Drew009: I'm playing with only one finger on my right hand and may I say I'm making a lot of music. I'm looking for an adaptive pick though that would fit over my finger for strumming.

If you want to STRUM, a THUMB pick might be better than any finger pick. I Googled " pick for people with bad fingers " and got suggestions for the BLACK MOUNTAIN Spring-Loaded Thumb Pick. It's a lot more advanced than the classic metal thumb pick. 

https://blackmountainpicks.com/pages/thumb-picks

In addition to grabbing your thumb, it's fat enough to prevent most cases of "Whoops, my pick fell through the sound hole!"

Here's a picture of my choice in picks for strumming

 My Favorte Pick.jpg - 208KB

>>> I have been known to use slides to cover up mistakes! 

Me too, particularly when playing by ear.

>>> "When I discovered my fret board (also called the finger board) was badly warped..."

A dulcimer FRET BOARD is not a FINGER BOARD, as used on most other string instruments.

On violins, guitars, banjos, etc. the fingerboard is attached to the neck of the instruments and is sloped above the body. It is a separate piece. There is air between the fingerboard and the body. The bridge is a separate piece tounching the strings and body. It may, or may not, be fretted.

A dulcimer fret board is attached directly to the body (sound box) and is always fretted. If an overlay is used, it is glued in place, and the fretboard becomes a one-piece composite structure.

Fingerboards are frequently arched in transverse section, but this is not a requirement. Our fret boards are typically flat in cross section.

I am one of those who believe that a traditional dulcimer must have a one-piece fretboard, with the bridge and nut mounted directly in slots in the fretboard. In that case the bridge does not contact the body, but vibrations are transmitted through the fretboard.

Leveling of the fret tops lets us compensate for slight imperfections in the finger or fret board straightness, but, of course a straight board is always best, and it should never be warped.

I usually build with guitar fret wire, but have also used the melody-string-only staples.

Checking back, I Googled the title " Seeger, Charles, The Appalachian Dulcime r"

and got the link

https://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=https://fotmd.com/forum/download/forum_file/26262/Charles%2520Seeger,%2520The%2520Appalachian%2520Dulcimer%2520(1958).pdf&ved=2ahUKEwig8Mn_76uSAxXdCTQIHU6kEz4QFnoECBgQAQ&usg=AOvVaw1oHGTowFucKHdQCaggWaPF 

which looked like it was on FOTMD.

Anyway, now the paper is exposed to FOTMD.

I had not found the Charles Seeger article before, even though it is posted on FOTMD. Perhaps it is new here.

To me, there are some interesting side issues. It barely references the Ritchie family, although it does have a photo of Jean, and mentions her husband George Pickow's instruments, not disclosing that his shop was Brooklyn, NY and his connection to Appalachia was Jean.

According to Jean Ritchie's books, Charles Seeger had collected songs at the Balis Ritchie home when she was a child. At that time there was a dulcimer in the home, and Balis was more willing to play it than to sing. Didn't Seeger ask Balis about the instrument, or did he distrust what he was told?

I believe that at the time the paper was written, Jean was in New York, playing on the radio with Woodie Guthrie and Leadbelly. She surely was crossing paths with Pete's dad.

Seeger collected a tune at Arthurdale, WV while Eleanor Roosevelt was holding a square dance there. The fiddler was from the area I pass through daily, and was well known here back in the 1960s and 70s. As best I remember, Seeger put in the the Smithsonian Collection and it was recorded by the New Lost City Ramblers as "collected by Charles Seeger," not crediting the fiddler. 

I can't put 100% faith in what he wrote about Appalachian Dulcimer history.

"As to the linguistic issue, scheiße is the German word for sh*t. Scheit in the 16th century was log or piece of wood. I think that is still the translation today according to my German friends."

I don't disagree with that, but ...

First, we are discussing early 20th Century interpretation of late 18th Century Pennsylvania German terminology, as much as academic 16th Century German German. 

Second, if you use Google Translate for the meaning of "scheit" it tells you the modern translation is "sh*t." 

Third, if you look down in a toilet, in polite Victorian terms, don't you see "logs"?

We also would have a bit of confusion if we ask Google what "dulcimer" means. I'm not sure if I would trust the Unabridged Oxford Dictionary to be clear on that.

