Terry McCafferty makes some really nice capos for a little more money than the economical Ewing capos (which are generally a good value). I have purchased 4 of Terry's capos. Nice mechanism, consistent pressure across the strings.....my favorite dulcimer capo.
https://www.mccaffertydulcimers.com/capos
Can anyone recommend a good dulcimer capo?I had one but the "legs' were too bigl and I broke it trying to tighten it enough to clamp down on the strings of my Folkroots..In this case less is more....As an aside,I used to somehow use an elastic band and a pencil as a capo[laugh] before I knew that dulcimer capos existed...much easier to have a good capo...
/
As KenL says, Georgia really does not have a traditioan of dulcimere building/playing in the same way that Kentucky, or Tennessee or North Carolina or the Virginias do. No known early (1800s or early 1900s) builders or traditional shapes associated with the state. Neither does South Carolina. The reason may be how and from where those areas were settled -no direct connections to areas where the instrument was known, no settlers from other known dulcimer building areas, etc.
(Dale had a shop in Pigeon Forge in the 1990s )
Thanks for the information - could it be Dale didn't make/sell many dulcimers, that it's hard to find out information? Or, maybe because he made them before we could google or post about the dulcimers from Pigeon Forge.
Many thanks for all this information. I shall get the Book.
Two good books on dulcimer history are Ralph Lee Smith's Appalachian Dulcimer Traditions and The Story of the Dulcimer. I suggest doing an internet search for them. Georgia is not known for having a history of mountain dulcimer making or playing. If you just want to know about Georgia, an internet search will provide you will lots of information.
Ken
"The dulcimer sings a sweet song."
Dale had a shop in Pigeon Forge in the 1990s and made hammered and mountain dulcimers. I knew him more as a hammered dulcimer maker. As I recall he did good work and made fine, playable instruments.
Ken
"The dulcimer sings a sweet song."
Thank you very much Ken for all this information.
Do you know where I could find some information about the history of the Dulcimer and Georgia?
Bye
John Pledger lives in northwest Georgia and after he retired decided to start building dulcimers. He is a hobbyist who sells his dulcimers through Etsy. Here is a photo of him with two of his dulcimers. This is what it says on his Etsy page: "I am a hobbyist Dulcimer maker from North Georgia. I make one dulcimer at a time and only seven or eight per year. I enjoy playing the Mountain Dulcimer and attending craft shows with them throughout the year. I meet a lot of interesting people who love art and music. The Mountain dulcimer is arguably the easiest of the stringed instruments to play. I am learning old time American mountain music and Celtic/New age tunes. The dulcimer is the instrument for the beginning string student because of its ease and immediate results." He is a member here and you can search for him under members and send him a private message if you have any other questions.
Ken
"The dulcimer sings a sweet song."
Hello ,
I am new to the community and have played the Dulcimer for a couple of years now in a local folk rock music band from the French Alps.
I recently purchased a Johnny Pledger Dulcimer. Do you have any information on this builder since I got it from a French musician...
IAM also curious about the history of Georgia and its link with the mountain dulcimer. If you can get me any information on the subject I would be more than thankful
Many thanks,
JBaptiste
Sycamore makes good dulcimers.
It has a Janka hardness rating of 770; mid way between Honduran Mahogany at 800+ and Silver Maple at 700. Softer than any of the common American woods used for the rest of a dulcimer body like Walnut or cherry, but a bit harder than Poplar (Janka 550) which makes excellant instruments.
The lower part of the dulcimer top looks to be a crotch, don't know the species.....hard to make out from the image.
Does this 6 string look like a Rippled Sycamore & what type of tone wood would that make
Does anyone own or know anything about Dale Ward's, dulcimers? It's a 6 string Pigeon River String Instrument, handcrafted by Dale Ward 9/24/97
That is a song still under copyright. You may need to purchase the sheet music and then get someone to do the tab for you. It is available here
https://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0152332
in the key of C which should be fairly easy to create tab for.
If you can't find someone to tab it for you, pm to me.
That is a song still under copyright. You may need to purchase the sheet music and then get someone to do the tab for you. It is available here
https://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0152332
in the key of C which should be fairly easy to create tab for.
