There are a few tunes I'd thought I'd never play. . . Black Mountain Rag was one of them. Surprisingly, when Mark and I were just jamming over the weekend, BMR just started to fall into place.
St. Ann's Reel is a tune I've never gotten worked out to my satisfaction. Maybe someday!
For me its Angeline the Baker or Angelina Baker (see I can't even work out whats its called!!)
I just never seem able to get it bouncing along the way it should do - even on those rare occassions when I actually play the right notes in the right order!
But I am not defeated yet!!
Thanks Terry, Yes, I've gigged a lot in the past. Had to slow it down to take care of my elderly parents. Sadly my mom passed away on Valentines Day this year. I will definitely post a video. In fact I wrote a song on it the day after I got it!!
Take care
Maria
OHHHHHH that makes sense Dusty...thanks so much I wasn't looking at it quite right. I was thinking that you needed to describe it in "order of appearance on the fret board but the way you said make more sense....thanks so much...and yeah that reversible thing is very cool...can't do that on a guitar lol...
Maria
Maria, it's obvious you've performed more than once. I enjoyed your video.
I've often wondered about the Rooseback
dulcimers. Please post a video after you've had it awhile. Never held or seen one in person, but always thought they looked really nice . But reviews are not positive for the most part. Of course, because of our nature, folks would rather post bad than good.
I know you will enjoy your journey.
Terry
I've been trying to get down out of the mountains a bit more lately and take up some of the old stuff I used to play from the British/Irish tradition.
'The Green Linnet' is an old bete noir , and one I still haven't got completely to grips with.
However, there are some I thought would never work N/D style that I can handle pretty well now.
So, some progress 
The short answer is yes, that is an A7.
It is standard, however, in the dulcimer world to refer to chords beginning with the bass string and then moving towards you, so the chord you describe would simply be 324. Another easy A7 is 123. And remember that in DAd tuning, all the chords are reversible, so 324 can also be 423. 123 can also be 321. Easy, isn't it?
Okay cool so I'm glad I'm on the right track!! thanks so much for the added information!
Maria
Since a 7th chord actually consists of 4 notes both of them are abbreviated 7ths. We, as MD players, use short chords quite alot. With that in mind both can be considered dominant 7th inversions, D7/A7, as you say. An easy way to figure a 7th [dominant] is to add the note name 2 half [1 whole] steps before the root note of the basic chord triad; ie., D= DF#A; 7th = DF#AC. A major 7th is formed if the 4th note is the same note name a half step before the chord root. The player has to determine which combination of the 4 notes works the best for them in each case.
Whiskey Before Breakfast. My mind gets totally wrapped around the Stephen Seiffert version and I just can't face it because I'll never get it that good.
and would 2-(a string) 3 (low d) and 4 (High d) be an A7?
What is the one tune or song that eludes you? The one you always think, "I'd like to work that one out some day" but somehow you never get around to it, or when you do it doesn't quite come out right.
For me, it's "The Lost Girl" a tune in G from Emmett Lundy, though I think I first heard it played by Geoff Seitz here in St. Louis. It's a beautiful, circular kind of tune that I never can manage to make as smooth as I hear it in my head.
Thanks, John P, for the history. I forgot about Jamie MacPherson's song going to the gallows. This one is different. I don't know if Skinner was the author or collector of the tunes he published. At this late date we may never know. Yes, you're right about the 3rd measure, 1st note; should definately be a 5. I'll put up a correction later today.
Hi Rob,
Was expecting something quite different from the tune you posted.
One of the more well known of the Scottish ballads is variously called : MacPherson's Lament / MacPherson's Farewell / MacPherson's Rant.
This tells the story of Jamie MacPherson's trecherous hanging and includes the famous episode where he breaks his fiddle across a stone so no other could play it. His brother was called Donald, but no idea if this is the same.
AFAIK Donald MacPherson's Lament was written later and is not related to your usuall McPherson's Lament.
An interesting little tune nonetheless 
p.s. check your fret for the 1st note of the 3rd bar - s/b 5 ?
Over the years I've seen this discussion come up a couple of times. The views are always split. In each instance, as this one, I seek out some videos before posting. I followed your link this time ... thanks that made it easy. The dulcimer in the video link sounded pretty darn good to me. As in other videos, it played well. I truly hope that yours is even exceptional. Though I haven't seen these dulcimers other than photos and videos, they appear to be put together pretty good. Hope you have years of happy strumming with your new instrument.
