Forum Activity for @dusty

We know how common it has been in the folklore tradition to add new lyrics to an old melody.  Poets such as Robert Burns did so incessantly, it seems.  Woody Guthrie did so, too.  I have two questions for you to contemplate: 1) What melodies seem to have been used more than others for new songs; and 2) Have any melodies been used more than Rosin the Beau?

To provide context for the second question, let me point you to the following:

1) Roll on Liberty Ball

2) Lincoln and Liberty

3) Acres of Clams

4) Mary of the Wild Moor

5) Lament of the Old Sourdough  

If you have more to add, please do so.

Ex-brass player here! I majored in euphonium and minored in piano in undergrad (was a music education major), and played for several years after graduating. Once I left music ed as a profession, I moved toward instruments that were more fun as a solo player -- piano, uke, autoharp, and now dulcimer. I still love my wind band and brass band music, though, and I still have a lot of connections in the brass world!

If you like folk music on brass, check out Percy Grainger, Gustav Holst, Vaughan Williams, Malcolm Arnold, Edward Gregson, and Philip Sparke. They're the kings of British brass band and folk music!!

It has pins. This instrument is #856 from May 1982.

 20210511_164417-01.jpeg - 123KB

The image doesn't show ball end or loop end, some hitch pits will work for either. I believe KenL knew George, he may have a better insight to  what string was originally used, if not, VSL, tuning and personal preference will all factor in.

Photo of Tailpiece...

 IMG_20200925_234003490-04.jpeg - 131KB

I have a George Orthey hourglass that I need to put new strings on. Can someone help me with original string gauges? 

One of my most exciting moments as a dulcimer player was playing Cripple Creek as fast as I could while Aubrey did her clog dancing on a small wooden square she had brought with her.  We were in a jam circle and it was my turn to name a tune. I just said I wanted to accompany  Aubrey's clogging, and she replied, "Well you better play pretty fast then!"  I sacrificed accuracy for speed and just watched in awe as Aubrey's feet did their magic.

I can't wait until I get a chance to hear the latest episode.  Thanks, Patricia and Wayne for all you do!

Hearts of the Dulcimer Podcast - Episode 51 
The Sweet Harmonies of Aubrey Atwater and Elwood Donnelly

https://dulcimuse.com/podcast

In this episode we feature the stories and music of Aubrey Atwater and Elwood Donnelly, a husband and wife musical duo based in Warren, Rhode Island. They’re well known for their blend of gorgeous vocals as well as being multi-instrumentalists. The amazing array of instruments they play include old-time banjo, tin whistle, guitar, mandolin, harmonica, limberjacks, feet, and of course, mountain dulcimer.

You can listen to all the  Hearts of the Dulcimer Podcast  episodes directly on our website:  https://dulcimuse.com/podcast  or in most podcast apps.

Every episode has its own resource page with photos, videos, and song lists.

Here's the resource page for this episode: https://dulcimuse.com/podcast/resource/051.html

Thanks for listening!

Thanks Robin, I sure will! No, I didn't think you were one of the enablers.

Thanks Dusty. It sure does have a nice voice and these Gingers are fun to play. It's amazing the tone they can get out of a small bodied dulcimer. 

Susie, enjoy that lovely new Ginger!  

There may be some enablers here at fotmd yet I'm not one of them.

Looks like a beauty, and I'm sure it sounds like one, too!

I think I've purchased my last dulcimer.

I wanted to get a second McSpadden Ginger, this one intonated DAd (I already have one intonated GDg). 

I contacted Tim at McSpadden and asked if he had any walnut woodsets with sapwood. He had a couple and let me choose between the two (for the back). I pretty much knew I wanted a spruce top. So, after deciding on all the other features, I ended up with this little gem. I knew what the back would look like, but Tim also selected wood for the peghead that had sapwood, to go with the theme. I didn't know he did that until I picked it up from my music store.

I thought I'd share it here because, after-all, you're a bunch of enablers.

It sounds wonderful and is a joy to play. McSpadden comes through, once again.

Here's my McSpadden family: 

Thank you Dusty,Ken,Wendell and Strumelia for your good wishes. You guys are an encouraging bunch!

It sounds like you are really enjoying your new dulcimer. Have fun playing it.

Ken

"The dulcimer sings a sweet song."

It’s a win win all the way around. And the padded case is way more than I expected.Now to see if I can find someone in the family to pass my cardboard dulcimer to try.

Looks good, sounds good, AND it comes with a case...all for a quality-built McSpadden at a great price! What's not to like?

@adkzookeeper, I'm glad to hear you're so happy with your dulcimer.  And in general, it's wonderful that McSpadden is offering a more affordable model.

Congratulations, Lynn! It sounds like you got a keeper for sure. Enjoy!

@ADKzookeeper , what great news- I'm very happy for you! 

