FOTMD one year anniversary on July 29th, 2010 !
OFF TOPIC discussions
Strumelia, that is not really you is it? Tho' I suppose the hunk of pie might just be a link!! And party time is nearly with us................John
Hey you guys are starting to embarrass me!
(but thanks!)Remember, FOTMD stands for friends (plural) of the mountain dulcimer. It's not about me- this place would be pretty dull with just me here!
We should all pat ourselves on the back for making this place special. It's so great to have this little shack where any of us can just stop in anytime, sit on the porch to cool our heels, swap stories, work out some tunes, show some snapshots, and cut ourselves a hunk o' 1 year anniversary pie in the kitchen...
Yes, Strumelia is a sweetheart!Thanks, Strums for all you do for us.Happy Anniversary.Michael Vickey www.goodfornuthin.com. . . I assume we have simply taken on the personality of our beloved founder, Strumelia, who continues to nurture us with her knowledge and love of traditional music and those who like playing it.
Thanks Lisa for all you great work, you are special.
Joe
Ya done GOOD, girl!
Coming up on July 29th 2010.....Friends of the Mountain Dulcimer's ONE YEAR ANNIVERSARY .
How can it be ?? Seems like just a few short months ago.
And as if that weren't exciting enough....
likely in August a week or two right after that, we will reach 1000 MEMBERS . Amazing!
love the idea
Diane in Chicago said:
I know this thread has gone quiet, but thought I'd chime in late. I mark my fretboards with a 1/4" punch from a medium weight guitar pick. They come in lots of colors and you make the punch with the old office hole puncher you have laying around. The newer punchers are often made of softer metal and can easily be bent out of shape.
I drill the 1/4" hole in the fingerboard with a Forstner bit so it is nice and flat on the bottom. A drop of gel super glue holds in in place. I use a credit card or a business card to tap it flush with the surface of the fingerboard. Do not use your fingers, you'll never get it in straight and even that way.
This is an admittedly down-scale material, but my instruments are made from discarded tobacco containers, so they match, aesthetically and price-wise.
Bill
I have always inlaid mine and set them in an epoxy putty. I always do inlays before frets so that the board can be truly leveled. I usually use a M.O.P. dot, ocasionally Paua shell or box wood, or other contrast hard wood and once for fun some tiny pearl shirt buttons.
I have seen old coins with appropriate dates used and cut coins such as the irish hare, the farthing wren etc.
It is up to you, whatever floats your boat!
Beginning violinists are often given fret markings, in the form of bright colored 1/8" wide tape. Check with a music store that rents student level instruments for the tape. A lot of household tapes may be hard to remove, or leave glue behind. Masking tape is designed to be removed easily, as long as it doesn't stay on too long. Over time, it becomes very hard to remove cleanly, and leaves glue behind. If you use masking tape, remove it every few days and put a fresh piece next time you play. Stay away from duct tape, cellophane tape, electrical tape friction tape, etc. You might try the plastic static clings people use to decorate windows. I never tried it, but it might stick well enough. There's no glue on it to cause trouble.
Paul
Paul
Thanks Robert. I agree as to developing a mental image of the fretboard. I'm just temporarily thrown off with the addition of that 1 1/2 fret and I hoped a marker on the 2nd fret would help me get accustomed to that new fret until my mind automatically 'saw' it. That's why I only wanted something temporary. As it is now, I had no markers put on my Blue Lion because I didn't want to be dependent on them as you wrote. I just need something temporary that won't damage my beautiful fret board. Thanks again Robert .......... Barb
I had a 1 1/2 fret installed recently and I'm getting thrown seeing it when I play and it makes me hesitate when finding frets 2 & 3. I know I'll get used to it eventually but, for now, it's really throwing me off. Until I can wrap my eyes/mind around this new addition, I'd like to put a few fret markers in place. Can anyone suggest something temporary that I can use to do that without damaging my fretboard? Thanks for any suggestions.
If there is no 6+ fret, I would tune DAA and play melody-drone or noter & drone style.
Linda,
You may want to refer your friend to the following website. It has some background information on John Maxwell, including an estimate of the current value of one of his dulcimers.
http://www.planetdulcimer.com/vintage/john_maxwell.html
Greg
I got a call yesterday from a lady in my area who saidshe had a dulcimer bought in 1976 and never playedSo i checked it put and it is a wonderful instrumentbuilt by a John maxwell at the Upper CumberlandCraft Center in Cookeville , Tenn. It is in a finelycrafted wooden box and has been stored there since1976. Beautiful instrument with lively carved tuning pegsand is set up with 4 equal distant stings, 2 of whichare base strings. Will try to post a picture on my home pageas I'm sending this from an iPhone and don't know howto do it . If you know any history please let me know.
