Show us your sound holes!
General mountain dulcimer or music discussions
Your dulcimer and that smiley must be twins who were separated at birth, Strumelia!

Strumelia said:

Back to work on the pine box. With excellent advice from Tish, I replaced the bridge. The dulcimer now tunes true. Couple more coats of tung oil and it'll be finished. Didn't stain it, can't hide plain old pine. Burning could have been a lot neater. I don't have a wood burner. Used a home made veiner that I used to use to put borders around checkering and straighten lines on gunstocks. Heated it with a torch.
Morning Ken;
I'd like to do a scroll head, but I don't have any tools that would be much good for that. I'm working these down with a Stanley round sureform, some coarse files and one or two round rasps. Wish I had some kind of table saw, scroll saw, sander, planer or something with a flat edge to keep things square and get nicer fitted joints easier. I've looked at some of yours ... I have a ways to go yet. Thanks for lookin'.
Sam
Another nice job, Sam. Now when are you gonna try scroll heads for even more class??
A very good friend in CT thought she might like to try playing a mountain dulcimer. Finished this one in cherry up and packaged for shipping Saturday. She requested 'teardrops' as soundholes.
Sam, I must give a tip of the hat to the luthiers-- MD made by Paul Conrad of Timbre Hill Dulcimers and BD is by Ken Bloom. Paul knew my taste was for a simple sound hole design (this design can be seen in the beautiful, fancier intarsia back on the instrument) and the sound holes on the bowed dulcimer is Ken's standard sound hole.
It's pretty cool that the poplar top on the MD was once exterior siding (that had gotten covered over at some point) on Paul's house that was built in the 1840's.
Sam said:
Striking;
The Mountain Dulcimer is exquisitely understated. Both instruments are just beautiful.
Barbara, That's a piece of poplar. Sometimes the chemistry of the soil will produce the unusual color combinations that you see on my top. Dave did one for me years ago that I called "Joseph" because of the amazing coloration that the wood had. It was cream, and brown, and green, and blue, and red and purple and pink!! Just like a Joseph's coat.
Barbara Maas said:
FolkFan .. the sounds holes are so unique and lovely. The top wood on the instrument with the leaves is incredibly beautiful. It really fits the simple elegance of the leaf shape.
Striking;
The Mountain Dulcimer is exquisitely understated. Both instruments are just beautiful.
Thanks Ken and Joe;
Ken, the bouts are exactly the same width. The narrow, slightly elongated waist toward the bottom bout makes it appear narrower. Should I name this one 'Dolly'?
Nice job Sam!
Is it an optical delusion, or is the top bout (nearest the tuners) wider than the bottom bout?
Finished this little dude this morning. 25" VSL, bobbed pretty short to fit in my locker at work. All wood is poplar from a local Lowe's. Fretboard has NOT been stained. It ranges from almost snow white to purple, to golden brown to almost black. Went with traditional heart soundholes. I think this is my favorite build so far.
Bone with sliced butternut shell soundhole covers
This is certainly the geekiest thread LOL!!!I have Celtic pattern holes on my Galax - I thought they would be pretty apt for someone who lives in a Celtic nation and goes to Celtic sessions.
I do like those basic Melton style holes too. And if I get around to having another Galax dulcimer built (or have a go at building one myself sometime) then that's the pattern I'd copy.
Flint Hill said:
I like the sound holes on my Kudzu Patch Galax because they look like a lot like the ones on Jacob Ray Melton's dulcimer in Ralph Lee Smith's Appalachian Dulcimer Traditions .
It does seem odd that we don't see more sound holes like this!
I will be traveling this week and want to take a dulcimer with me. The problem? I don't want to risk any of my dulcimers by checking them as baggage, so I have to take something small enough to bring on the plane. No problem, right? I have a baritone dulcimette made by Ron Ewing, perfect! Well, no, for I only have a padded case for it and even if I place it in the overhead bin I would be worried sick.
Solution? It took about 5 minutes of modification (butchering) to get this viola case to fit nice and snug. I am so excited to finally have a hardshell case for my little baby.
My very favorite case is the one I got with my Blue Lion. It is difficult to find sturdy cases that will withstand baggage handlers.
Like Paul said, I have made a couple of cases using an appropriate length molded plastic rifle or shotgun case--Plano or Pelican for brand. The measurements are critical for length and height of your instrument and a bit of time may be needed to research the various measurements of the offerings available.
I removed the soft foam that came in the case. I used blue (some brands are pink) styrofoam from my local building supply store. By combining different thickness I got the depth I needed. I glued those together with special glue made for styrofoam (craft stores). Then I cut out the outer dimensions to snug fit the case. Then I cut the shape of the dulcimer inside with a little extra room at the tuner end. Following this, I covered it gluing on soft fabric--anything from felt to false suede to velvet. I typically line the top of the case with a thin later of padding and cover that with fabric as well. I had room in one to make a wooden box with a hinged lid set into the styrofoam for picks, tuner, strings, straps etc.
I suppose you could use the foam that comes in the case and cut out the shape of the dulcimer. I am personally leery of that as I had a camera in a case with similar foam and the foam disintegrated and stuck to the camera.