marg

Hi, Marg-- please check your private messages?  

Marge, in reply to your comment to me... that 2014 link to that member's dropbox item is long defunct.  I suggest you send that member a private message if you want to ask him for the item, perhaps he'll respond to you.

I appreciate the invitation. You are very kind. We do have a lot going on this coming weekend, but I enjoyed the little video on the website. It looks to be a lot of fun and I’m sure I would learn.

warm regards,

Anastasia

Marge,

THANK YOU! I just watched Dusty’s video.  I learned a great deal, including how to hold a pick. I hope I can join in on one of your classes this fall. I’m struggling on my own and it would be nice to see others learning and playing.

Thank you again.

All the best,

Anastasia

Thank you Marg for the welcome.... I'm learning something new every day.... We have found a local Dulcimer group and have joined.. We love it.... We also found at one of the local senior centers they meet every Monday to play the dulcimer so we are planning on visiting them... Happy Strumming....

Marg, thank you. I'm not sure when I'll be able to get up there, but I would absolutely appreciate seeing/hearing someone play a dulcimer in person. It's wonderful that you teach others. I'll certainly touch base next time I'm headed your way.

I really love your neck of the woods. It's so beautiful with all of the pine trees and so different from our area.

Thank you again for your kindness.

All the best,

Anastasia 

Hi, Marg,

Thanks so much for the welcome, contact info, newsletter, and links. I personally don't know anyone who plays the dulcimer, so you can imagine how glad I am for your shared information. 

Have you played the dulcimer a long time?

Warm regards,

Anastasia

No videos. She is in the shop right now. The nut has worn down and the melody strings are buzzing. I am reducing it to one melody string while they rebuild the nut. 

How do I delete Folkcraft Cek-160 '85, it wont let me edit. When I try it says I don't have the proper privileges to perform. I created it, why & isn't needed now.

Hi Marg, discussions can only be deleted by Admins once other members have posted in them.  If no one else posts in it, the person who created it can still delete it.  This is to prevent an in depth discussion from being deleted if it has all kinds of helpful info and posts in it that has been contributed by members other than the original poster.  This is a common forum setting, and is the same as Everythingdulcimer forums used.
I've deleted your thread that you wanted removed.  Thanks!

No.  Sorry.  I don't know of any dulcimer groups in that area of Mississippi.  As a matter of fact, the Mississippi folks are pretty much non-existent at our September On The Mississippi Dulcimer Retreat.  In the years we've been hosting it, we have had one lady from Starkville and a guy from McComb.  That's it.  The rest come from all over the U.S.

Thanks Marg. It's one of the few songs I know by memory. That really adds to the enjoyment. I'm trying to learn more, but my forgetter keeps getting in the way.

( Raymond Lane. believe he taught at Berea College)

Maybe Warren May or someone on here could help with info on Raymond Lane and your dulcimer. A lot of our members know a good bit about the different dulcimers & their builders. Anyway, Happy New Year & Happy Strumming

@Marg thank you for the warm welcome. My first dulcimer was made by Raymond Lane. I have been able to find out a little about him. I believe he taught at Berea College and made Dulcimers as a “hobby.” Mine is dated 1972. 

Marg,

Thank you for your kind remarks. I am happy to welcome our new members. I certainly appreciated it when I joined years ago.

Have a happy new year.

Thank you for letting me know about other Austinites, Marg! I will definitely look her up! My new-to-me dulcimer arrives tomorrow... can't wait to meet her! ;) Thank you again for your kind welcome! ~ Selah

Greetings from Southend-on-sea in the Uk

Having only just discovered messages from FOTMD in my spam, this is the first time I have logged in so apologies for not replying sooner to your welcome message which is appreciated.  

I'm waiting for my instrument (a Sweetwoods Student) to arrive so, right now, my MD activities are restricted to watching You Tube videos and reading up.

Looking forward to getting involved here.

Eric

Hi Marg.,

Greetings from Scotland and many thanks for your warm welcome. RE. your message to cacofonix, I got my McSpadden via Robin Clark in Wales. He is most kind and helpful. A few music shops in the U.K. are starting to stock mountain dulcimers - mostly of Rumanian origin.

Bill

...And in answer to your more recent post, you can see I do have the two Carrells still, although I've sold a third.  I deal in dulcimers, so have tried/owned over 330 and counting.... Not quite sure how many I've kept now, perhaps 40 or so.

Yes, I think he usually signed his dulcimers and my two also have a customer's name inside ("Made for....").  I've not seen model numbers, mainly because I believe he only made two models, the teardrop of his own design and the "hourglass" whose design he inherited from his mentor Bill Davis.

The weeping heart soundholes I'm pretty sure I've seen on other Carrells.  My three all had an f-hole in the lower bout, but the upper bout patterns were all different, so he seems to have varied them regularly...or perhaps changed to order.

Yes, the intonation on all seems to be "good"...i.e. modern and setup for mixolydian tuning with a 6+fret... although opinions differ as to whether the older dulcimers were "bad", or just set up beautifully for a different scale, in different tunings and played in a different style (often noter/drone)....!  Incidentally, you were lucky to find one with the floating bridge still attached.  Most of my Davis or Carrell dulcimer had lost bridge - and sometimes nut too.  The wooden triangular section bridges have their limitations.  I've replaced quite a few in bone or horn.

Finally, I have a lot more about Carrell, including some correspondence with the man himself a few years back.  Let me know if you want anything more.

Geoff

Hi Marge

I don't get on FOTMD as much as I'd like these days, so sorry if I've not kept up to date with replies to your interesting posts.

Do you have a teardrop or Davis-style hourglass Carrell?  I've always fancied the former but never succeeded in buying one.  

I have two "hourglass" ones.  One is tuned "conventionally" as a four string equidistant, basically in DAdd.  I play it as you would a conventional DAdd dulcimer with twin melody strings, but I don't always fret the second "d" string - which gives chords an interestingly richer tone is some instances and discords in others!  You can also use four string chords of course.  If I were adventurous (and had the time to learn properly) I would tune the four strings so that I could get more chromatic notes....

The other hourglass is tuned as Carrell himself advised, which is essentially as a baritone. It has strings as follows:  26w, 22w, 13, 13/13, tuned respectively A', E, A, A/A.  It sounds glorious but the heavier strings do put extra tension on the wooden pegs of course.

...And so to the pegs.  I'm not an expert, but this is what works for me.  Take all the pegs off, but keeping them clearly associated with the hole they came from - in other words be careful to put them back in the exact hole/taper they came from.  I use very fine wire wool or similar to get off any residue from peg paste or any gloss.  Then put on peg dope or peg paste, lightly - just on the areas where the pegs bear on the pegbox.  You should be able to see the two rings on each peg clearly.  Put the peg in the hole and turn it both ways a number of times to distribute the paste evenly.  Try putting on an old string of the right dimensions, get it up to pitch and see if it slips.  If it slips, try some chalk on the same bearing surfaces.  That will make it stick more.  If the opposite - it turns notchily - try more paste to make it turn more smoothly.

BUT, there is a technique to tightening the pegs before you attempt the fine tuning of paste/chalk as above.  You have to use a screwdriver-type action, pushing in hard as you tighten.  And the bass strings, with their higher tension, are usually more susceptible to poor turning technique than the treble strings.

....Well that's quite enough for now.  Let us know how you get on and do ask more questions!

Geoff

Thanks!  Happy to be here.