Vintage dulcimer information sought
Instruments- discuss specific features, luthiers, instrument problems & questions
very nice
I agree with John. Nice find. I suspect you will ask about the cracks in the back. Those can be fixed easily with some CA glue or wood glue and clamping.
Ken
"The dulcimer sings a sweet song."
That would work out to just about $95 in the US! Talk about CHEAP! You got a great value there, Art! And an interesting piece of musical folk art. I'm glad it plays well. Good for you!
Hi again. I now have the instrument. I have roughly tuned it using the existing strings and it sounds wonderfull.It has a 27" vsl. The black bar is indeed the bridge. It has no groves cut in, and the piece behind it separates the strings. I took several photos which will not likely fit in this post, so I hope this link works
https://drive.google.com/drive/folders/1UfqabNZ7fpdn82s3u4COKXHrDiZf9auz?usp=drive_link
After you see the photos, I have a few issues to ask about.
Thanks for you interest.
Art
Dusty is correct on all this.
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(Fas-n-Tite Brass (plated) Linoleum Nails - Those and a toothpick in the old hole might be a good choice.)
Thanks
Walmart has " Fas-n-Tite Brass (plated) Linoleum Nails (5/8" x #16) - 0.75 oz., Steel, $1.58 "
Those and a toothpick in the old hole might be a good choice.
Wally: right - other 2 are brass pins. Just deciding if I would go with the same type or replace all 3 with something else - yes, choices.
thanks
I received an email notification for a topic I'm watching. At the bottom there's a link to instantly unsubscribe from everything. I tried to click on the link but nothing happens. It might be a broken link.
Why remove the nail head? The nail head makes it easier to hold a string loop on. In addition, if you simply cut the nail head off with pliers you will have a sharp end. Half an inch in length should be enough if in a hole of the right size.
My main suggestion is Look at the other string anchors and try to match them. They might be screws, nails with heads, nails without heads, brass pins, or was it wood?
Thanks Robert -
Thanks Ken - (Glue the dowel in to the hole using wood glue. )
Marg, you can make a very good end pin with a nail. Drill a hole first then glue in a nail. Tapping in a nail will shock the dulcimer and possibly break something. Remove the nail head before installing. Set the nail about 3/4" deep....Robert
Hi, Marg. With regard to the Lazenby dulcimer I would not use wood filler on it. Instead I would plug the hole with a piece of hardwood dowel rod. You will need to measure the diameter of the hole when you take the screw out. You might need to enlarge the hole a bit to fit a readily available dowel. Glue the dowel in to the hole using wood glue. You will then need to drill a hole the diameter of the end pin or just a hair smaller and tap the pin in place. This hole should be drilled at a slight angle like the other ones. Those look like standard hitch pins. It might be hard to just by one. If you send me a private message with your address I'll send you one. I'm pretty sure I have a few of them downstairs in my shop. I won't be venturing down there for the next week or so until my eyes get adjusted to the cataract surgery I had yesterday. Hope this helps you.
Ken
"The dulcimer sings a sweet song."
Thanks Ken,
I think the geared violin tuners like Wittners - may be something to try. I don't want to widen the holes so, I may just keep the Sam Carroll with it's pegs. I have changed the ones in my Warren May dulcimers with the Grovers, without any adjustments. I don't want to do anything to the dulcimer, that couldn't be undone - like putting screws on the sides for gears.
Side note: The Lazenby dulcimer I just got is missing it's end Bass pin. (Looks to me as if someone maybe tried tightening the string and instead of it breaking, it just pulled the pin out.) Should I find an end pin like the others or replace all 3 - also should I put wood filler in the stripped hole?
Marg there are a couple of things to consider. First is whether you want friction tuners or geared tuners. Since you mention the Stewmac choices the Grovers are friction and the Five Star are geared. The second is cost. You can see the difference in price. Both of those install easily although you may need to make an adjustment in the size of the holes. Since you mention not changing the head design, have you considered replacing the wood pegs with geared violin tuners like Wittners? Here is a link to them: Wittner-finetune-violin-peg They may give a better look to the dulcimer and are priced between the two offered by Stewmac.
This is general information as I don't know the maker of your dulcimer and I am guessing it has a scroll peg head. If you have any questions, ask here or message me.
Ken
"The dulcimer sings a sweet song."
Friction tuners like Grovers offer tradition, while geared options like Five Star provide precision. Cost varies, and you might also consider replacing wood pegs with geared violin tuners like Wittners for a different look.
The fret markings clearly are a major feature of the claims. He states:
"In a stringed instrument, the combination, with the sounding board or base, of the separate parallel longitudinal bridge-bars, each having a group of four strings, a line of line of frets, and note-scales , and having the keys for the strings at one end of each bridge-bar set at the opposite ends of the sounding-board, substantially as herein set forth."
The drawing almost certainly has shape notes because he says:
"The note-scales may be made in characters such as are found in the “Sacred Harp” and in the “Temple Harp,” or indicated by do, re, mi, &c."