Eeeekkkk! My Flatwater arrived yesterday and it’s gorgeous! And the sound........even when I play all the wrong notes it sounds so good!  And the (I think you call it sustain?) notes just linger in the air for a long time. Sweet. I admit to asking them to put on a micarta fretboard (it helps me to better see the separate frets.....ok and I love how smooth it feels under my fingers). This Flatwater will keep me busy and happy for a looooong time😊😊😊😊. Thanks to everyone for your feedback on the Flatwaters. After a year of playing on my cardboard dulcimer this is just the push to keep me practicing.

‘Lynn

I have a John Frazier dulcimer, and I think there is some info about him in one of the Revel's Music catalogues. Here:

Suffice to say, the diatonic scale fits the diatonic fretboard just fine.  If you want to play notes not found in the diatonic scale you can try an alternate tuning or add frets.  There is no "right" way to play the dulcimer.  Many dulcimer players are satisfied with a basic diatonic scale without additional frets.  If you want or need more notes, try an alternate tuning or add some frets.  Neither choice is more correct than the other.

You are welcome :) I messed one link up, so here another go:

https://www.dulcimerstore.de/c/dulcimershop/dulcimus-standard

@ken-hulme, I agree with your basic message about the vast number of diatonic songs and the fact that we can often find work-arounds for songs with an occasional accidental, but the fact is that there are millions of songs that simply cannot be played on a diatonic fretboard.  I challenge you to play George Gershwin's " Rhapsody in Blue ," for example.  I don't even think that ascending clarinet line that begins the whole piece could be done on a diatonic fretboard. Or how about Art Tatum's " Tiger Rag ?" (Obviously I've chosen extreme examples to make the point.)

Having said that, one might argue that the piano is more limited than the dulcimer. After all, on a dulcimer we can get all those microtones in between notes either by bending strings or using that noter technique in between frets where the noter touches the fretboard and the string.  Playing those microtones is possible on a piano.  Instead of concentrating on what an instrument can't do, we should concentrate on what it can do, and find our freedom of expression there.

Thank you for the new answers.

And thank you Strumelia for the noter explanatory videos. Here it is difficult to get hold of one (I can't find any in Spain and if I buy it outside the shipping costs are exorbitant for an object that is not expensive), but I think I can try to make one. The same thing happened to me with the capo, my father made me one. It cost him a lot but it works great and I am very proud, one day I will show you a picture.

Thanks Skip for the ideas, I tried the toothpick thing and it works! Although I held it temporarily, and finally it fell off, it has helped me a lot.

Thank you Jost for the store indications. At the moment I can't afford another dulcimer but as soon as I save a little money I will look at those stores, although I am very happy with my dulcimer I understand that "DAS", I too am looking forward to having another one. And another one. And another...

Ocean Daughter (lovely nickname), that would be the idea, to have different tunings on different dulcimers. At the moment I only play songs in DAd, I haven't been playing for a long time so I don't want to complicate things. As soon as I master a little more I would like to try other tunings, I hope that the habit of playing in one tuning doesn't play tricks on me. After playing the pentatonic lyre for a while I forgot for a moment about the diatonic scale when trying to play by ear! And sometimes I get lost when I learn a song on the lyre and then want to play it on the dulcimer.

Ken Hulme, indeed in my case as a player I'm very limited, I've only been playing for a short time and I find it hard to learn on my own. When I bought my dulcimer I thought "how original, I won't know anyone else who plays this".... And sometimes it turns against me! But little by little I am overcoming the limitations.... Or I make up the songs a bit, at the moment only my husband and my dog listen to them.... My husband doesn't know those songs and my dog doesn't mind that I'm out of tune ;)

Thanks for the information and help I find on the forum.

My apologies for the odd spacing on the posting!  I have tried to compact things yet have not been entirely successful.  I hope you like reading the tribute to Larkin!  

Here is a lovely and lovingly written tribute to Larkin posted on facebook by a dear music friend of mine, Kim, and used with permission here:

Most everything I know about the dulcimer I learned from Larkin Bryant. Almost every Friday afternoon for five years, I would go to her house for a dulcimer lesson (with an old-time fiddle lesson thrown in occasionally). We'd sit in straightback chairs in her front room across from her piano with our backs to the windows so the sunlight could shine in onto our sheet music. The sheet music was for me, as Larkin could play anything from her heart and memory. Her elderly black and white cat, Sweetie Pie, would snuggle in on Larkin's lap in the space between her dulcimer and stomach. Ariel, Larkin's beloved Weimaraner, would sit directly on top of my feet, chewing her heavy-duty blue rubber dog bone until she fell asleep. Mr. Kitty and Hannah, her two other cats, usually found spots in our instrument cases to curl up and snooze. We'd usually start our lessons catching up with news in each other's lives. Larkin always took time to ask and genuinely cared about what was going on my life. She was a fantastic listener and always spoke carefully and with wisdom.  

After talking a bit, we'd play music! She was a wealth of repertoire and music history, and she loved telling me the stories behind the songs. I soaked up everything I could. She would often walk me out to my car after my lesson and we'd talk about the many beautiful plants and flowers she had growing in her front yard. It seemed she even knew everything about those as well! A couple times, when I'd go back to my next lesson, she would have a clipping of one of the plants or a cutting of some of the flowers I had admired to give to me.

