Forum Activity for @dusty

Glad you enjoyed the Wallowas and are returning this year.  Tell Heidi and Bob I say hello.

And your hummingbirds won't need a nap, as I would if I enjoyed some whisky before breakfast.

It's a joy, isn't it, when we can lure wild birds to our garden.

It's so nice when the garden starts producing, isn't it?  We have three different tomato plants all fruiting right now.  The cherry tomatoes (sweet 100s) look like they'll be ripening first.

We had some friends over for lunch, and to accompany the grilled salmon, I made one of our summer staple salads: black rice with green onions, strawberries, and walnuts, tossed lightly with a lemon vinaigrette made with fresh-squeezed Meyer's lemons from our backyard tree.

The rice provides the substance, the strawberries some sweetness, the onions and lemon some zest, and the walnuts some crunch.  It's an interesting combination that is super easy to make.  No recipe required.

Molly, since the song is under copyright, you probably won't find free tab online anywhere.  Maybe someone published tab in a book somewhere, but none that I know of.

That version of the song is in the key of D, so I would suggest just playing along until you figure it out. You can get the entire melody out of DAA or out of DAd if you have a 6+ fret.

Everybody is a mother and/or has a mother, so Happy Mother's Day, FOTMD!

Looks beautiful., John!

Can you do one with oatmilk paint?  I'm lactose intolerant.

Michael, you will want to remove whichever of the double melody strings gets you closest to equidistant.  Usually that is the outside string.  But it's easy to measure or even just eyeball it.

My local music store carries single wound .020 strings.  As @jost shows, so does JustStrings.com.  Folkcraft carries both bronze wound and steel wound in that size.

If you have to go up to .022 it won't kill you (or the instrument). I use a .026 on all my standard-sized dulcimers.

Ken. I appreciate your thoughts and share many of them.  Neither Acoustic Guitar nor Flatpicking Guitar Magazine are available in physical form anymore. When a new issue comes out and I get a pdf in my inbox, I skim through it once and never look again. It's not like a physical magazine that you leave on the coffee table and return to again and again.

Personally, I find I do read a bit on my medium-sized tablet.  If you don't already, you might consider getting one, and pay specific attention to the size.  Some are too big to hold comfortably, and the screens on smaller ones are too small. Find that goldilocks just-right spot for yourself.

But I question why you refer to the "small number of people on the web."  There are more members of this site than there are subscribers to DPN.  There are more dulcimer players engaging on Facebook than there are subscribers to DPN.  To be blunt, the market has spoken.  I think the first sign was when DPN stopped including classified ads.  Websites such as this one are simply much more efficient and timely for selling used instruments than is a quarterly magazine, and yet those ads were a major source of revenue.  That change was the first bit of proverbial writing on the wall.

So while I also lament the end of the hard copy of DPN, I would like to see the sunshine rather than the clouds. As you point out, the great achievement of DPN was to create and sustain a dulcimer community that was spread thin across the country.  It brought us together.  The people are still here. Dulcimer festivals are still happening, both in person and online.  While we have seen many luthiers pass away over the last few years, many are still around and lots of new ones are making wonderful instruments.  Pat Clark gets 100-200 people joining her Send in the Music dulcimer jam every single week!  DPN played an important role for many years and created the connections that have made possible the flourishing of the dulcimer community online.  Let's celebrate it for what it accomplished and what it has meant for us.  And let's celebrate the dulcimer community. We can all make music by ourselves at home, but sharing that joy with others is why we read DPN or interact on FOTMD. In the end, it's all about the people, and we're still here.

So far so bueno!

@paula-brawdy, I know this discussion is 5 years old, but a while back I refined my arrangement of Boys of Wexford and wanted to update it here: Boys of Wexford .

Nate, it's not a dumb question at all, and I've wondered about it myself.  The historical origins of the two instruments are completely different.  The techniques of playing the two instruments are completely different. So what, other than the name, brings them together?

In terms of instrument design, both are types of zithers. So there's that.

But I think the more important similarity is that both are traditionally diatonic.  Yes, MD players like myself have added extra frets to get chromatic notes, and many professional HD players play modern instruments with chromatic notes added as well. But traditionally, both instruments were mainly diatonic.

Thanks for your supportive comments, @robin-thompson and @ariane.  I just love the fact that we are making IADD a way to celebrate our love for this humble instrument.

@nate, there is no doubt that dulcimer has a very bright, clear tone. Perhaps extra volume, too, although that's hard to gauge through the internet.  I look forward to hearing a full test run.

It was so cool to wake up on the west coast and catch up on the photos and videos already posted celebrating IADD.  My monthly online dulcimer club met today and I want to thank @Lisa-C for catching a screen shot before everyone left.

We played the American fiddle tune "Hollow Poplar," the Irish air "Bright Quiet Eily O'Carroll," and the Jimmy Rodgers tune "Waiting for a Train."

Then I also posted a tune on my own: "La Promeneuse," by the Québécois accordionist Réjean Lizotte.

Sad news.  I hope his family knows how wide Gary's influence was and how many musical souls he touched.