Ken Longfield and Ken Hulme said"
"These instruments were constructed by craftsmen on an individual basis probably in home workshops. There is no record of musical instrument shops in the new world building these Pennsylvania German instruments."

I have begun writing a bit of stuff for the Nonsuch Dulcimer newsletter in Britain about making and fixing Appalachian Dulcimers. In the first piece  have written:

"Historically, the LD is not a musical instrument created by skilled luthiers. It is a folk-craft item, like a quilt or a sweater. They were made by simple crafters working with locally available materials and simple tools. That practice is still alive in the USA, along with a handful of highly skilled, but mostly self-taught shops producing high priced instruments."

and

"My guess is that the 19th Century makers were also involved in making simple furniture and other household items, and that many of the instruments were made for family members and close friends."

Before 1900, making stuff for home use from wooden boxes and branches was commonplace in farm homes. I opine that is was about as common among men as needle craft was among women. The Boy Scouts taught this level of craftsmanship to townies when I was a boy. It was a common sort of magazine or newspaper story, just as boat-building was.

On the linguistic side, "scheit" in German translates as "shit" in English. I can imagine some of us saying "This piece of shit I made works pretty well for playing on the porch, although I wouldn't recommend it for public performance."

I agree that we should try to take scheitholt out of regular polite communication, but I think it has been established in dulcimer history too long to just kill off.

I have dot placed stickers, using stationary department dots or masking tape, on one or two of the instruments I own, but if I buy a modestly priced dulcimer without dots, I usually install "real" ones at 3, 7, 10 and 14.

On eBay you can buy for $15 with delivery
20Pcs 6X2Mm Guitar Natural Mother of Pearl Inlay Fingerboard Fret Dots
That's enough 1/4" dots for 5 instruments.

I also use 1/4" "plugs" cut from some ebony I have with a cheap drill-type plug cutter in a drill press.

It is easy to install them in holes made with a 1/4" Forstner bit in a drill press if you just slack or remove the middle string.

This isn't for the faint-hearted, but an almost trivial job for any woodworker, luthier or not.

You mentioned "Low-Maintenance." Provided that they are properly set up when purchased, lap dulcimers don't need much maintenance work except when a string breaks, and if you learn to tune carefully that will not be often.

It's best to store it in a proper case, rather than a pillow case. Try to keep the case out of the rain, and don't leave it on a beach. Wiping occasionally with a soft cloth and maybe oiling the tuners every couple of years is a good idea.

The traditional dulcimer is reputed to have been kept hanging on the wall over the fireplace in a cabin which wasn't heated much in below zero weather. If well built, they are a tough as the Kentucky hill folks who owned them.

I'm assuming you didn't buy one made with faces of glued up exotic wood with wild grain or knots, or millions of sound holes, and that it has a proper one-piece fretboard and geared tuners. Buying exotic stuff is always a risk.

I first encountered Steve Smith's TABs when someone passed one out in a dulcimer workshop. The Western NC Dulcimer Collective website lists too many to count, and they are free to download. They are impressive because they include "everything" needed for a group:

• Melody in Standard Musical Notation
• Chords
• DAaa and DAdd note numbers for both noter-drone and chord-melody playing
• Note names (as letters)
• Lyrics
• Sound files (.MP3 format) to guide you on unfamiliar or tricky numbers

His .PDF files may be a bit too inclusive for easy reading by folks my age, but a group leader can use them as a source for creation of "just number TABs" and so on.

There is certainly no other single website which offers as much music for lap dulcimer players.

You have constructed an attractive instrument. That is only Part 1 of making a fine instrument. Even a very well made string instrument needs "SET-UP" after construction. "Cheap" instruments are often discarded simply because no one has done that. It usually requires less than an hour of informed action.

As Ken noted, you may need to level the frets. You might find it insightful to read one of his earlier posts on leveling - 
https://fotmd.com/forums/forum/instruments-discuss-specific-features-luthiers-instrument-problems-questions/37078/leveling-of-frets-why
 
Most of the on-line information on leveling is by guitar folks. This video is good in terms of basic technique,
Fret Leveling - The Easy Way // How To

As the video notes, you start by making sure the FRETBOARD itself is straight. Many guitar necks have a metal rod which can be used to adjust the curvature. We don't use such a device. We can usually compensate for a small bit of un-straightness in the stick through leveling. 