If you can't find someone to tab it for you, pm to me.
I play dulcimer for residents in assisted living/memory care, and one of the residents loves to sing You'll never walk alone. I would love to be able to play this song for him; I'm hoping he'll remember the rest of it (now he just gets the first 2 lines). I'm sure I can get the lyrics. Does anyone have tablature for this song that I may have? I've checked all the free tab sites that I know of with no luck. I'm afraid I don't know how to write a tab or read music. Thanks for your help with this!
If you google "Don Pedi Youtube" you'll find at least 8 recordings of Don's playing. Notparticularly "instructional videos". The folks who make their living with dulcimer don't tend to give away a lot. But you'll also find links to Don's website with all of his available materials.
The David Schnaufer instructional video may not be available on YouTube. I think I bought a DVD of it years ago. My memory is that it was put out by Homespun Tapes. You can find a few videos of him playing though, and lots of videos of Don Pedi playing.
For one example, here is Don Pedi playing Sally's God Mud Between Her Toes . As Dan and Ken have said, he is the absolute master of the fingerdancing approach and is a font of information about traditional tunes. His website is http://donpedi.com/ .
Thanks all who responded! Dusty, I tried to review the David Schaufner video you suggested, but my attempts at searching got me nowhere. Same for the Don Pedi reference. If they are all on YouTube, could one of you guide me to find both of them, please.
Yep -- what Dan said. Don Pedi is probably THE current master of traditional Fingerdancing. Check out his videoes, how-tos, classes and festival appearances.
I say go to the master, Don Pedi.
If you are Fingerdancing on just the melody string, use whatever combination of fingers in any order that doesn't tie your fingers in knots as you move up and down the fretboard!
If you change over to Chord-Melody style playing, then which finger get usedon which string is more important.
Dusty has pretty well laid it all out for you there...
Jimmy, there is no single way to do this. What works best for you is what's best.
And I think you are right to work on one thing at a time. Don't think about adding chord strums until you have figured out the left-hand fingering.
In David Schnaufer's instructional video, he demonstrates how he uses three fingers (no pinky or thumb) to move up and down the fretboard. As he moves higher than his hand position he uses his index finger, and as he moves lower, he uses his ring finger.
Personally, I use all my fingers since I need all the help I can get! Most of the time I approach the fretboard the way guitarists and violin players do, where you try to minimize hand movement and keep your hand in one position as long as you can, with each finger assigned a fret position. Each position is named for the lowest fret. So if you use your pinky on the first fret and your ring finger on the second fret and so forth, that would be called first position. If you use your pinky on the second fret and your ring finger on the third fret and so forth, that would be second position.
However, whereas on the guitar or mandolin, each fret is of equal size, the dulcimer is missing some frets, so you might sometimes skip a fret. In second position, I might use my pinky on 1 and my ring finger on 2, but then my index finger on 3, skipping my middle finger. Find what is comfortable for you.
Some people use their thumb a lot on the melody string, turning the thumb to the side a bit to be able to use the edge of the nail and slide around like a noter. I do that occasionally out of chord positions, but not most of the time, since using your thumb comfortably means the other fingers don't line up on the melody string as easily.
However . . . and you may not want to do this . . . once you are using your fingers you are no longer limited to the melody string, and "My Bonnie Lies over the Ocean" is a good example of why. The song begins with a big jump from 4 to 9, and even goes down to 2 on a couple of occasions. That's a big jump. It's fun with a noter, but not so fun with your fingers.
But if you are tuned DAd, then any note on the melody string is also found on the middle string three frets higher. So the first note of the song could be the 7 on the middle string. That 2 on the melody is also the 5 on the middle string. The whole song can be played between 5 and 9, which is a much easier stretch, isn't it? Attached you'll find the melody of the tune using both melody and middle strings. Give it a try and see what you think.