Please follow the link here to check the public domain status of the Christmas carol you're thinking of posting on Fotmd... Thanks!
Hey Everyone,
I got my Roosebeck Cutaway on Thursday afternoon. I have to agree with John Stephens. I was SHOCKED at how well it is made. My dad is 90 and has made me beautiful wooden items and he looked at it and said it looked "hand rubbed" I've had some instruments that were made overseas that had visible glue and just shotty workmanship...but honestly this thing is rock solid and very pretty. Also the tuners are very beefy and I've been playing it for probably a total of 10 hours and it's already staying in tune. I bought two sets of D'adarrio strings to change when these get worn. I hear that once you change the strings it will sound even better. ALso the frets are not sharp (i've owned guitars and mandolins where you rub your hand across the neck and it gets stuck on the frets ) but this is NOT the case with this instrument. Now as far as the sound. I think it's pretty loud when you want it to be. I personally think I would eventually like a "deeper" sounding dulcimer or even the dulciborn as I like that sound a bit more...but I'm actually getting used to it and finding ways to play it that emphasize the low d string!
Just thought I would let you know.
Take care
Maria
Thanks everyone for your input. In the end I went with the Ron Ewing. I called him up and spoke with him and he was very nice to speak with. I told him that maybe someday I would be buying one of his custom ones!! I mailed him the check on Thursday and I hope to be getting the capo by the end of next week!
I'll let you all know how it is etc.
Take care
Maria
Thanks Rob!!! I'll search for the other one.
Thanks, Jim, I appreciate it.
I dont live in that neck of the woods but if I did I would surely check it out thank ya all !!!
Jeff
Thanks for them both Rob. Didn't comment on the first one you posted, but I'll comment here for them both.
Here's another shorty I've been working on for a little while. Donald MacPherson's Lament is a Scottish Slow Air for the pipes. The tab is in DAA, played from 0 to 7. I'm hoping to add a DAd version in the higher octave. Enjoy. There may be more coming in book form if I can keep up this pace LOL
Then there is the poor mans capo. I personality don't use them. But if I need one, This works for me.
Daa capo second fret gives a deadly pritty Polly... Robert...
Robin.... I prefer to re-tune, but sometimes those durn fiddlers want to jump right into a tune in a different key. A capo is the quick way to get there (unless they're going to C lol.)
Here's a mournful little Russian song, requested by Oliver Ogden. It's 2 pages: the first just the melody playing using a capo on 1 in DAd tuning; the 2nd is still in DAd tuning but using chords without a capo, still in E minor. It was a fun song to tab out and will be a great addition to the repertoire.
I understand it very well, believe me I play a lot with other instruments, special the violin. The violin is a chromatic instrument and transposing, or just shift your fingers, is rather easy, where on the dulcimer the diatonic fret board is a hazard. Violin players won't give up playing open strings 
, unless they are more secure about there playing. (When a singer better sings in Eb rather than in D, the violin player is against plying a different key, not the guitar nor the bass player. I will not mention the percussionist.
To use a capo the best way is on a chromatic dulcimer, so playing a lot together with other instruments, leave the diatonic ones behind.
BTW to make the sound of the guitar more flamenco, flamanco players use another guitar made of different wood. Using a capo is a trick, but doesn't make it sound gypsy like. https://en.wikipedia.org/wiki/Flamenco_guitar
Lexie, I hope you'll be able to travel southeast someday and visit, play some tunes and share in fellowship at a mountain dulcimer gathering!
Wout, I don't think you understood the first part of my response. Fiddlers (especially) play songs in certain keys, they won't play a tune written in the key of A in D. That's where the capo comes in. When you play with other instruments, they are not going to play everything in D. A capo is quick way to get to G or A (with a 6 1/2 fret) on the dulcimer.
Actually, it was given to Jean when she won an award (the name escapes me), and donated to HSS by Jon & Peter upon her passing. Four of those "award chairs" are in the Great Hall - James Still, Albert Stewart, and (I think) Loyal Jones.
Donald MacPherson's Lament.pdf - 25KB