We also don't typically use a crosswise arch on our frets.

I'm pretty much in agreement with John, a combination of heat softening of the glue and string tension resulted in separation of the "flat head." I would guess that there is little other structural damage.

You have three clear choices, (1) a very expensive "restoration" (2) a repair to playing condition (3) giving or selling it to someone who would repair or restore it. Don't throw it in the trash, at least give it to Goodwill where it would find a new home.

McSpadden instruments can have a variety of signatures, even if factory assembled. From the shaping or the sound holes, I'd say a kit is a good guess.

It may need new "bridge", spacer, strings, and tuners, but McSpadden can readily supply them. The re-gluing is pretty much a handyman project, not lutherie, and you might want to make it a DYI job. If I was doing the repair, I'd probably keep the discoloration and the story. 

In any case, it is always a good time to get another instrument.

My 6-string conversion of an old Korean dulcimer has a "dropped" A on the middle set and a "raised" D on the base set. Otherwise it has the common, original, DAA tuning. I like it, and it the instrument I usually play.

I'm not at all surprised.

All instruments need to be properly "set up," and this is often left to the retail seller. Amateur builders often don't know how to do the simple adjustments. Many of the string instruments in charity stores are "throwaways" that people got as a gift or as so-called bargains which only need a proper set-up.

I went back to look at the photos of the spacer and fret. Someone obviously messed it up. 

Frankly, if I was dealing with this, I would remove the plastic spacer and throw it away. I would make a new spacer from hardwood or plastic. I would probably then cut a new groove to fit the width and height of the spacer closer to the zero fret. Alternately I would re-cut the spacer hole to square it up, glue in a filler block, and then cut a new slot there to fit my new spacer.

I would also reset the position of the middle string to the middle of the fretboard.

Sorry about misleading you about sloping the grooves. That applies to a nut, not a spacer. 

You don't need or want diamond files for cutting wood or plastic. I use cheap (under $5) "needle" or "jewelers" files like these.

https://www.walmart.com/ip/Hyper-Tough-6-Piece-Needle-File-Set-TR17075C-0-18lbs-New-Condition/49944457?fulfillmentIntent=In-store&filters=%5B%7B%22intent%22%3A%22fulfillmentIntent%22%2C%22values%22%3A%5B%22In-store%22%5D%7D%5D&classType=VARIANT&athbdg=L1600&from=/search

https://www.harborfreight.com/needle-file-set-12-piece-56743.html

Unless, of course, you are using something like stainless steel for your nut.

Some recommend using welder's "Tip Cleaners." They provide a round bottom groove. I've tried them, but I think a ve-bottom is better.

https://www.grainger.com/product/2CYY5?gucid=N:N:PS:Paid:GGL:CSM-2295:6VHHZD:20500801:APZ_1&gclsrc=aw.ds&gad_source=1&gad_campaignid=21369464100&gclid=Cj0KCQjw3OjGBhDYARIsADd-uX7vO8dMz3VBbhcAci8p5LbNQX30CoNKMvqRmH5EiefwGo4KpHnIqeYaAvrLEALw_wcB

To make the slot adjustment, I would use either a triangular needle file or perhaps a welding tip cleaning file. You can do it one string at a time by slacking the string and pulling it to one side while you file while you keep the others tight.

You want to angle the slot so that the high point is on the bridge side to preserve the VSL.

I would NOT "Cut" them with a saw.

John Knopf said "One thing I've noticed is how many of these songs dealt with disasters, death, sickness, loss of dear ones, etc."

Isn't that what a lot of current "pop" music lyrics are about? Only today it is sung in the first person, not the third.

"Today I hoed an acre of beans and split a cord of wood, I'd do the same tomorrow if the good lord said I could," isn't particularly entertaining. 

In addition to ballads, they also sang "play party songs," common hymns, etc.

Many collectors were seeking "old ballads" which "proved" connection to Elizabethan England and seldom notated the other stuff. There was political bias in the collection process.

Excellent suggestion, Ken.

Warren's phone number is on his website https://www.warrenamay.com/contact-us/

When you get the answer, please let us know what he says. I'm sure several of us who do our own maintenance will be interested in why a "bridge" might have different heights for melody and bass.

