I also trim the string before I put it on, leaving about 2 inches past the tuner. A few of my dulcimers have self-trimming tuners (they have built in cutters and trim the string as you are replacing it), and they are absolutely excellent. I think they are D'Addario Planet Waves, but I am not 100% sure. But I went from being skeptical of them to a firm believer pretty much immediately:
Once the string is taught enough you can remove the capo.....
That's my problem--it's my strings that are apparently learning challenged! 
Seriously, though, these are all good suggestions. I may even use some of my old strings and practice with some shorter scale instruments til I get better at this.
As a newbie dulcimer player, I didn't realize this is a first year festival. Kudos to the organizer for managing to pull this kind of talent; covering such a huge spectrum of personalities and musical styles, together for our benefit.
Me--I am loving that I get FOUR consecutive days playing the blues with Bing, singing and playing sweet Appalachian tunes with the lovely Sarah Morgan, finally getting a chance to learn to arrange my own songs with Tull--master of arrangers for the dulcimer, learning how to memorize and make the songs I love my own with the inimitable Erin Mae, and working on finessing my technique with Stephen Siefert.
Hey, Cindy! This is a new time for gathering at Black Mountain, but a few years back many of us attended Dulcimerville, held there in the summer and headed up by Lois Hornbostel. So it's not exactly brand new...these organizers really know the ropes, and, yes, the instructor lineup is phenomenal (I've had classes from almost all of them). It doesn't fit into my fall schedule, or I would have considered going.
I know you'll have a LOT of fun! And maybe I'll meet you down the road...Unicoi, perhaps?
Ken makes a great point. It's not desirable to go around the post or peg eight or ten times.
I approach it a little differently than Ken, but we both get the same results. I trim the string before I even put it on- holding it over the instrument and trimming it to leave only about 2.5 inches for winding. Typically this means I'm trimming off about 6" from the original string length. The length from tailpiece to cut end will vary by an inch or two depending on which peg you are going to.
Once the string is on and tuned, I trim the little end at the peg to a short length and then I take a pocket-sized needle nose pliers and kink the cut end back on itself so it can't prick my fingers...or you can leave a half inch and with the pliers just tuck the cut end back into the hole out of the way. I hate getting stabbed while restringing! 
This is my method too, but I leave 3.5-4 inches for winding, because somehow, I always end up short. I like to go around the post 3-4 times. Looks neat, but holds well. My hand from pointer to pinky is 4 inches, so I just lay my hand over the post and cut the string there, then wind. I like to keep my face back from the instrument when I am tuning. If I do break a string, I won't end of with the nickname "Scarface". The more you change strings, the more comfortable you are doing it. And practice makes perfect. Isn't that what they say?
I actually first trim the string length so there's only about 2 inches of slack, then thread in the peg and wrap it around a couple times. Then I lay the string in the nut slot and put my middle finger of my left hand on top of that slot to hold the string in place (a capo would work too, as Dusty said). At this point there's still enough slack to hook the other end of the string on the tail end pin... and I use the thumb of my nut slot hand to pull up the slack as i start tightening so the string doesn't pop off the tail pin. I then use my right hand to turn the peg a couple more times to tighten it up. When it's snugging up enough I remove my left left hand from the nut area and make sure the string is in both nut and bridge slots as I finish tightening. Sounds more complicated than it is- once you've done it a few times it's no big deal.
I once changed a whole banjo skin without taking the strings off the peghead end by using a capo to keep them in place on the neck while changing out the head skin. lol...talk about wanting to save a couple bucks...
i am not seeing much chatter on Black Mountain Music Festival.
I was hooked from the moment I saw that bold, audacious, completely mind-boggling lineup of talent, all in one place for four fabulous days! OH, and the location just happens to be the gorgeous Blue Ridge mountains of North Carolina, in autumn's full majesty!
As a newbie dulcimer player, I didn't realize this is a first year festival. Kudos to the organizer for managing to pull this kind of talent; covering such a huge spectrum of personalities and musical styles, together for our benefit.
So, who else is heading to the festival? What are you most looking forward to???
Me--I am loving that I get FOUR consecutive days playing the blues with Bing, singing and playing sweet Appalachian tunes with the lovely Sarah Morgan, finally getting a chance to learn to arrange my own songs with Tull--master of arrangers for the dulcimer, learning how to memorize and make the songs I love my own with the inimitable Erin Mae, and working on finessing my technique with Stephen Siefert.
Yes siree, I know how to have some dulcimer fun! How about you?
Yes, Jennifer, a string winder makes changing strings a lot faster and easier. I have a string winder that is also a wire cutter, like this one by Planet Waves .
Another tool to use is a capo. I can't believe I never thought of this and had to get the idea from Butch Ross a few months ago, but it will make your life easier if you use a capo to hold the string in place while you thread it through the tuner post and begin your winding. Once the string is taught enough you can remove the capo, but before then it will make your life much easier.
