegs. I'm sure I'm missing some aspect here though.

I do like to see old dulcimers with wooden pegs left as they are (if they are playable)... especially since there are plenty of newer machine peg dulcimers all over the place for those who prefer them. In my view one day someone will seek out and fall in love with the old dulcimer in its original condition and they will know how to work with and enjoy those lovingly made wooden pegs. That's just my personal view, free to ignore!   :)

Dusty that is so great!   Very impressive number of participants, too.  
Good thing your mom was there, it insured that you behaved.

Happens to the best of us!  (and to me as well, lol)

Great sleuthing and great logic, Dusty!

Just because a string calculator suggests a thin or heavy string doesn't mean it would be practical. The calculators are useful, but they have no actual brain or hands. A string calculator might theoretically suggest a .000001 string to reach some impossibly high note... even though such a string is not even for sale. Or it would suggest a wound string as heavy as a double bass might use to reach some crazy low note... and such a string would be too heavy to even install on a dulcimer, much less play.

I have found that melody strings any thinner than .009 tend to break very easily... so much so that i won't go thinner than .009 anymore.
And even with that, if my instrument's vsl scale is anything longer than 26.5", I personally will not put on a string thinner than .010 . That's not due to any scientific calculation son my part, but simply because i have broken several .009 melody strings that way, and it gets downright annoying.  

No idea who made it, but they did a very skilled job in cutting those elegant soundholes. They are indeed F style holes (as one sees in a violin). However, I wouldn't call these 'classic' F holes myself- these are particularly delicate and graceful. Lovely. The (guitar?)frets seem a bit on the heavy side to me, or perhaps it's just that this is a slightly shorter scale dulcimer than the standard 26-28" vsl?

The instrument seems to have been very well cared for.
Like Dusty, the quality and uniqueness here does not really suggest to me a kit or anything put out by a 'low end' brand, despite being in a cheap case. 

Ken, the thought occurred to me as well, but I've had a really awful flu this past week and so I would definitely not want to get you sick! 

You two rascals!  What fun!  

Sad news, thank you for letting us know Ken.
John Huron was quite a Renaissance man when it came to early folk instruments. He made traditional mountain and gourd banjos, limberjacks, dulcimers, rhythm bones, and other early American instruments. I have two mouth bows made by him. One of his mountain banjos resides in the Smithsonian Museum.
His talent, skill, and knowledge is a great loss, but he left behind a great many gifts in preserving our heritage!

https://tnartscommission.org/permanentcollection/john-huron/

I've used GHS Fast Fret to clean my fretboards and clean/wipe down the strings which get grimy too. It leaves things nice and feels easy to then to slide up and down the fretboard.
I also admit (confess?) I have used Lemon Pledge as well to clean/polish the fretboard (with strings in place) and it seems to work well for me too.
BUT... and this is important-  Never ever spray or drip any cleaner, liquid, or polish directly onto the fretboard unless it's a fretless one. Instead, just put a very small amount on a soft cloth and then apply the cloth to the fretboard. You don't want any liquid at all to seep into the fret slots!- it can cause them to swell and the frets to loosen. This applies to seams on the instrument as well. Always use a soft cloth, do not apply products directly to the instrument .

One movie I've always liked was the 1984 "The Dollmaker" starring Jane Fonda as the wife of a Kentucky coal miner during WWII, and their struggles. It's a heart rending story of how she fought through hardship and social restraints in order to help her family. No dulcimer, but there is some wonderful Appalachian music and song woven into the movie. It's a good one. Be sure to have some tissues handy. You can watch it in full for free on youtube, or maybe order it from your library.

@razyn , it's wonderful that your article was published in Dulcimer Players News. I'm sure many many people will enjoy and benefit from the information you put into your article.

Hi Mary, nice to see you.
You are successfully logged in and have made a couple of posts.
You are not 'blocked' in any way. What exactly are you trying to do- add a photo top your photo gallery? Remove a video? Attach a photo to a forum post? Post a comment on the Comment Wall of your profile page, or update the "bio area" of your profile page?
And are you trying to do whatever it is from your phone, or on a laptop or desktop?
Without more details all I can do is suggest you read these threads in the help section here.

Though i don't play much music lately, Ryan's comment brought back a memory of when i first started learning clawhammer banjo 28 long years ago...

I was a brand new beginner, learning from some softcover booklets. Youtube did not even exist yet, no banjohangout yet... there was really no banjo instruction on the internet yet. The only thing online to 'talk banjo' was Banjo-L, an email listserve. (and thank God for at least that)  Horse and buggy days.

Anyway, I remember very clearly the day that I finally 'got' the clawhammer stroke motion, after struggling on my own to get the rhythm and motion from reading my booklets.
As my clawhammer stroke began to flow, I added a hammer-on E minor chord to it (which was pretty simple)... and alternated the open G chord with the e minor hammer-on. It was pure magic to my ears.
Experiencing this was a musical epiphany, touching my very being. It sounds silly now, but at the time I could not stop playing this simple stroke and hammer-on. It gave me such joy that I literally played it alone in the house ALL DAY, with only little breaks for food and bathroom. I remember distinctly that evening, getting ready for bed and thinking "I have played that for at least 9 hours today!".... yet I still hoped that I would not lose the rhythm and motion during the night and wake up having to start all over again. It was a memorable day.

I hear the struggle and can relate, Ryan!
Welcome to the site.

Ken, it's beautiful!  Thank you for sharing this.