I would think the bass string might have been set higher to avoid the string buzzing on some of the middle frets. There were no standard "dulcimer string" sets in 2006 and he may not have found a really good size of banjo or guitar would string.

My primary interest in "Jewish Music" is to be inclusive in performances during holiday periods like Christmas/Chanukah and Easter/Passover. I have a number of things like The Dreidal Song in my crank organ collection along with Jingle Bells.

I wasn't surprised to find that there is a book called Union Hymnal for Jewish Worship available as a .PDF at archive.org. This was produced by American "reformed" congregations, and as a result, all lyrics appear to be in English, and some of the tunes are by non-jewish composers like Mozart. 

At a first glance you would be hard pressed to tell from a single page that it wasn't from any American protestant hymnal. They are four-part arrangements.

https://ia801507.us.archive.org/34/items/unionhymnal00cent/unionhymnal00cent.pdf

Hymnary.org has several listing for books with lyrics in Hebrew and Yiddish. One example is
https://hymnary.org/hymnal/CZNS1909

Brown University has a page on Yiddish sheet music with a lot of sheet music.
https://library.brown.edu/cds/sheetmusic/yiddish/

I found that via the Hebrew Union College page on music resources.
https://huc.edu/libraries/free-online-resources/free-online-resources-music-resources/

The resources are there.

The request was for "Jewish worship songs." A lot of the common "Jewish songs" are holiday or folk tunes.

If you are looking for TABs for music for temple or synagogue, some of us here might be able to able to make them from sheet music, but we wouldn't have that or know what to look for.

I think the loudest acoustic dulcimer I have is my Tennessee Music Box (TMB). It is home-built, and I described it in the thread

https://fotmd.com/strumelia/group/42/box-dulcimers

With the 1/2 inch plywood faces it is substantial enough to survive a lot of rough treatment. It might be used as a shield It has a screen door handle on one side so it doesn't need a case

There are very few dulcimers available with proper pickups installed for electric amplification. The piezo types - either built in or attached - will pick up both any bump on the dulcimer or sometimes other sounds not associated with the instrument such as passing trains.

John Knopf built a hybrid TMB about a decade ago. If you are buying, not building your own, at least exchange messages with him.

https://fotmd.com/strumelia/group_discuss/1018/electric-hybrid-tmb

You will occasionally encounter DAA TABs which have 6 1/2 fret notes. Don't avoid an instrument just because it has one.

Your website is informative, not just a sales piece. I like the inclusion of the videos of most of your varieties letting viewers hear them.

You should consider taking your current instrument to the shop and playing both side by side. The important thing is which one suits your ear better.

If a bridge is simply too high, you can lower it by taking it out and sanding or filing the bottom a bit. Do it a little at a time and tune and play it after each reduction.

If you have measured the bridge height and know about how much too high it is, you first pass may be a larger one, then do it a bit by bit.

If you are a "DAA" player, you tune the Bass string down the half note, then use the same "4th fret" on the Bass to get the others. (Relative tuning works similarly for other tunings.)

If you go back to Jean Ritchie's Dulcimer Book, the basic tunings were a whole step lower - Cggg, CGcc and so on, so lower tunings are more traditional. 

"Kit" can mean a lot of things. For example, an fine instrument plus case plus a ukulele pick, a 3 inch "noter" plus a CD and book can be described as a kit. A kit can also be just plans and pieces of wood.

Particularly if buying through eBay, ShopGoodwill, or a crafts store any document, description or label should be treated as mere suggestions about possible origin. Often accessories and documents found in the same closet with an instrument are all simply thrown into one box.

That's not to criticize auction purchases, that's how I got several of mine.  

On my instruments I typically use a nut or bridge with a flat bottom and a sloped (not rounded) top with the high edge toward the fretted portion. I then carefully slope the slots to match. The VSL should run from the inside of one to the inside of the other.

If you have not studied the Folkcraft website, a visit is in order. https://folkcraft.com/

Connecticut should only indicate that this was made when the factory was there between 1979 and 2006. I don't see anything on the Folkcraft site that indicates that they made "noter style" instruments. Almost any Appalachian dulcimer can be played with either a noter or the fingers.

Since the builder of a kit can glue any label inside, there is no reason to expect to see "made from a kit" inside. A label is simply a label. 