I’m learning how to play the MD again after many years. I’d like to stop using a noter for the melody and use my fingers as a noter substitute instead. I need suggestions about how to approach assigning my L, R, M, I, T fingers to playing a piece. I’ve attached a score sample that id like to work on. Are there general guidelines to do what I want to accomplish. (I think it might be easier to add chord strums later if I get my fingers trained to work with intervals‘ now. Right?) Thanks to any help anyone can give me. 🤓
The “possum board” is sometimes an enhancement to the volume of a possum fiddle.
Picture! Picture! Picture!
Thanks to all who responded. I finally got things right. I was missing the .15" allowance for compensation. When I
took that into consideration and ran it on a fret calculator, I ended up with a 25.5" VSL, so from the nut to octave is 12.75" but octave to bridge is + or - 12.9"
Bill R
The width of nuts/bridges, and the depth of the notches aren't terribly important. The distance between the inside edges is. the VSL. If the nut & bridge are that bad, it would probably behoove you to make new ones.
Still would like to see pictures -- overall plus closeups of the places where the nut/bridge ought to be.
Sorry, I forgot to say to set the bridge to the same measurement as fret 1 to fret 8.
Hey Dusty! Many thanks for your detailed reply. You nailed it! The slide is what I’m trying to execute and the video cemented it all together. I’m going to keep it handy when I’m ready for those techniques. Jimmy
@jimmy-g, there are three left-hand techniques that can be used: hammer-on, pull-off, or slide. They all involve moving between notes on the same string.
A hammer-on is used to move from one note to a note that is higher. Strum or pick while fingering the first note and then push another finger down cleanly and deliberately to get the second note.
A pull-off is used to move from one note to a note that is lower. You have to have both fingers in place first first, but then you strum or pluck while fingering the first note and then you pull off that string, plucking it slightly with the fretting finger as you let go.
A slide is used to move from a note to another note higher or lower. Fingering that first note, you strum or pluck and then literally slide your fretting finger from the first position to the second, holding your finger against the fretboard the whole time.
I think I once made a quick video explaining these techniques. If I can find it, I'll edit this post and add the link.
Edit: here is a video demo I made some years ago:
Obviously, my camcorder was not up to today's standards, but hopefully the video still has some value.
By the way, I consider these "legato" techniques rather than "slurs," but I think we are both talking about the same thing: how to smooth the transition between notes rather than rely on a new strum or pluck with the picking hand.
If you are playing with a noter, you can obviously employ the slide. You can also employ the other techniques, too, if you rely for one of the notes on an open string.
You could try tuning the bass string to C on the 7th fret, position a nut, then tune the melody open to the bass 7th.
Hello Ken and Jost…. Thanks for your replies! The slur is between different 8th notes. (Tuning DAD)
Playing on the cello, a slur between different notes means I continue to bow in the same direction while changing notes. A tie is between two of the same notes and just continues the time value and there is no interruption in the sound.
So I don’t know how to get two different pitches out of 1 strum. The music I’m working on is from Thomas Ballinger’s "Dulcimer Songbook."
Also, replying to your posts was a bit confusing and I’m not sure how I got to this place. So if you could please guide me in that again, that would be really helpful.
Thanks,
Jimmy
There are 18 Dulcimer frets, no real marks showing the locations. I sketched it out in CAD and it appears to be 25 3/8 " VSL . When set up I tuned it to C, checked at first Octave, OK Checked second Octave ,Very close but when I note it at the first fret, it is Sharp. The original bridge and nuts were included, they were 1/4 to 3/8 wide and deeply notched, looks like they were an after an alteration
Slur between two of the same pitch -- d-d? Or different pitches d-g?
Do you have a sheet for the tune? Which Mode / Tuning do you try?
There are several 8th note slurs in the MD piece I’m working on. Haven't got a clue how to play them. Help, please. Thanks, Jimmy
Thanks again Ken and Ken. Yes, I had searched for info on a Wizard dulci.... nothing. No label can be seen thru the f holes. Nice to know it might be fairly decent. I have been keeping it as close to 40% RH. Not easy here in the high mountain/desert of western NV.
Thanks kindly. That explains a lot. Thanks for the link to string info too.
Twain (Sagebum)
My Bonnie Lies Over the Ocean (melody only).pdf - 238KB