I thought i'd add one little tip here...
Wooden dulcimers and other instruments tend to darken over time when exposed to light. This can be a nice thing, for example a brand new light cherry wood dulcimer turns darker and reddish.
BUT, if you have any stickers on the fretboard and you leave your dulcimer out of its case (hanging on a wall or in a stand), the exposure to light over a year or more will mean that when you (or some future owner) eventually removes the stickers and cleans off the adhesive, there will likely be a noticeable light spot where the wood did not receive light. This could devalue the instrument. I'm not sure how visible this would be on an ebony fretboard, if one has that.

This effect takes way longer to happen if the instrument is stored in a closed case between playing. So that's just something to keep in mind. You may want to aim for removing the stickers after a few months if this is important to you.

Here's a guitar that had stickers on it for many years.. after sticker removal, the wood itself is now showing 'suntan marks':

Lara, what a wonderful little story of the Sunhearth tradition around the 4th of July!  Thank you for starting this great thread.

Here's to more peace, kindness, and compassion in this world of ours for 2026.
Wishing you all a joyful new year.  oxo

Hi Sandi, it's great to see you stop by!  

Happy holidays, Merry Christmas, gentle Winter Solstice, and a joyful new year to all -   may the friendships and good will we forge here grow and branch out to touch the lives of others in many meaningful ways. What a wonderful group of people!

I have never tried playing Gaudete (16th century), but it's pretty syncopated, so you'll have to be nimble. Plus there are two parts, which are significantly different from each other. Most versions of Gaudete are sung, but here's an instrumental where the melody is fairly easy to hear:

If you need sheet music, maybe one of these images may be of help for the version you want to play.

It suggests to me like it has enough minor notes that it'd be best played in either Aeolian or Dorian mode on the dulcimer.

Hobgoblin and Song of the Wood are just two companies that make accessible plucked psalteries. You can find other nice ones on Etsy. You may have to decide whether you want a diatonic or a chromatic one. Also the shape is varied depending on the maker, including 'hog-nosed' shaped psalteries.

Hope this helps.

Debi, so far, nobody has asked you why you want to tune the melody string to F#.
One guess I have would be: because you want to play a tune that you were told is in the key of F#? If that's the case, then you would not be able to do that while leaving the other two strings in D and A.
Another guess I have would be: that you are thinking about the tuning D-F#-A, which some people have used in the past as an 'easy' 1-3-5 tuning to play in on the dulcimer, because it allows you to play bar chords a lot. But playing in D-F#-A is not the same as playing in D-A-F#.

If you tell us your goal and your reason for wanting to retune your melody string to F#, we can much better help you.

I'd also point out that if your dulcimer has a standard VSL (length from nut to bridge) of between 26-28", and you currently have fairly standard gauge strings on it, then if you tune UP from the note of D on EITHER your bass string (low D) or your melody string (high d) two whole steps to F#... then there is a very strong likelihood of you breaking that string with too high a tension.

You'd be better off tuning from d DOWN to the next lower F#. However, that's a lot lower than it currently would be, and many folks might find it feels too slack unless they change to a heavier string.

I agree that Dan and Skip's posts are a good thing to determine first. But i though t i'd mention about possibly tuning too high and breaking a string.

Gorgeous collection of dulcimers, Kendra. How cool that you love and play them all!  
I also am impressed at how precisely and carefully they are mounted on the wall. Good job!

Fantastic powerful voice and incredible energy. She was deservedly inducted into the R&R Hall of Fame this year (2025).

The dulcimer...  "everybody who played this is dead"...

Happy Thanksgiving, yes!  To all friends here and their families.
Perhaps a good time for me to post a link to a dulcimer song and (free) tab on my blog, called The Welcome Table . 
If you like the simple tune and learn to play it, you can always have fun with it and invent some new verses that make it meaningful to you. You can tune to DAA and play the melody entirely on the melody string, in drone style.
I hope folks get to spend time with people they enjoy today!

I love when those cool coincidental things happen, Robin.

Sound vibrations are funny. My husband sometimes sneezes so loudly that the two banjos on our living room wall actually resonate and 'play' their open string chord in response.  

This is a long video, but as a contra dancer, I found it fascinating. It's about the history of folk dancing in America (English country dancing, contra dance, and Morris dancing)- specifically centering around the Pinewoods dance camp in Plymouth, MA.  Amazing that famed ballad collector Cecil Sharp taught and promoted traditional dance there, among many others over the years. It's cool to learn about how the dance traditions at the camp evolved greatly over the decades from when it was established in 1933 towards what it is today.

Done.   :)

Hi Old Dawg... what is it you want to edit?  I can probably help you out.  Or, you can always add a new post to your existing thread, such as "This item no longer for sale"... or "I'm reducing the price to ___".  That will bump the thread up to be newly visible again in any case.  Let me know if i can help!

Are you saying that you like the tone of the melody string when it plays the tonic D note on the open string?... as opposed to the melody string tuned to A and you playing the tonic d note on the 3rd fret?
I think the tone of fretted strings are inherently slightly more 'closed' sounding than open strings... is that what you mean?  That's one reason oldtime banjo players use various tunings... to take advantage of ringing open strings as much as possible.
But I'm sure others will have great input on this. 

P.S. what version source of Sal/Mud are you learning?

@barnjam ... just from my personal viewpoint-  when playing oldtime tunes up high in the second octave solely on the melody string,  -because i play with a noter  I do not have the problem of my fingertips sliding quickly between frets that are very close together.  Just putting that little bug in your ear!  

That's a great write up!