The Positive Thread...
OFF TOPIC discussions
I've been gone a long time. Hoping to get back to trying to play again.
I've been gone a long time. Hoping to get back to trying to play again.
Ah yes, I actually have an app that does this. Great idea fro doing the play along thing.
In the end I just did the transposing thing and made a recording of the pc.
If you download the youtube video as an audio file, then get Amazing Slowdowner program, you can open the audio file in AS and change the pitch of the tune without changing the speed. Change it to the key/pitch you want, then save that new audio file. Then you can play along in the exact key you want. (AS can also be used for changing speed btw)
I have always found Amazing SlowDowner to be extremely useful.
If you download the youtube video as an audio file, then get Amazing Slowdowner program, you can open the audio file in AS and change the pitch of the tune without changing the speed. Change it to the key/pitch you want, then save that new audio file. Then you can play along in the exact key you want. (AS can also be used for changing speed btw)
I have always found Amazing SlowDowner to be extremely useful.
So I’m almost done my arrangement transposed from Gm to Dm. In the end, this really seems the best option. Just means I can’t play along with youtube videos or cd recordings…but I’ll make my own. Almost done, stay tuned. And thanks for your interest in my post.
Do you have a sheet? I think a G minor tuning might work for Noter/Drone playing and would like to try this. Since you clearly want to play with chords this is propably not of much help to you though.
And thanks for the youtube recommendation: It's a lovely tune.
Yes I know both ( Leadbelly and Leo Kottke), alas my capabilities are not so high.
Lol@Pete Seeger quote :D
I've enjoyed both Don's and Joellen's presentations. I was disappointed in yesterday's presentation on Troublesome Creek instruments as they couldn't get the Powerpoint to work. I hope they get it together by the Traditional Dulcimore Gathering in Berea as Doug is to present the Powerpoint there also. Looking forward to Don's workshop this afternoon.
Ken
"The dulcimer sings a sweet song."
I've enjoyed the segments I've watched of the Hindman Dulcimer Homecoming! The fest continues today (Sat 9 April '22) and ends with an evening concert.
It is perfectly possible to play fingerstyle on a twelve string. Leadbelly did it. So did Leo Kottke. Check this out.
The real problem with 12 strings was expressed by Pete Seeger: You spend half your life tuning your guitar and the other half playing out-of-tune.
Just noticed this post, @jost. How's the 12-string been treating you? I have a 12-string guitar made in Canada by Seagull that I bought several years ago, just before I discovered the dulcimer. It's fun to play something with such a full sound, isn't it?
I don't play, but have several friends and bandmates who play 12 strings, and I know 3 players of 24 and 30 string Harp Guitars -- talk about "full sound"!"
Hollar when you're ready, Jost, and I'll build you the dulcimer equivilent -- 9 strings (3 courses of three strings each), on a 3" deep x 9" wide body, 27" VSL, with a double-back like a Galax.
I didn't notice this post before either. My only experience with at 12 string guitar was a Yamaha that a college roommate owned. I played around with it some, but I never got into it. That was over 50 years ago. I do like the sound of a 12 string, but it is not something I enjoy playing.
Do you have a sheet? I think a G minor tuning might work for Noter/Drone playing and would like to try this. Since you clearly want to play with chords this is propably not of much help to you though.
And thanks for the youtube recommendation: It's a lovely tune.
Thanks for the suggestion. Could be done but I want the minor chord to play open. Plus, there’s a certain sound quality when one tunes down to CGc and capo the first fret. I’ve noticed this on song arrangements by Jessica Comeau. So this is what I will stick with…for now.
I’ll hopefully post up a video soon of the piece
I would transpose to Bm. Then your chords would be Bm, D, and A. You'd be all set in either DAd or DAA. No need for a capo.
I would transpose to Bm. Then your chords would be Bm, D, and A. You'd be all set in either DAd or DAA. No need for a capo.
I was thinking that but seems like too much of a hassle. Tonight I ended up transposing to D minor. Tuned to Cgc with capo on the first fret. Chord progression now is Dm, Fmaj & Cmaj. Able to play all the notes without adding temp frets. But thanks o plenty for your suggestion.
Btw, the musical pc is Cantiga #302 from the 13th century. Look it up on Youtube, its a beautiful medieval song.
You will probably need a chromatic or use temporary frets [paper clips about .040 or tooth picks may work] , tmp frets 0+, 4+, no capo [DAd. Can capo at 3 [DAd] by adding a temp fret at 7+ also.
You will probably need a chromatic or use temporary frets [paper clips about .040 or tooth picks may work], tmp frets 0+, 4+, no capo [DAd. Can capo at 3 [DAd] by adding a temp fret at 7+ also.
Oh the life of the beloved household cat. I'm glad they are so pleased to own you.
Thank you. We were talking and I guessed 6 1/2 but after thinking for a bit, 6+ seemed like it'd be easier to write.
Lucky guess on my part.
thanks!!
Hi all,
I have a pc I want to arrange for mountain dulcimer. It's traditionally played in G minor. Altogether 3 chords, G Minor, Bb major and F major. I'm wondering what's the best approach to playing this. I usually toggle between a Dad tuning or a Cgc. If you were to tackle this, would you simply transpose it to a key favouring popular dulcimer tunings or would you keep the chords the same and capo in some way?
To be honest, I'd really prefer the G minor to be an open strum.
6+ is exactly right, @melvoid. We use the + for extra frets so that someone with a true diatonic fretboard and someone with extra frets can still refer to frets using the same numbers.
P.S. Thanks for all the "welcome" messages!