Actually, on close reading, it looks like it may only apply to the combination of the features, not to any on them singularly. Not to worry, it expired long ago. .
There are many patents for specific instrument designs which are more-or-less actually sort of trademarks. This is particularly true on "anyone-can-play-this" instruments.
I find the patent interesting because it reinforces our knowledge of many features as being broadly* known by 1880.
*The patentee resided in the flat Mid-Georgia country, not in the hills of KY-NC-WV-VA
@wally-venable - in the patent world, that is called 'making a broad claim'. However, anyone can create something that has a few slight differences and present it as something new. The patent holder would then have to shoulder the expense of legally defending their claim, which is often more trouble and expense than worth doing. In this case, the idea of claiming all possible sizes, shapes, and variations of a simple stringed instrument is patently ridiculous (pun intended).
I'm now thinking that perhaps this patent was actually for the system of fret marking on a simple learning/teaching instrument...shown on the drawings. There are something similar to shape-note symbols inscribed on each fret- identifying the notes produced at various positions on the fretboard. A patent for a specific method of teaching/learning using such fret markers would be more easily patentable, and one could then more logically include the broader claim that it applies to whatever size/shape of the base instrument. Does the patent description mention this marking system?
I just looked at the full 1880 patent filing. It is a good .PDF file with search capability.
It is interesting that the word "dulcimer" (or even "dul") does not appear in the text.
The description includes "The instrument may be made of any suitable style and form, and of any suitable size. I may also make the instrument with one stringed bridge, and adapted to be played as described."
It appears to be an attempt to patent ALL dulcimers in a single stroke.
"Greenbriar", I think was the name of the dulcimer shop.
Yes, the one you saw posted looks to be the same. This one, was a custom one made back in '89 for someone. Bob Lazenby, joined FOTMD a few years ago but after his welcome - nothing ever was posted. With your help and everyone here (I read the post from about 8 yrs ago on adding a fret or not, to one of Bob's dulcimers), maybe all the information I will find out but its a beautiful dulcimer and plays so nicely.
It just needs a few fixes (like one of the end pins is missing - trying to decide wood filler & another pin or all new something) but soon, I hope to be strumming and let it's voice ring.
thank you all
@marg actually Birdseye is not bad for bodies. I've probably made around 30 or 40 with Birdseye. It sounds great with a cedar top. I was in the store in Pigeon Forge a couple of times when I was a teenager. But I don't know a great deal about the dulcimers. You could probably find out a lot just by searching here for the builder or Pigeon River dulcimers. The "Greenbriar" thing is a little confusing to me, so I hope I have the right dulcimer. But being in a tourist area Pigeon River sold a lot of dulcimers. There is one on Reverb that looks a lot like yours - although yours appears to be a higher end model than one posted there.
https://reverb.com/item/3678282-pigeon-river-stringed-instrument-dulcimer-1990-natural
Thanks Ron for you reply and the images of the 2 different woods.
Someone I play dulcimer with thought it was Birdseye, I was just going on that. It's a Greenbrian Pigeon River dulcimer by Bob Lazenby.
You're probably correct, you would know and your 2 photos - this dulcimer doesn't look like the eyes in your photo but maybe more like the Leopard Wood grain. It didn't sound like the Birdseye made a good tonewood, so good it's not that. If it's Leopard Wood, hopefully that is a better wood for dulcimers. Are you familiar with Bob's Greenbrian dulcimers? I can't find out much information on them.
I love listening to your dulcimer samples on your web page. I tell many of the new players to check your site out. I have one of your capos but not one of your dulcimer's, as of yet. Thank you very much for your reply & steering me away from thinking - Birdseye
@marg can I ask how you determined that it was Birdseye Maple? It's always hard to tell wood species from pictures, but the back and sides look a lot like quartersawm oak. That dulcimer was made in Pigeon Forge TN and they use a lot of Chestnut Oak down there. Birdseye Maple generally has little eye shaped firgures - hence the name. Of course, there is a great deal of variation in any wood. The top appears to be either spruce or western red cedar. Here's a typical Birdseye figure:
Another wood it reminded me of is Leopard Wood. Picture attached.
Here is a short bio on John:
1947 Born in Los Angeles, California
1950 Family moved to England
Instrument - making
1972 - 74 Training : Newark School of Violin Making. Pass with distinction
Music and Story-telling
1963 Met traditional music through Folk Clubs
1965 Started giving concerts, solo and in groups
~~~~~~~~~~~~~~~~~~~~~~
1976 Moved to Brittany
1978 LP "Douce-Amère" : traditional songs and instrumentals
(mostly with Appalachian Dulcimers)
1978 - 82 Member of the JOHN RENBOURN GROUP (vocals, dulcimers, violin,
mandolin). Tours + 3 LPs with the group.
since 1978 Solo concert tours: U.S.A., Germany, Ireland, England,
Italy, Hungary and France.