Well the published story is better than any of those we just made up!  Thanks, @silverstrings, for reaching out to Janet.

Apparently, Bob and Janita used to have a dog, a chow chow to be precise.  They and their hairy--dare I say maned--canine were in the nearby town of Morro Bay for the annual celebration of St. Andrew, the patron saint of Scotland, on November 30.  To celebrate this day the local residents of Scottish heritage had dumped a bunch of blue food coloring in the bay. Blue, after all, is the color of the Scottish flag, and supposedly ancient Scots warriors used to paint their bodies blue before they went into battle.

When Bob put the leash down to dig for some change in his pocket to offer a local street musician playing a cover of Joni Michell's "Blue," the chow chow bolted after a duck, chasing it into the bay.  By the time they got the dog out of the water, it was, well, blue.  Kind of.  Here is an untouched photo of the lion/dog:

OK.  So none of that's true. I made it all up.  Sorry. I have no idea either.

So sorry to hear of David's passing.  He was a fine luthier, and his student model dulcimer helped hundreds of people learn the dulcimer without breaking the bank.  I still have one as does one of my students.

Sincere condolences to you and your family, @folkfan.  It's nice to hear from you but I wish it were for a different reason.

As a general rule, we might assume that VSL independent of other variables has some effect on volume and sustain, but the other aspects of design weigh heavier, I'm sure.  It was probably once the case that baritones in general had longer VSLs, but there are several luthiers now (New Harmony, Folkcraft . . . ) making baritones with a 25" VSL.  (After all, if Taylor can offer their GS Mini as an acoustic bass, then anything is possible.)

As a chord player, I find shorter VSLs much more comfortable.  Yes, I can stretch to that 1-2-4 A chord on a dulcimer with a 28" VSL, but it feels like I'm stretching.  That same chord on a dulcimer with a 25" VSL is just plain comfortable.

There are a few luthiers (Folkcraft, Terry McCafferty) who use the same design and make dulcimers with varying VSLs by moving the placement of the bridge (McSpadden moves the nut for the same purpose, but I'm a little skeptical of that approach).  You might ask them what they've noticed about the effect of VSL on the volume, sustain, and tone.  I have a 25" McCafferty, and I suspect that had I opted for the 25.8" or 27" model, I would have a wee bit more sustain, but I doubt the tone and volume would change much.

That's a sweet video, @alegre1.  Thank you.

My online dulcimer group meets the fourth Saturday of the month, so we'll be celebrating IADD together.  Cant' wait!

You might feel otherwise if you were trying to make a living as a songwriter.

@jimws, the music to which @natebuildstoys links provides tab to play the chords, but not the melody, in the key of G.  If you don't have a 1.5 you could just play that C chord as a 346 or 666.  Another possibility would be to transpose everything to D and use the chords you are used to (D, Bm, G, etc.).

The song is under copyright, so it is illegal to post free tab to the melody. However, you can buy  a "packet" from Tull Glazener that includes tab and a lesson on CD.

Ken, here is the FOTMD discusssion about ED shutting down . At least two people there mention downloading the entire content that Bruce made available at the time.

Have you tried the Wayback Machine, Ken?  I am not sure how to use it, but it is available through the Internet Archive and maintains copies of old websites going back many years.

I'm obviously better with tab than with spelling. D'oh!

Are you thinking of the trad banjo tune that goes

Georgia Buck is dead.

Last word he said:

"Don't want no shortnin' in my bread."

Here's Elizabeth Cotton playing it: https://youtu.be/IobSpMzmjQY?t=30

Is that the tune you want to learn?

There's not a whole lot to tab. It's only 8 measures long, and the last note is two whole notes tied together for measures 7 and 8.

In DAA it ranges from the 5th fret to the open string.  In DAd, with the melody moving from the melody to the middle string, it's even easier since you never have to go above the 2nd fret.

Georgia Buck DAA.pdf - 247KB

Forty years is long enough to do anything. Instead of lamenting that it's ending, we should congratulate David for such a fine run.  I think we can all understand the desire to switch things up.

True.  Good point.  But that only displaces the question.  Folkcraft doesn't specify what wood the fretboard is made of, but I would guess poplar.  I am not sure it could hold up to heavy strings on a permanent basis.

Hi Kay. I hope you're doing well.

I was amazed when I played one of the Folkcraft cardboard dulcimers.  They don't have much volume, but the tone is much better than I expected.  I don't see it on the website now, but my memory is that Folkcraft used to have an option to buy them pre-assembled.  Even if they don't do that now, as @ken-hulme explains, the fretboard comes pre-slotted and the fretwire pre-cut, so it's pretty idiot-proof.  You wouldn't have to worry about intonation.

However, I am not sure the cardboard could handle the heavier gauges of baritone strings.  You would have to ask about that. And they only have three strings.

If you look at your current dulcimers, I bet the nuts and bridges have extra slots in them that would allow you to play 4-string equidistant.  You might not need a special purchase to try that out.

This is sad news indeed.  DPN served an obvious need for several decades.  But since we can now interact, share, teach, and learn online in real time and asynchronously, the role of a quarterly print magazine seems minimal.  It would be nice to think it could still exist in digital form, as Acoustic Guitar Magazine does, but that wouldn't minimize the amount of work involved.  I don't blame Ashley for deciding it's run it's course.