I give lessons and one of my guitar students recently mentioned an interest in dulcimer. I'm not an expert on the dulcimer, by any means. My dulcimer has the standard layout, meaning that from the zero fret up, I can get mostly a major scale, but with a flat 7th. My student recently bought on with that extra fret, allowing a true major scale. She borrowed mine first, and we started writing tablature, and now with the new one, and an extra fret, we thought maybe we'd refer to that as 6+ or something so the existing tab isn't changed.
Any suggestions for how to handle this?
Thanks!
I didn't notice this post before either. My only experience with at 12 string guitar was a Yamaha that a college roommate owned. I played around with it some, but I never got into it. That was over 50 years ago. I do like the sound of a 12 string, but it is not something I enjoy playing.
Ken
"The dulcimer sings a sweet song."
Folks, I hope y'all have the last Saturday in August marked on your calendars for the annual worldwide celebration Play Music On The Porch Day! Here at our house, we are practicing the one we think we'll play for PMOTPDay.
I don't play, but have several friends and bandmates who play 12 strings, and I know 3 players of 24 and 30 string Harp Guitars -- talk about "full sound"!"
Hollar when you're ready, Jost, and I'll build you the dulcimer equivilent -- 9 strings (3 courses of three strings each), on a 3" deep x 9" wide body, 27" VSL, with a double-back like a Galax.
Just noticed this post, @jost. How's the 12-string been treating you? I have a 12-string guitar made in Canada by Seagull that I bought several years ago, just before I discovered the dulcimer. It's fun to play something with such a full sound, isn't it?
Most of the dulcimer builders who grew up in the tradition tuned their instruments for just intonation to sweeten the blending of the melody and drones. Modern dulcimer makers use a different intonation (equal temperament) which blends more readily into triads (3-note chords) to facilitate modern chord melody styles.
The older, traditional "just intonation" gives the most traditional dulcimer sound with the bass and middle drone strings ringing out a constant 1-5 drone against the changing melody. Leonard and Clifford Genn, Edd Presnell, Homer Ledford, A.W. Jeffreys, and a few others continued to use the just tempered scale, and their instruments were made with the drones in mind.
To get one of those sweet sounding "just intonation" instruments like the Glenns made, you need to find one of their instruments in the used marketplace or purchase an instrument from one of a handful of traditional builders. You will find them in the The Traditional Appalachian Dulcimer (TTAD) forum. They build beautiful traditional dulcimers based on the tried and true techniques of the Glenns and others.
Your post is so informative--thank you for posting it.
There is nothing particularly special about 'banjo strings' vs 'dulcimer strings'... except in relation to their being offered in convenient pre-packaged sets. Banjo 'sets' are geared towards banjo scale length (generally 25"-30") and standard banjo tuning: gDGBD (the last D being an octave higher than the first D, equal to a dulcimer high d).
The reason old timers and older books mention using banjo strings is not because they thought banjo strings were better suited than dulcimer strings. Rather, it's simply because there didn't used to BE many places to buy pre-packaged sets of 'dulcimer strings' in those pre-1970s days, whereas banjo string sets have been around for a lot longer and were way easier to find in music stores. Old timers were resourceful and used whatever they could get their hands on. This was pre-internet- there were no websites to order strings from- you had to either go to a music store or order from a paper catalogue using stamps envelopes and sending checks. (and then "allow 6 to 8 weeks for delivery", LOL)
The truly best approach is to use a string calculator (Strothers is the current best one online) and based on the VSL of YOUR dulcimer and the notes that YOU want to tune the strings to, select the gauges you'll need for that tuning. Then buy some separate steel strings (usually loop-end) from a site like juststrings .com. Have some extras on hand for breakage. If you have a typical sized dulcimer and simply want to use typical DAd or DAA type tunings, you can buy packets of dulcimer string 'sets' and it'll work just fine in most cases. It's convenient if you don't need anything out of the norm.
Commercial strings heavier than a certain gauge will more likely be wound, which you'll notice when ordering strings online. If you have your heart set on unwound heavy bass strings then you 'may' have to buy a spool of that heavy gauge music wire and cut/twist your own unwound bass strings. It depends on just how heavy the gauge is that you want. Personally, I found heavy unwound bass strings to really hurt my fingers when fretting, so I do use wound heavy bass strings on my banjos and dulcimers. If you always play with a noter this wouldn't matter.
Thank you for such a detailed post on strings ... this is very enlightening!
I saw this question and then lost it.
I have two “practice sticks”.
it just the fretboard. With the frets I use.
I got one from Backyard Instruments and the other from Grant Olson.
I keep one in the car.
@alphie There's no accounting for tastes in music or anything else. :)
Have fun, Alphie! I finished a McSpadden kit last Saturday! It's so much fun building, especially when all the hard work has been done by somebody else. Good to have you with us. We'll try to help you with whatever.
Hi, I’m newer to this website and very pleased with all the information available. I recently visited Branson and bought a kit from Cedar Creek Dulcimers. Took about a week to assemble it. I’m pleased with the unit and it’s fun learning. Hope to improve my knowledge/skills over time, but it’s really for personal pleasure. Thank you all for the information all of you share.
Beautiful job, Ken. Nina
Well, my Cat doesn’t care at all. My Lab lays next to me and wags her tail when I pet her in between songs. My Australian Shepherd leaves the room.
Our Aussie. I think he has perfect pitch since when I play he leaves the room.
Ken, great job! I bet she's tickled.
Thanks Robin.
Ken
"The dulcimer sings a sweet song."
A friend of mine had an accident with her Simerman dulcimer and asked if I could repair it for her. Here are before and after photos. I learned that having lots of small sound holes make a repair of this type very difficult.
Ken
"The dulcimer sings a sweet song."
Corvus: Thanks for the additional input. The variety of picking and strumming styles is one of the things that make dulcimers fascinating. I've played the banjo for about 12 years and the dulcimer requires a whole different skill set. I'm looking forward to the challenge!