Just listened to the first song...what fun! Can you tell me the name of it? I would love to learn it.
Linda
Good point, John, especially in the context of a discussion specifically about a "beginner" jam. I, too, have attended a couple of those hardcore Irish jams where everyone knew every song and what order they would be played in. Those jams are indeed not welcoming to beginners or even intermediate players.
But jams sometimes evolve. I used to frequent a bluegrass jam in the Bay Area (with a guitar and mandolin, for I had no idea what a dulcimer was back then) that was held weekly in a small fish taco joint. There was a small group of hardcore folks who played really tight music, with precise harmonies and stellar solos. It was hard to join in. I was just happy to play chords to back 'em up and never dared take a solo. But then that core group started their own band (and still play around SF, I believe) and left the jam behind. That opened it up for those of us who were not quite up to their speed.
We couldn't get Guiness on tap (my favorite, too, Robin) at that fish taco joint, but we had plenty of Bohemia and tequila, and the Mexican seafood was spicy enough to light the wicks on our picks and get some happy music going. Some customers seemed surprised to find bluegrass and old timey music in a taqueria, but everyone seemed to have a good time. The jam was good for business, so the owner loved having us around.
Of course, that was years ago. For all I know that space is a Starbucks now.
John Henry said:Hi Dusty, a nice thought, but a better statement might be "many British pubs.............." I live in a fairly big city, and would be hard pressed to find a folk based music session every night, and even when one does, they are not always welcoming. Ever tried joining a hard core Irish session? You need to know every note and play em in exactly the right way to suit that group. So most of us know that special pub where the session accepts just about anyone ( in my case, a hammered dulcimer) Having said all that, some of the happiest most memorable times of by later life were sitting in with others and playing whatever as it arrives!
my regards,
JohnH
Dusty Turtle said:OK, I have to confess that I have a large, flat-screen TV in my house and indeed watch sports and grill food, sometimes at the same time. But chez moi you can also find several guitars, a mandolin, a fiddle, two ukuleles, two banjo ukes, a dulcimer, two autoharps, numerous pennywhistles, a limberjack . . . and no amplifiers!
A sports bar is obviously not the best place to gather for an acoustic jam. But any British pub is (unless a World Cup match is in session)! In general, the more Bud Light served the less likely acoustic folk music will be welcome, but the more Guiness or IPA around, the more the patrons might enjoy Billy in the Lowground or Blackberry Blossom or Flowers of Edinburgh or . . .
Hi Dusty, a nice thought, but a better statement might be "many British pubs.............." I live in a fairly big city, and would be hard pressed to find a folk based music session every night, and even when one does, they are not always welcoming. Ever tried joining a hard core Irish session? You need to know every note and play em in exactly the right way to suit that group. So most of us know that special pub where the session accepts just about anyone ( in my case, a hammered dulcimer) Having said all that, some of the happiest most memorable times of by later life were sitting in with others and playing whatever as it arrives!
my regards,
JohnH
Dusty Turtle said:OK, I have to confess that I have a large, flat-screen TV in my house and indeed watch sports and grill food, sometimes at the same time. But chez moi you can also find several guitars, a mandolin, a fiddle, two ukuleles, two banjo ukes, a dulcimer, two autoharps, numerous pennywhistles, a limberjack . . . and no amplifiers!
A sports bar is obviously not the best place to gather for an acoustic jam. But any British pub is (unless a World Cup match is in session)! In general, the more Bud Light served the less likely acoustic folk music will be welcome, but the more Guiness or IPA around, the more the patrons might enjoy Billy in the Lowground or Blackberry Blossom or Flowers of Edinburgh or . . .
Forget the food - I'd go straight for the draft Guiness!!!!
It is good to hear you have a welcoming music scene in your town Strumelia.
I think that we should make the effort to reclaim our bars and other public spaces for live music. We have had to fight a number of battles over here. And the musicians' political lobby has stopped draconian licencing regulations and amended by-laws on music in bars and other venues. We can now play "incidental music" without the venue needing a music licence. This basically means that you can get paid for a gig and as long as the venue is not selling tickets specifically for your gig then they don't need a licence. Pub landlords have become far more welcoming since this law change.
We do have flat screen TVs in pubs over here (but we nick the TV remote from behind the bar at the George when we arrive so we can swich it off). Carrying one of those universal remotes in your MD case should solve that issue in most bars
I totally agree! We've migrated towards playing at our town's farmer's market instead of the pub. We do it for free as our way of giving to the community. I like the scene at the market, and we can hear ourselves better and sit in the pleasant outdoors amongst good food. We do some charity and community events for free. Other gigs we get paid for.I think that we should make the effort to reclaim our bars and other public spaces for live music.