Did you, by any chance, flip the bridge over while changing strings?

As shown in the photos, the nut is well off center. The string grooves appear to be rather tight on the strings, but it is hard to tell from the photo. Perhaps the cut-away for the outer two strings isn't as big as it should be and is creating sideways pull.

You should check string heights when you acquire a "new" instrument. There is lots of good information on how to do that here on FOTMD.

Folkcraft sells a variety of replacement bridges complete with notches.
https://folkcraft.com/pages/search-results-page?q=bridge&page=1&rb_product_type=Building%20Supplies%20%26%20Plans

I don't use tuning apps, I use clip-on tuners of various makes and models.

For a dulcimer, you want/need one with a CHROMATIC setting. Some have settings for guitar, fiddle, ukulele, etc. and in that case you need to be sure that you are using the C setting. It's usually a very small letter and easy to miss until you understand its importance.

That same thing applies with an app. I' not aware that Fender ever made dulcimers, and I wouldn't be surprised if their all only had guitar settings

Rule #1 for purchasing a dulcimer: If possible, PLAY IT.

Dulcimers come in a variety of shapes and sizes, and you need one which fits YOU. Even if you can barely play, putting it on your lap will help you decide whether it fits you.

Don't worry if you can't put it in proper tune, if one string will play you can get a pretty good sense of the tone which the body shape and size provides, and you can check for things like buzzing. Fingering each fret in order can be used to check for a warped stick or high frets. If your ear is decent, you can use Fret 7 (the octave) to roughly check fretting, nut, and bridge problems.

Generally any McSpadden, or other big name instrument, made within the past 20 years is likely to be OK if there is no visible damage, although a good look at tuners, etc. is good advice.

There are no really good price guides for used instruments except eBay and Reverb asking prices. If you can't play it, always check shipping charges, etc. since these are sometimes more than the instrument price.

Don't worry if you don't understand all this, but see if you and the instrument are a comfortable and pleasing match. You should be looking for a "lifetime companion," not a "trophy spouse." You may need more than one date, don't rush it.

You can make a stable, playable dulcimer which is only a stick. You just won't hear much without adding a sound box or putting it on a table top resonator.

The cardboard dulcimers are a good example. The structure is usually a piece of 1x2 lumber with a modest strum-hole. Once tuned and settled in, the cardboard dulcimers will often hold relative tuning for months when stored in a cloth bag, and only need a touch-up when string tension is affected by room temperature changes.

I'm not a fan of hollowed out fret boards, etc. I'm not convinced they can be proven to make better music. When I build, I like the basic stick and box construction. I think pear and hour glass box shapes, fancy woods, lots of sound holes, etc.are mostly decorative.Box size does definitely affect the sound produced.

Decoration is fine, but should be seen as such. I put ebony or mother-of-pearl dots on my simple sticks and prefer trapezoidal boxes with shaped holes to rectangles with round holes. Sometimes I paint folkish designs on the boxes.

I can appreciate fancy dulcimers just as I can appreciate an Aston-Martin car - but I drive a basic small car and enjoy playing "cheap" instruments.

I taught engineering mechanics (Statics, Dynamics, and Strength of Materials - the courses which drove students out of Engineering) for a quarter of a century. My view is based on a lot of 'book larnin.' Over the years some of us develop structural intuition just as musical intuition grows for some and not others.

My remarks are focused on "true dulcimers" with 3 or 4 strings and a stick which runs the full length of the VSL. The body is relatively narrow and the tension of the strings is modest. The sides, front, and back are sort of a stiff tube. The tension causes the body and fret board to curve very, very slightly and the wood to "creep" slightly over a period of days and "settle in."

An acoustic guitar body has only modest amounts of bracing inside, and the heavy wound steel core strings create a much larger tensile force. Solid body guitars are very different structurally.

A fiddle body is actually a complex shell shape, and the string tensions are rather low. On many fiddles the strings have a gut or nylon core.

On a modern instrument of these families the body might actually be graphite reinforced plastic. Tension will still cause minuscule bowing of the body, but there will be no creep.

There are no simple answers or explanations for such questions. I'm still trying to fully comprehend musical modes and remember chord structures.

String instruments which are played regularly are typically "kept in tune" for many decades on end.

