Dulcimer or Guitar?
General mountain dulcimer or music discussions
(Giggle)
Or how about having an interchangeable fitting on your index finger - so you can attach the noter when you need it, a soup spoon for the kitchen....a screwdriver for the work shop?? The applications could be endless!!
Or how about having an interchangeable fitting on your index finger - so you can attach the noter when you need it, a soup spoon for the kitchen....a screwdriver for the work shop?? The applications could be endless!!Um Ken? Please don't, I would think that would hurt..lol Or, make it long enough to stir soup and you've solved two problems..lol
Fascinating discussion. I find that I'm drawn to the more trebly brighter sounds of the traditional dulcimers, a more plaintive sound that makes me picture a lonely mountain cabin next to a creek. But then again, I'm a violin player and sometime mandolin player so I tend to like trebly sounds.
I noticed that other folks like the walnut with western red cedar topped dulcimers that are mellower sounding and emphasize the bass string more. This seems to be more prevalent in California, maybe because of the guitar background?
Rod Westerfield said:I've got about 4000 worms right in my kitchen! Wait, I'll go get them!I'm not sure that a fishing pole left, but I'll borrow one an let's go fishin.... love them worms...
![]()
Clare I totally agree with you on this. And yes I *do* think the guitar strength of the West coast had an influence on mtn dulcimer revival in the 1960-70's.I too am into fiddle and mandolin and I too prefer the higher plaintive treble sound on the dulcimer. I don't even use heavier middle or bass strings at all, in fact.This is all SO interesting!Fascinating discussion. I find that I'm drawn to the more trebly brighter sounds of the traditional dulcimers, a more plaintive sound that makes me picture a lonely mountain cabin next to a creek. But then again, I'm a violin player and sometime mandolin player so I tend to like trebly sounds.
I noticed that other folks like the walnut with western red cedar topped dulcimers that are mellower sounding and emphasize the bass string more. This seems to be more prevalent in California, maybe because of the guitar background?
They eat up all our kitchen scraps- coffee grounds, newspapers, eggshells, veggie/fruit waste, banana peels, old bread, egg cartons...they love to eat it all up. Keeps it all from going to the landfill. They are neat and clean and they pay me back with trays full of lovely pure earthworm castings to fertilize my garden with...so I can grow more good veggies! The bin does not smell- it's like having a box full of nice forest earth. I could keep it in the basement, but it's much more convenient to have it in the kitchen- nature's garbage disposal. ;)What do you do with a big box of worms?
I've got about 4000 worms right in my kitchen! Wait, I'll go get them!I'm not sure that a fishing pole left, but I'll borrow one an let's go fishin.... love them worms...
Teri... are you still there? See what you started? (G)
Hmmm...no, I meant in my current life, years ago. Just a figure of speech when i said "in one of my past lives'. lolI do some past-life regression hypnosis - fascinating stuff. Of course I have to do the "for entertainment purposes only" disclaimer because I don't have an MA in Psychology (but do have 2.5 master's) so can't license in this state even though I was trained to do it....... another rant on a different topic for another day.
It's really a combination of all these factors we've been discussing.
I mean if you play a dulcimer like a guitar it will sound more guitar-like, but it will still sound like a dulcimer also. And likewise if you put a dinky skinhead on a dulcimer and play it like a banjo it will sound more banjo-like.....but you won't fool ME! LOL It'll still sound like a dulcimer too.
By the way it's cuatro, not quatro. In one of my past lives I was a member of a traditional cuatro orchestra up in the mountains of Puerto Rico. (really)
My Instrument Acquisition Disorder is no longer Obsessive Compulsive, so now it's just IAD. You can't be OC when you don't have the cash! You must be on your guard, though. Yesterday we were at an antique store in Bath when the woman said there was a music store across the street. I crossed over to find the most disorganized, untidy store I'd ever seen. But, when I was about to go, the man opened an old box to show me a much older banjo mandolin inside. I had to back out quickly - it would have been a great project.
My OCIAD days resulted in so many guitars, banjos, and so forth (including amps and a P.A. system)that one time when I set up for a concert, one of the band members walked in and said, "Is there a sale?" And that was just the stuff I'd brought for the show. I culled mostly by giving or trading away. My daughter now owns my 1929 Martin. Some stuff got stolen.
Then there are "the ones that got away" - stuff I passed up, like the banjo-mandolin yesterday, and the old Gibson mand-cello I should have bought, and the Grit Laskin twelve-string. I had the cash in my pocket, but I wanted to hear it played along with a six-string, and the guy said he was busy. He was reading the newspaper. I walked out.
My first pennywhistle was a Clarke's (still have it). I'm down to a couple of Generations (silver Bb and D) that haven't escaped, and my old copy of The Pennywhistle Book. In the mid-eighties my grade sixes, many of whom were in Instrumental Music, got hooked on whistles when I brought some in and showed them (I still can't play for beans). So I made periodic trips downtown to a music store where I'd pick up a few and the kids would pay me for them. At least they had something they could actually own, and they were learning the basics on flutes, clarinets, and other band instruments. That was the best class I ever had, not just for the music.
I, too, have other things - a couple of Kalimbas (plus one made from a gourd), a turtle shell banjo, one-piece wooden spoons from a woodworking shop east of Quebec City, a tambourine, a couple of washboards. That's the stuff you can leave lying around at a party or jam session so that everyone can get involved.