Gotta love a happy ending. 

Kimberly, I would also suggest checking with the Dulcimer Bag Lady. I have a very large dulcimer by Rick Probst that has a custom hardshell case, but I was told the single bag made by the Dulcimer Bag Lady is the only bag out there that would fit it.  If not, as @Susie says, maybe they can make a custom bag for you.  Since they handmake all their stuff, it is possible they can accommodate you.

Why do you need the case?  One option might be rifle cases with customizable foam, like this one at Amazon. Basically the foam is pre-cut into hundreds of little cubes, and you just remove the cubes to fit your gun (or dulcimer) snugly inside. The only drawback is that you will never be able to check your dulcimer as luggage when flying, since TSA obviously does not want people transporting their guns around.

A lot of this discussion addresses the challenges facing people used to a diatonic fretboard who switch to chromatic and need visual cues (position dots, gold frets, etc.) to help them adjust.  In other words, the answer to the question is YES, you can play diatonic music on a chromatic fretboard, but you may have to overcome a hurdle in learning the layout of the fretboard.

In my mind there are two distinct reasons to play a chromatic instrument.  One is to play modern music like jazz and some pop/rock for which the dulcimer was not originally intended.  A good example of that is @sam-edelston.  I don' think you could play Queen's "Bohemian Rhapsody" on a diatonic, but Sam pulls it off swimmingly on a chromatic!  Another reason is to play in different keys, and a good example is @erin-mae.  She basically plays diatonic music, but because she often plays in multi-instrument jams where the keys change rapidly, she uses a chromatic.  No need to re-tune. No need for a capo.  Have dulcimer, will travel.

For any individual out there attracted to a chromatic dulcimer, I say "go for it!" In the long run, your understanding of music--even diatonic music--will be enhanced by the fact that you can visualize an entire chromatic fretboard and see the diatonic patterns therein.

But as a community, I think dulcimer players should still embrace the diatonic fretboard both as the historical origins of the instrument and also because of the simple learning curve.  Beginning players can learn the dulcimer quickly because of the relative simplicity of the fretboard.  That doesn't mean the instrument is limited to simple music, but merely that this humble instrument is more approachable than, say, the violin, which takes a year or two of serious practice merely to play badly.  The accessibility of the dulcimer is one of its most attractive attributes. It is a big part of what makes the instrument so special.

Cool story. I'd love to hear from the kid who stole the dulcimer.

Thanks for sharing, Bob.

I suggest you contact @dwain-wilder, who is a member here.  He owns Bear Meadow and learned his luthery skills from Walter Martin of Sunhearth, which is why @dan pointed you to that website.

Adobe now offers something online called Adobe Express .  I believe it is free.  It is basically a scaled-down version of the full Adobe Creative Cloud, so it includes the ability to create and edit pdf files.

Nice playing, Lisa.  And what a nice way to honor Gwen.  She was a member here and was pretty active in spurts. I had no idea she had passed away.

It's true that 6 String Dulcimer group hasn't been too active recently, but remember that you have to actually join a group to see the responses to all the discussions.

I'm sure there are as many responses to this question as there are personal musical styles, but I'm happy to chime in, not with specific song suggestions, but with types of songs and techniques that might be useful.

There are two different attributes to your dulcimer that might suggest special consideration. First, it is an octave instrument.  You can play the same tab as everyone else but will be one octave higher.  Sometimes, you don't have to do anything special and will blend really well. I sometimes take my dulcimette to my monthly dulcimer club and pull it out when we play Southwind, for example.  My dulcimer really stands out from and complements the rest because of the higher register.  But that higher register--and the shorter VSL that allows it--also means that the instrument has less sustain.  The strings just stop ringing (or get really soft) much faster than those of a standard dulcimer.  So one trick is just to play tunes that have lots of notes.  I actually find it easier to play fast fiddle tunes on my smaller dulcimers.  But if you choose tunes with half notes and whole notes, you will want to play a lot of arpeggios, basically playing chords one string at a time to fill in the spaces in the melody.  To see what I mean about using arpeggios to fill in the spaces, check out the version of Raisins and Almonds I posted a while back.

But your dulcimer is also a six-string dulcimer.  I have a six-string baritone dulcimette, and tend to play songs with a lot of strumming.  Fingerpicking doesn't work as well, but fast strumming is really fun with all those double strings. Think of the rhythmic role of a mandolin in a bluegrass band.  Remember, however, that you can also take off the extra strings and have a 3-string instrument.  My baritone dulcimette is currently strung only with three strings and is nice for softer, quieter tunes. In a sense, you have two instruments in one.

Good luck. I'm sure you'll find a bunch of tunes and develop your own style of playing them, something unique to you and your dulcimer.

The trick, Ken, is to record the show, memorize the answers, and then ask someone to watch it with you.  When you yell out all the answers they'll think you're so smart!

If I'm only four or five months late, that's not bad.  I think of new music as anything played since the invention of the steam engine.