Ken makes a great point. It's not desirable to go around the post or peg eight or ten times.
I approach it a little differently than Ken, but we both get the same results. I trim the string before I even put it on- holding it over the instrument and trimming it to leave only about 2.5 inches for winding. Typically this means I'm trimming off about 6" from the original string length. The length from tailpiece to cut end will vary by an inch or two depending on which peg you are going to.
Once the string is on and tuned, I trim the little end at the peg to a short length and then I take a pocket-sized needle nose pliers and kink the cut end back on itself so it can't prick my fingers...or you can leave a half inch and with the pliers just tuck the cut end back into the hole out of the way. I hate getting stabbed while restringing!
Trim off the excess string, ladies. That way you don't have a bird's nest around the pegs. I usually go through the hole around the post and back through the hole, the pull the string up to get rid of the slack. Then I use the tuners to get the initial tune. After that I snip off the excess string, leaving only a half inch or so. With the bass string I'll go through the hole, around the peg twice then back through the loop as I pull up the slack. That locks the string in place. Then tune and trim.
Maybe you could show me a few tricks, Jennifer! Mine always end up looking like a 2 yr old wearing oven mitts attempted the task. 
Sometimes I'm even surprised they manage to hold a tuning!
It's probably fear that keeps them in their place! 
Just buy a couple different thinner strings and try them all until you find one you like!
Um....perhaps Jennifer does not, yet, (like many of us!) feel proficient about changing strings? This is an acquired skill that takes quite a bit of practice for some of us....
Why bother worrying about the string gauge? If the string is too thick for your preferences, the actual gauge doesn't matter. Just go to your local music store with your instrument and have the clerk pull out strings and compare them. You won't know what gauge you prefer until you have tried a few. My local Guitar Center sells individuals strings for $1. Just buy a couple different thinner strings and try them all until you find one you like!
Jennifer - the problem is that most of the employees at a generic guitar store either don't have a caliper, or don't have a clue how to read a caliper. Not one of the four shops here in my town has a caliper...
Jennifer - yes, you can definitely just measure the string with a caliper to determine its gauge. As has been mentioned, there's nothing special about dulcimer strings; a regular old caliper or micrometer will work on a dulcimer string just as well as it will any other string. I had to do this recently for a harp dulcimer I acquired as I had no idea what gauges the harp strings were. :)
Thanks, guys. I got on Strothers string gauge site and it recommended a 19. So I'm going to try and 20 and 22 and see how I like them.
Dusty is right, Nina. The two things you need to know to determine string gauge is the VSL and the open note you want to tune the string to.
Nina, I think Bob is right. I usually use a .24 bronze wound string for my bass strings on my instruments in the 26.5-28" VSL range. But it is a matter of preference. If you prefer lighter strings, go dow to a .22 or .20.
There is no difference between guitar strings and dulcimer strings other than the name on the package. But the good news is that single strings are pretty cheap. Why not buy 2 or 3 in the .20-.24 range and see which ones you prefer?
For future reference, you might consult the Strothers String Gauge Calcuator where you indicate the VSL and the note you want to tune to and the calculator will tell you what gauge to use. I've been told it errs on the light side, so feel free to go a little bit heavier than indicated.
I generally use a bronze or nickel wound .22 or .24 gauge on the low string. It's really a personal preference, up to a point. Especially if you want to go to lighter strings. Heavier strings cannot be tuned to as high a pitch. Light strings will be soft and unresponsive if they are tuned too low. If you tune somewhere between C and E on the low string you could even use a .20 or .18 unwound string for the base if you want to.
Is there a way to determine the string gauge on strings on my dulcimer. I bought a Folkart at KMI and the bass string seems kind of heavy. The dulcimer is a 27.5 VSL and the body depth deeper than traditional dulcimers. I know that a heavier gauge gives a louder sound but I'm having a little trouble pressing the bass string and some buzzing. It's a wound metal gold string. We have a local music store and the people know a lot about guitars but nothing about dulcimers. Any suggestions? Nina
awesome. That's so wonderful!!! thanks for sharing and enjoy your beautiful creation!!
Maria
Sleeping angel, thank you for sharing this. I'm putting it at the top of my list of books to buy. It sounds great.
Doors just keep opening . . .
I
Oh I think you will LOVE it. I learned how to read the Nakai tab and it opened up a world of music that's available. Plus I love his voice and how he teaches. I've conversed with his wife and she was so wonderful. After I purchased the second installment and then a different book on jazz for the NA flute (also by him) she send me his cd as a gift. (I had put the book on my videos to show people where I got the music from and she gave me permission to record his songs that he wrote) and I guess she was happy that I did it etc..I was so surprised. And it's a wonderful cd. It's called Remembrance. I have it in my car and listen to it over and over!!! I wish I could have thanked him. He passed away in 2010 but his wife is keeping his memory alive and I'm so glad...
