Most of the dulcimer makers in Watauga County, NC can be tied together in some manner.  The interconnections through a common practice of the late 19th and early 20 centuries (marriage of first cousins) makes family ties a complex web of who's related to who.  I'd estimate that 90-95% of Watauga County's dulcimer makers can be traced back to the common ancestors James Andrew Presnell and Susan Hartzel Benfield.  They had at least nine known children.  The descendants of those nine children make up the bulk of Watauga County's known dulcimer makers, including all the Hicks, Presnells, Wards, Glenns, Harmons, Testers, Proffitts, etc.  The dulcimer traditions of Watauga County, NC are truly a family tradition.

Greg- that terrific information to read on this beautiful dulcimer's makers!

The eagle peghead and two makers' labels puts me in mind of something else, having to do with dulcimer maker Keith Young-

Some of you may have seen some really gorgeous Young dulcimers that had an expertly carved clinging tree frog carved into the wooden peghead . When I was ordering my beautiful curly maple from Keith, I asked him about the possibility of getting it with the tree frog peghead. He told me that he himself had carved the first few frog pegheads, but that it became too much and that he had a woodcarver carve the frogs for him for a while. Eventually the carver no longer did the frogs and that's when Keith stopped offering the option altogether. So, my dulcimer has simply the elegant scroll peghead that Keith himself would carve.

This makes me wonder if the dulcimer in this thread was basically made by Hicks but perhaps David Love (as you said known for his woodworking and also making of wooden toys) carved the eagle peghead... thus resulting in the two makers' labels inside, giving them both credit for their hand in the instrument's creation?

Greg, thanks for the information on the Hicks/Love connection. I appreciate you sharing your knowledge of the Watauga County dulcimer community.

Ken

"The dulcimer sings a sweet song."

David Love's full name was Joe "David" Love.  Like many mountaineers he used his middle name as his given name.  He learned dulcimer and banjo making from Tom "Stanley" Hicks, more commonly known as just Stanley Hicks.  The dulcimer containing maker labels for both was very likely a collaboration between the two men.  David Love was a skilled woodworker, one who made dulcimers, banjos, and guitars, as well as wooden toys.  He sold his handmade crafts through a small shop at his home.

David Love's father, Edward Miles Love, was the son of General Miles Love, who was the half brother of Millard Colfax Oliver and Smith Talbert Oliver, two names frequently mentioned when discussing the origins of the Beech Mountain dulcimer traditions.

General Miles Love was known as an abusive husband and father.  He was shot and killed by his father-in-law and brother-in-law in 1932.  The two Presnell men were defending the wife of General Miles Love, Matilda Mae Presnell, and her children from a drunk and angry General Miles Love.

There is no evidence to suggest a dulcimer connection between David Love and his grandfather's half brothers, Millard and Smith Oliver.  The available evidence suggests collaboration and possible mentorship between Stanley Hicks and David Love.

It really is a beautiful dulcimer, but it strikes me as a non-Stanley Hicks instrument.  It seems to me to be a dulcimer built in the Stanley Hicks style by somebody else (David Love).  The Stanley Hicks label inside the soundhole seems to be out of place somehow.  Maybe Stanley acquired it from Mr. Love, and put his label of ownership in it?   There is plenty of room inside the heart cutout to affix a label after the dulcimer was completed.  Just my musings...

Thats an incredible dulcimer!!

I can offer no information, William, but the dulcimer is a treasure! 

Help me out, historians and collectors.  I just acquired a Watauga Co. NC dulcimer with the labels of two known craftsmen: Stanley Hicks and David Love.  The Hicks label was centered in a soundhole where you would expect to see a Hicks label, but the Love label was almost hidden toward the center of the back. 

Hicks I know, as does every Foxfire fan, but Love was a new one.  I've only found one other dulcimer with his name in it, and it did not have the Hicks label.  Love was a woodcarver, and the stylized eagle effigy pegbox was one of his hallmarks.  

My hypothesis on this dulcimer, which has Love's eagle peghead and a body that just screams Hicks: the instrument was a collaborative effort between the two craftsmen.  The two lived in the same general area--Watauga Co.--and Love's sister Dovie was married to a Hicks; so a sharing of ideas and even efforts would be easy to imagine.  Either Love supplied the pegbox and Hicks built the dulcimer, or Hicks made the component parts and Love assembled them using his pegbox.

Historians, collectors, and Watauga Co. music aficionados: can you confirm a hypothesis or share something I don't know?  (This is my first venture into the rich musical heritage of Watauga Co., so there's a LOT of stuff I don't know!)  Do you know more about Love, or about collaborations or any other professional or social relationship between Love and Hicks?

Thanks in advance!

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