Strings may be damaged by age or environmental factors, of course, but, in my opinion, the minute aspects of wooden bodies' shapes are better preserved if string tension it maintained. If you unbox a dulcimer with loose strings it usually takes several tunings to get it to hold properly. Tension also keeps the "bridge" and nut secure.

Wooden pegs are another matter. They and the matching holes will undergo changes in roundness with changes in humidity. That's why moving a dulcimer from Phoenix to Seattle may require attention by a luthier.

If you have a 10 million dollar violin, controlled storage conditions are probably in order, but the primary benefit goes to the gut strings and horsehair on the bow.

If your dulcimer is worth less than $10,000, keep it in the case and keep it out of rain, snow, deserts, and floods. Storing it in direct sunlight probably isn't beneficial, but a lot of wall-hanging dulcimers stay playable.

Except that mine is Dd-Aa-aa (or maybe dD-aA-aa, or aa-Aa-Dd if you prefer the reverse order)

Or like an "unreal Dulcimer." On my 6-string dulcimer, tuned in DAA with 6+ fret, I have a wound string in the middle pair tuned an octave below normal and a high D on the "bass" pair. This gives a more rich sound to the drones, and not like a mandolin.

I also like the sound of 3-string DAA noter-drone cardboard instruments.

As John and others say, depends on what you like and the mood you are in.

I ran into a problem with a wound bass string once. There was a bit of a buzz which I tracked down to a broken winding. See the attached photo.

I identified the problem when I ran my finger up and down the string. It was visible to my naked eye once I knew where to look.

A simple string change fixed it.

 Damaged Winding-labeled.jpg - 496KB

Ukulele fret boards are essentially the same width as those on dulcimers- about 1 1/2 inches. Guitar pickups are wider, but they say they can be cut. That's why I pointed to the ukulele version. 

The piezo element itself looks sort of like a black match stick with a wire on one end. As I recall, I think I just cut the height of the "bone" (probably plastic) saddle down, slide the pickup into the slot, and put the saddle back on top. Some ukulele people appear to put it along the outer edge of the bone saddle, probably raising the strings be a tiny amount.

The rest of the procedure is covered reasonably well in a number of YouTube videos. I think this one is pretty good.

Installation of ukulele pickup system

If you are doing it for the first time, you might want to do it on a cheap instrument.

It does take "some skill," but not a whole bunch. My kit came with paper templates for the holes. Other than a drill, I used only hobby/craft hand tools. The wiring is all plug-in, and the holes you cut for the tuner/controller and battery/jack boxes allow you to pass the wires for hook-up.

Since you have a serious need for a pickup, I would not suggest a stick-on mounted on the face of the dulcimer. Particularly since you say you feel sounds from other instruments on it.

I would suggest a piezo pickup under the "bridge" of the sort shown here.

https://www.ebay.com/itm/154154723887?_skw=ukulele+underbridge+pickup&itmmeta=01JR0P8CXC59HVTZEX0R9G8PKC&hash=item23e4566a2f:g:zdYAAOSwiO9fkRip&itmprp=enc%3AAQAKAAABAFkggFvd1GGDu0w3yXCmi1f1a%2FKcJRUkgjxwQyqQw7pljhCoSpJkPekGjrv%2FHmQyoDfqDnxjm6SrWceacTwHEpxive6LhrBaCArs25TycThyGZw2SwBCOiSvptCm5%2Fqzop1Fsc%2FQiJa4vvGCcKXGJPDVPubYXyW6kOSyQwGuZ3Yc3CZRgqJImQu%2F%2B6SWoTgeXfbx0g2Uo33cGOepI4b5%2B9dx0tzeZAB1uEmGVfOOhjkaI1%2F%2BVJO7Y60fW7j1TotNy7taAUvEFBrHgSRsWpZNray4sM%2Fk9HoLN2Gz0D1ObyGt3wf8uRJdkfhoChJR0GG82SBarYMYfHYCdb8cCuCEjWg%3D%7Ctkp%3ABk9SR_7OoZbAZQ

If installed with the pre-amp/tuner you add many of the features found on electric guitars, etc. I installed a similar unit on a cheap, used dulcimer, and it works. I don't use the pickup since I play quietly in an all acoustic group, but I have tested it with a 10 watt guitar amp and it works well. I do use the tuner - it doesn't get lost in my case.