Take care
Maria
Well I am of course a beginner to all this pipe/whistle stuff which makes it a challenge, but I found the metal pennywhistles to be very difficult for me to get clear notes on, and not so at all on my plastic tabor pipe, which has a nice clear warm tone.
So as an experiment I ordered two plastic/polymer Dixon penny whistles instead to try- in the keys of high D and low A. (there's a substantial size difference between the two keys).
They arrived today and I am finding them much easier to get good notes on than the metal PWs. Not sure why but the plastic ones make clearer notes and warmer tones for me. Perhaps when i get better I can make the metal ones sound better, who knows.
I was delighted to discover that all my diligent tabor pipe practice is helping me here- the learning curve for these new pennywhistles is way less steep than when i first started tabor pipe. I can already play some of my favorite simple tunes, with only a few mistakes here and there.... so fun!!
I'm not one for playing lots of Irish tunes, but I can play my favorite renaissance and medieval tunes on these, and also some early folk/country dances from various European countries. I'm working on some simple French branles, also things like Nonesuch.
Yes, Terry, it feels that way. My first experience with a dulcimer was life-altering, too.
Congrats on the HS flute. I know exactly what you mean because I felt the same way with the dulcimer too!!
and I'm sure this will be the first of many flutes for you as well. So far I have three HS and they are all very beautiful and unique in their own way!!
enjoy and if you need a good resource besides the YouTube videos from HS their is book/cd that taught me so much and is simply amazing. It's called "understanding the gift" by the late John Vames. I could just listen to the cd all day and he not only plays the examples but gives verbal instruction and encouragement!
take care
Maria
Jennifer, congratulations. Big moment in your life.
My HS Sparrow Hawk just arrived and WOW is it beautiful!
YEAH, it's fun to get a HS flute in the mail. Enjoy!
Thank you Salt-Springs and Strumelia. Your suggestions and encouragement are just what Anne and I needed.
Nice, looking forward to hearing how it sounds. enjoy!
Linda, we will learn together! :) Bob, I do love getting 1,000 versions from YouTube!!! Being TAB dependent I am finding that when I do work out something by ear I remember it much more easily.
I have never really understood how I memorize music. It's a thing that I have done since I began playing piano as a child. In fact, reading music has been harder for me than playing by ear, which comes kind of naturally. I would only read music until I had it in my head. I don't know if I have ever successfully learned a tune on dulcimer from tab, but maybe I haven't really tried.
For me, the learning process starts with listening to a tune until I have it in my head. YouTube is a great resource for finding various interpretations of songs. I usually will listen to several different recordings when I am learning something. I also learn the music first and put the words to it later.
Thanks for listening! 
Thank you so very much for sharing this.
Thanks John, I will remove both videos as you suggested. I agree with your conclusion.
Perhaps you can follow Salt Springs' link above and use the Reinhardt tune from 1754 for the hymn instead, and then repost a new video of it for everyone if possible. :)
The hymn tune "Lynne" uses 13.10.11.10 as its metrical meter. That metrical format is a slight variation on "Was Lebet, Was Schwebet" written by Johann Heinrich Rheinhardt in 1754. A few adjustments to the tune and everyone is good to go I should think. Since I did not get chance to listen to MM's video or JM's, you might check this link out to see if Reinhardt's tune would work.
https://www.ccel.org/cceh/0006/x000682.htm
Thank you so very much for sharing this.
I'm so sorry. Those are some of my very favorites. :(
If you're not familiar with the Hearts of the Dulcimer Podcast, it's a podcast dedicated to everything about the mountain dulcimer. In our first year, Wayne and I created 16 episodes. You can find out about them here on FOTMD or you can check out our website: http://dulcimuse.com/podcast
Hearts of the Dulcimer Podcast - Episode 17
Dulcimer Short Story with Neal Hellman: Celebrities at the Renaissance Faire
This episode features stories told by Neal Hellman about celebrities who encountered the dulcimer at the Renaissance Faire.
For episode resources, go to: http://dulcimuse.com/podcast/resource/017.html
Hi, I forgot to add that the video by Mary MacGowan "And All Your Life Shall Open as a Prayer" which is a variation of "Be Patient With Your Faults & Failings" should be taken off the video section as well.
Thank you Ken and Stumelia. I feel that it is best to remove the hymn on FOTMD "Be Patient With Your Faults & Failings" set to the hymn tune:
"Lynne" for it is most likely still copyrighted. Would you do this for me?
John, I do the "learn it backwards" thing, too, especially on a tune I'm not familiar with and that has a lot of tricky parts. I learn the end, then back up and play through to the end again, then, when I have all that learned pretty well, I back up even more, etc. etc. There are just some tunes that seem to work well with this technique!