1985 LP "Spice of Life" : personal and traditional tunes and songs
(with Dan ar Bras, the Josquin des Prés Quartet etc.)
since 1996 Tours throughout France with the story-teller Alain Le Goff
for the story and music show ‘‘Baleines, baleines’’
2000 Creation of " LEGENDARY AIRS " , a solo show of ‘Stories told by Music itself’ (for all, rec. min. age 7 yrs ).
CD compilation of «Douce-Amère» + «Spice » (Kerig KCD185) : awarded "BRAVO" label from Trad Magazine.
2002 Creation of " WOLF ? " : a one man show, where the wolf is revealed through stories, with some music (for all, rec. min. 7 yrs ).
2018 Creation of " DREAMCATCHER " :
That's a pretty colorful journey.
John,
It is a lovely looking instrument with the Birdseye maple, nicely done
Ken,
Thanks for the information.
Ambrosia maple vs Birdseye maple - both maple but a good bit different - interesting.
( Flat sawn wood is not particularly recommended for instrument building as it makes the wood more difficult to bend without splitting. - After the finished applied, it is fairly stable.) Hope so
Here are 2 photos. Not very good quality, but you can see what I mean.
I once made an hourglass dulcimer completely out of birdseye maple. It looked wonderful, was somewhat heavy, had an OK tone. The wood behaved like plain hard maple when fashioning the dulcimer. I sold it to my younger brother.
Well, Birdseye maple is hard maple (acer saccharum). According to the Wood Database, the Birdseye figure comes from poor growing conditions where the tree attempts to get more sunlight by creating more buds. The buds looks like eyes when the wood is cut; especially when flat sawn. Flat sawn wood is not particularly recommended for instrument building as it makes the wood more difficult to bend without splitting. My guess is that once the wood is bent and a finished applied, it is fairly stable. I've never worked with it. As a dulcimer wood I think it is of average quality being more valued for its appearance than for its tonal properties. I'm sure there are other opinions out there so don't take this a rule.
Ken
"The dulcimer sings a sweet song."
What thoughts were you looking for:
(quality of it as a wood for a dulcimer or prone to cracking problems?)
I know nothing about the wood, was looking for some information - anything someone knew about Birdseye Maple, as a dulcimer wood
thanks for your thoughts:
Yes, it does have a brighter sound - it has very good responsive.
Thoughts on the quality of it as a wood for a dulcimer. Maybe used more in the past for guitars but other woods maybe better now as tone woods or any problems with cracking?
Photo of an older dulcimer, that so far is in beautiful shape.
I'll refer back to Ken's question: What thoughts were you looking for?
You seem to be satisfied with the dulcimer. Maybe you could be more explicit with the reason for your question/speculation about the quality of its, other woods, cracking problems. I couldn't see evidence of cracks in your photos.
thanks for your thoughts:
Yes, it does have a brighter sound - it has very good responsive.
Thoughts on the quality of it as a wood for a dulcimer. Maybe used more in the past for guitars but other woods maybe better now as tone woods or any problems with cracking?
Photo of an older dulcimer, that so far is in beautiful shape.
In my experience, figured wood is not good tonewood. Ken is probably right about it producing a brighter tone. Whether it would be responsive and capable of good sustain is another question.
That being said, so much is determined by the maker's design and process.
Many years ago the Guild of American Luthiers held a contest for the best guitar made with unconventional wood. The winning guitar was made from a shipping pallet.
Not sure what type of thoughts you are looking for Marg, but Birdseye maple is a pretty wood. It should produce a little brighter sound from it than from walnut or mahogany. Of course, other factors come in to play; e.g., shape, material of the top, VSL, depth of sound box, etc.
Ken
"The dulcimer sings a sweet song."
Thoughts on a Birdseye Maple dulcimer - back & sides?
@shanonmilan --the vast majority of us (traditionalists and moderns) play dulcimer horizontally -- "string side up" on our laps or on a table or stand. There are a few who play it more vertically -- like a guitar...
Hahahaha. You got me laughing and rolling on the floor on that one.
Indeed! Including Christ the Lord Is Risen Tomorrow...! (tada-bump)
Actually that would make a beautiful chord melody piece. : - )
I had a similar moment of realization about how to play blues on the harmonica. I just couldn't figure it out and thought those great blues harmonica players were just really good at bending notes. But one day in college I was playing some blues on the guitar with some people and someone joined, playing blues harmonica really badly . She was not good, but she was doing it, and on a break I asked to see her harmonica. Indeed, @jim-yates, as you say, it was an A harp and we were playing in E. Aha! Cross harp, what a concept! To play straight on the harmonica, your tonic is the 4th hole, but to get those blue notes, your tonic is the 3 hole. I still can't play like Sonny Terry, but I can manage some amateur blues and have fun.
Indeed, the last Saturday is 30 March and Easter is the following day. Perhaps some may wish to celebrate the Appalachian dulcimer on IADD with a hymn or two.
It also happens to be Easter weekend this year, but since it's Saturday vs Sunday one hopes that doesn't affect too many people. Anyone hosting may be a bit too busy to make it to the park, but jellybeans for those who do!