Colleen, I think that's a good way to go. I purchased an inexpensive one and had it shipped directly to my mother's home so that I wouldn't have to risk carrying one on an airplane...or, worse, having it checked. Sometimes, though, the airplanes end up being such tiny ones that they would make me "valet check" it, anyway, and then who knows what would happen to it.
It always amazes me how much faith folks put in the various delivery personnel to get a package from point A to point B in as good a shape as when they wrapped it. If folks would at least contemplate whether or not they could safely stand on their package, it might convince peopleto use sturdy boxes (2 is best), adequate protection both inside and outside the case, and all spaces in the box filled in with materials that maintain the sturdiness of the package. I recently received an instrument in an ordinary black zippered "envelope" type bag which was simply put in a box without anything wrapped around it. That is wasn't totally crushed in transport is mind boggling--and a miracle.
Let's remember, too, that sometimes these instruments are very much "one of a kind" and that the artistry thatgoes into a particular instrument may not be able to be duplicated, or the wood or other materials no longer available.
While my success and good fortune of receiving instruments in good shape has been nearly99%, the fewthat didn't make it are a real shame.
I hope folks can learn from others' mistakes. In forklift v poorly packaged mountain dulcimer, it's almost always the forklift that wins.