Her house was filled with wonderful antiques and instruments, and after our lessons she would tell me their stories or demonstrate one of the instruments. (I'd never heard of Cajun triangle until I had met Larkin! ) She even generously offered to let me display some of her precious antiques at my wedding, and I gladly took her up on that offer. But even more special to me than displaying those beautiful antiques at my wedding, was having her play at my wedding. She played her mountain dulcimer during the lighting of the unity candle and then she played several Celtic and fun old-time tunes on her hammered dulcimer and fiddle at our reception. Most memorable of all was a surprise she had planned. As Jon and I were walking to our car to leave town, Larkin followed behind us and began playing a farewell fiddle tune for us. That was so special to me.

Larkin wasn't just my dulcimer teacher; she was a true friend and I will miss her dearly. During our last phone call together a few weeks ago, even though she was ill and extremely tired, she took time to ask about me and my family and offer words of encouragement. She was always thinking of others before herself. I am thankful for and will always cherish her friendship and memories I have with her.

Lodging and Activities will be in the Anna Smith Hall. 

See attached map.  The other location to note is the Alumni Building where we take our meals.

 InkedBerea Map.jpg - 175KB

The limitations are in the player, not the scale.  There are tens of thousands of diatonic songs,  There are thousands of more songs which have an accidental note of two which can be ignored, graced over, or otherwise accommodated.  In a long history of playing I have never found a single-key song i couldn't play.  

This is a good question...When I was learning to play, I learned the tunings for different modes, and so I would re-tune to play a particular tune.  However, I like having more than one dulcimer, because I don't want to re-tune the same instrument all the time.  I will tune from DAA to DAG, or from DAd to DAC, but I don't like to do more than that very often.  

I do like having a 6 1/2 fret, because it gives me two modes for each tuning.  For example, if I'm tuned to DAG Dorian, a minor tuning, I also can play in the Mixolydian, which is a major tuning. 

As a melody-drone player, I actually feel somewhat limited by the DAD tuning.  The root note of the scale is on the open string, and so melodies that go below that root note are more challenging to play.  You can (usually) play those notes on the middle or bass strings, but I have a bit of a preference for having my melody notes on my melody string.  I like using a tuning that places the root note a few steps toward the middle, as DAA does.  Sometimes I consider inventing a fretboard that does just what I want it to do...

Hmm, I just counted and I have nine dulcimers! 

the Cripple Creek kit I built in 1996

a Folk Roots dulcimer a friend gave me

two Black Mountains, one cherry and one walnut

an unknown dulcimer that looks like a Black Mountain, possibly built from a kit

Another unknown with the names "Bodd & Eye" engraved inside

Yet another unknown with inlay trim around the edges

a Russ Green hourglass

a little "board dulcimer" by a man in Kentucky, which I got for travel

All except the first two came to me from eBay or shopgoodwill dot com.  I've been learning what I like in a dulcimer. I love finding different quirky unknown instruments, and it's a wonder I don't have a dozen or more yet.  I also plan to have extra frets added to a couple. 

I do envy those of you who have made several, but I'm hoping to do that myself when I make space in the garage. 

I'm sorry to hear this.  I have Larkin's book.  I didn't know much about her beyond that, but have always had a friendly feeling toward her.  Peace to her and to her family and friends as they mourn.

Well I've been continuing working on my houseplants, repotting them, and adding some more.
I cleared space in front of my twin office windows and asked Brian to make me a bench that spans both windows so i would have better room there for plants. I painted the new bench an ocean green/blue to feel restful. I also hung a couple of plants at that window, and a couple of tiny shelves as well. It looks real nice now and is wonderful to look at to my side every time I take a minute off working at my computer.

I bought four baby rhizomatous begonia plants on Etsy, and I'm very impressed with their wonderful rich colors, tapestry textured leaves, and furry stems. They are young plants in 4" diameter pots. I've never grown begonias before and am try to read up on their care. I know they like humidity so i have all four sitting in a pebble tray that has a bit of water under the pebbles which will slowly evaporate around the plants.

Up to now just one dulcimer ( I plan to get another one spontan though) but I already have a mild case of Instrument acquisation  sydrome:

- One dulcimer ( beginner level)

- two classical guitars and one lute guitar ( not a beginner but no Bert Jansch either)

- Two tin whistles ( D and C tuning, beginner) 

- One mandolin ( my latest addition, still struggling with the first song after one month)

Super cool how many of y'all have other instruments aside from dulcimers!

While 95% of what I play is a dulcimer I also pick up my other instruments on occasion:

-a few acoustic guitars
-2 electric guitars
-a mandolin
-an ukulele
-a dozen or so harmonicas
-a D tin whistle
-a 10 string lyre harp
-an ocarina
-an electric keyboard
-a few cigar box guitars
and some folksey stuff like a jaw harp, washboard, washtub bass, tambourine shoe, kazoos and a couple more I'm sure I'm forgetting

That Nora Brown video was so neat to watch!  

Did you hear about the poor guy from Avenue J?  He has to go 6 blocks to P.

That's cool, Lisa! I'm from Avenue J.